NOTE IMDb
6,6/10
4,9 k
MA NOTE
Ajouter une intrigue dans votre langueA drama centered on two women who engage in a dangerous relationship during South Africa's apartheid era.A drama centered on two women who engage in a dangerous relationship during South Africa's apartheid era.A drama centered on two women who engage in a dangerous relationship during South Africa's apartheid era.
- Récompenses
- 18 victoires et 2 nominations au total
David Dennis
- Jacob
- (as David Denis)
Scot Cooper
- James Winston
- (as Scott Cooper)
Avis à la une
Cinematographically perfect,location likewise,casting could not have been better,the pace of the tale was brilliant. I loved this film,it was film-art. I loved it and was pleased that the ending wasn't 'Hollywood or Bollywood'. I couldn't have agreed more with the previous reviewer. More tastefully executed films like this please ! It is a must see and worthy of 10 gold stars by any standard. I have never seen a film that has touched on the lives and times of immigrant East Indians in South Africa,before and I found it to be an eye-opener and quite profound. I suspect that there must be a multitude of similar tales in need of being told from all British Colonies of the time.I'm not about to make excuses nor sympathies as I think it ridiculous to apolgise for the behaviours of past peoples. I endeavour personally to never repeat such practises myself! Nor should you.
I just saw this film at the London Film Festival. It sold out in two days and they are putting an extra screening!
This film tell the touching journey of one woman trying to find the courage to be herself in an oppressive (but not overly so) marriage with a bit of help from another, wildly independent and free-spirited woman. The background is 1950s South Africa and its despicable apartheid policy. Throughout the film are stark reminders of what that meant for blacks, whites and the Indian community.
No clichés here, just wonderful brush-strokes forming a charming and riveting film.
This film tell the touching journey of one woman trying to find the courage to be herself in an oppressive (but not overly so) marriage with a bit of help from another, wildly independent and free-spirited woman. The background is 1950s South Africa and its despicable apartheid policy. Throughout the film are stark reminders of what that meant for blacks, whites and the Indian community.
No clichés here, just wonderful brush-strokes forming a charming and riveting film.
For anyone looking for an innovative or breakthrough film here, look elsewhere. This is a formula film with a capital F and you can predict its progress in the first 3 minutes or so. Sometimes that is OK if the ride is exceptional. This time it is so-so.
The upside: Good if standard cinematography/camera work and editing, believable sets. The subplot with the white bank employee and the mixed race cafe owner is more interesting and suspenseful than the main plot.
The downside: This comes from just how much this film relies on cookie-counter elements. No white or Indian male (save one who appears briefly) or conventionally minded woman is allowed to have a redeemable feature. They are quickly established as people that you will not have sympathy for. Likewise the setting in institutionally suppressive South Africa 1952 is just sooo perfect to inject a touch of brutality and righteous indignation and a hint of a political edge to a very tired story line.
This sets the stage for the predatory/touristy lesbian tomboy to enlighten the frustrated housewife. Yawn....
Then we get the blues-jazz piano intro, some poetry, endless, furtive longing glances, the questioning of values and life goals, the symbolic-suggestive one liners, the moments of crisis, the resolution and the folk song over the ending credits. All formula. Been there, done that.
The upside: Good if standard cinematography/camera work and editing, believable sets. The subplot with the white bank employee and the mixed race cafe owner is more interesting and suspenseful than the main plot.
The downside: This comes from just how much this film relies on cookie-counter elements. No white or Indian male (save one who appears briefly) or conventionally minded woman is allowed to have a redeemable feature. They are quickly established as people that you will not have sympathy for. Likewise the setting in institutionally suppressive South Africa 1952 is just sooo perfect to inject a touch of brutality and righteous indignation and a hint of a political edge to a very tired story line.
This sets the stage for the predatory/touristy lesbian tomboy to enlighten the frustrated housewife. Yawn....
Then we get the blues-jazz piano intro, some poetry, endless, furtive longing glances, the questioning of values and life goals, the symbolic-suggestive one liners, the moments of crisis, the resolution and the folk song over the ending credits. All formula. Been there, done that.
i saw this film at the London Film Festival ... drawn to it by the subject matter ...
but what a disappointment - the acting was at times cringe worthy ... the script was at times so obvious and telegraphed, you knew at the start of a scene where it was going ...
and there seemed to be an over-reliance on the period props - just having a nice car, is not enough to carry a scene ! the writer/director was there to take the plaudits - she said that with the film being such a small, low-budget production, she had been able to chose the music, and the main casting.
unless you have a strong interest in the subject matter, this is definitely one to avoid.
but what a disappointment - the acting was at times cringe worthy ... the script was at times so obvious and telegraphed, you knew at the start of a scene where it was going ...
and there seemed to be an over-reliance on the period props - just having a nice car, is not enough to carry a scene ! the writer/director was there to take the plaudits - she said that with the film being such a small, low-budget production, she had been able to chose the music, and the main casting.
unless you have a strong interest in the subject matter, this is definitely one to avoid.
The World Unseen is an outstanding movie about the topic of apartheid in the last 20 years of 1900 placed in south Africa. The interpretation of the actors and actresses is perfect, In particular Lisa Ray is perfect in playing the role of ingenuous wife submitted to the husband's rules. Even Sheetal Sheth in her character is very heart-warming. The story is exciting and rich of twists and involves the spectator make him aware of the pain of character. I suggest to the movie to everyone interested in this kind of plots especially to whom is interesting in lgbt movies. There is also the book of this movie that is amazing as well.
Le saviez-vous
- AnecdotesAccording to director Shamim Sarif when this film was sent for consideration to a film festival in Dubai, the DVD was mailed back to them with a note, which simply stated "the subject matter does not exist".
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is The World Unseen?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Невидимый мир
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 17 808 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 031 $US
- 9 nov. 2008
- Montant brut mondial
- 23 101 $US
- Durée1 heure 33 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant