Resiklo

2.9, really? I mean that is one of THE lowest scores I've ever seen for a movie here. I mean total trash and drivil gets rated higher than that.

Okay... this is no masterpiece. But, quite honestly, if you just take out some of the super Cheeeeezy dialog here and there, you actually have quite a fun Robot/Alien movie. Even the V effects I thought were quite good. Good stop motion on the robots, really good sets probably considering the money they had to work with. And, to be a 'Guy' (my apologies..) some really rather pretty girls if I may be allowed to say so. I think I fell in love with the blind girl, Lovely! : )

Anyway, with the real, genuine low budget garbage out there, how can this fairly competently made movie possibly be rated a 2.9? No way... And, I'm not one to be quite as forgiving for really low budget Cheeeezy movies as others are (I'm looking at you Leo 'Geek Legion of Doom') I honestly felt that for what this was that the filmmakers made a genuine effort to make a good film with an effective if simply story, good effects, and some really fun Robot/Alien action.

So, if you are a fan at all of somewhat low-budget Asian Sci Fi films that are made with some decent effort, and especially if like me you really dig some good Robot action, this movie truly has I feel a lot of fun, entertainment value and is FAR and above better than most of the REAL crap out there.

Due to the seriously egregious and completely unmerited low score, I gave this a generous '7' which for the way I rate films that means that for me personally it was a solid, fun watch.

I don't know what these jaded fools are expecting out there, like 'TRANSFORMERS' visual quality (this movie I thought was more entertaining than some of those multi-billion dollar Michael Bay travesties out there) but, graded by comparison to other similar movies, I would say that if you like this kind of Cheeeezy fun, but honestly done fairly well, there should be no reason at all that you shouldn't enjoy this one to some extent.

I recently had the pleasure of watching the mind-bending cinematic masterpiece called "Transmutators," and I can confidently say that it's a life-changing experience that had me laughing, crying, and questioning the very fabric of reality. This sci-fi extravaganza seamlessly blends humor, heart, and a dash of absurdity to create an unforgettable journey that left me utterly transfixed!

From the very first scene, "Transmutators" takes you on a rollercoaster ride of emotions, effortlessly blending hilarious moments with profound introspection. The performances are stellar, with each actor brilliantly bringing their characters to life. I was particularly mesmerized by the dynamic duo of Ted McLaughlin and Jane Hilarious, who delivered side-splitting comedic timing and heartfelt depth.

The plot itself is a delightful concoction of interdimensional hijinks and philosophical musings, with twists and turns that kept me on the edge of my seat. It had me pondering the true nature of existence while simultaneously cracking up at the cleverly written one-liners sprinkled throughout the movie. Trust me, you'll find yourself quoting them for days!

Adding to the sheer brilliance of "Transmutators" is the masterful use of laugh tracks. It's like having a personal audience in your living room, heightening the comedy and ensuring that every punchline lands with maximum impact. The infectious laughter from the tracks had me in stitches, transforming my living room into a comedy club!

This film not only entertained me but also had a profound impact on my perspective. "Transmutators" tackles themes of personal growth, embracing change, and the beauty of embracing the unknown. It reminded me that life is a cosmic dance, and we have the power to transmute our realities through laughter and embracing our own quirks.

In conclusion, "Transmutators" is a transcendent cinematic experience that will leave you rolling in the aisles, questioning the universe, and contemplating your own transformative journey. It's a hilarious, thought-provoking adventure that will make you laugh until your sides ache and ponder the mysteries of existence. Don't miss it-grab your popcorn, buckle up, and let the transmutation begin!

Sound of roaring laughter, accompanied by applause

Catchphrase: "Transmutators: Laughter that Transcends Reality!"

"Resiklo" (literally, "Recycle") certainly wouldn't be the worst film this side of the planet you'd see this time of the year. But any hope that this mega-budgeted movie (at least by Philippine standards) would enthrall will depend on how high you place your expectations as much as where you place them. This Metro Manila Film Festival (MMFF) entry offers a grand production design and decent CGI although the robots are only fun in small doses. Keep your expectations at bay and that may suffice to vindicate P120 off your pocket. But it's still a sad shadow of what could have been a terrifically tense Filipino sci-fi.

In 2021, the Earth is invaded by alien beings (Balangs) who then engage humankind into a worldwide war, destroying all the planet's natural resources in the process. In a post-apocalyptic Philippines, a band of survivors live in an undisclosed place they call "Paraiso," an underground society so hidden everyone else thinks it's a myth. Nevertheless, the people of this place fend themselves through their sheer ingenuity, using recycled scraps they regularly scavenge from the outside world for their basic necessities.

But eventually their hideout is located by the Mutanos, a group of beings who were once humans, but were converted by the Balangs into a superior mutated sentient. A chance encounter between Crisval (Bong Revilla), one of the residents of "Paraiso," and the son of the leader of the Mutanos leads to the death of the latter, and ignites the wrath of the Mutanos and wages a war against the humans.

The concept is actually fun but the perfunctory and predictable script, plus the embarrassingly wooden acting from Revilla limp this film right out of the door. Written and directed by Mark Reyes, "Resiklo" was supposedly pitched as an idea for a television series, but eventually landed onto the big screen courtesy of Senator Bong Revilla, who stars and co-produces. Reyes has a comparatively more coherent hold of the narrative this time than in "Mulawin: The Movie" two years back, but the rush to cover the expansive mythology shows through this anecdotal sort of a movie, following a number of characters from plot point to plot point but not offering a whole lot on the way of a sensible story. And the dialogues are written in dreadfully serious manners, it's hard not to force a groan when Revilla utters lines like "Overstaying na kayo, dapat na kayong i-deport (You should be deported for overstaying)!"

This leads to the film's biggest problem: it's boring. There's action scenes to be sure, but most of the film involves people walking around looking for scraps and faux-politicians talking about what they intend to do next to survive. The bland dramatic scenes then are punctuated by action scenes that are awkwardly edited and painfully lacking in the sort of visual detail that really makes them adrenaline-pumping. The movie's selling point of robots battling each other occur so short and so fast, and the rendering of the animation is at times so inorganic it's distracting. Personally, only one fight scene stands out and surprisingly it's that of Empress Schuck, where her blind character fights off Mutanos soldiers with her walking cane. Sexy.

Which makes you wish that the girl gets more butt-kicking screen time. Or maybe instead of playing a doctor (which takes a lot of time buying into), Michelle Madrigal were cast in the lead role wearing skimpy outfits, gunning the enemies out, ala Milla Jovovich. It wouldn't make the movie anymore logical, but it certainly would make it more interesting.

Oh well, what can I say, as someone who is involved in movie production, I keep a certain level of lenience when it comes to films that dares to be different with regards to how the story is told. If you strip a particular movie to its core, basically, its no different to any other movie out there, good or bad, Oscar winner or Razzie winner, its, like I said, how its told and that's the main thing that separates the good from the bad ones.

Going back to Resiklo, I must say it started out OK, the opening sequences were fine, though, that huge meteor looked so animated, but the succeeding sequences were good, especially the explosions on earth viewed from outer space. The whole movie starts to falter when we meet the protagonist, good ole' Sen. Bong Revilla, oh man, he's too old to be playing roles like this. So, we see him walking in this huge wasteland, supposedly caused by the alien invasion (which Im also assuming has happened a while back) and we see him in this weird attire yet his face looked like he just stepped out from the Senate. I mean, where is characterization here? Should you look at least, say, filthy, unshaven, haggard and stinking if your world was devastated? I'm sorry, but from the moment I saw him, it all went downhill for me. And as more as we get to know him, the less we feel empathy for him. The screenplay and direction was, pardon me for the word, inept. It was so conscious in making scenes stand out and polished that the director forgot how to organically weave all these scenes.

The supporting cast were lousy, especially his sons. Their acting was cliché and never really served any purpose to the movie. The only interesting character that came pretty close to convincing was Empress Schuck, but sadly hers was poorly developed. The only thing consistent was making the antagonist as less interesting and boring as the protagonist, at least in that regard, both were balanced.

The screenplay was laughable, and I had my loudest cackle when Sen. Bong says' "over-staying na kayo, dapat na kayong ideport!" What a line! The Christmas sub plot wasn't organically weaved into the story, Mark Reyes should've stayed on this subject, and it would've made the whole story interesting and relatable. That whole "singing/praying" montage was just for show and it felt an MTV that didn't belong to the movie.

As for the dull climax, well, there's nothing much to say, except that you know what will happen. I mean, there's a certain level of predictability in every movie, but how it takes its course is where the ingenuity of the storyteller comes into play.

Don't take yourself so seriously as an "IMDb movie critic" . Smoke up, have low expectations and enjoy it for what it is. The Filipino Flash Gordon meets The Matrix meets Star Wars on a 100k budget.

The scene where the kids crash the jeep off of the bridge at 5 MPH, was pure comedy gold. We had to rewind 10 times and EVERY single time we were brought to tears with laughter.

The scene where the aliens beam down Star Trek style is beyond hilarious.

Terrible plot, acting, terrible CGI, terrible voice dubbing, blatantly ripping off other movies etc.

I haven't laughed so hard at a ridiculously silly movie in a long while, and that's the point. It does not take itself seriously, neither should you.