Artie et Diane acceptent de s'occuper de leurs trois petits-enfants pendant l'absence professionnelle de leurs parents. Des problèmes surviennent quand le comportement des enfants entre en c... Tout lireArtie et Diane acceptent de s'occuper de leurs trois petits-enfants pendant l'absence professionnelle de leurs parents. Des problèmes surviennent quand le comportement des enfants entre en collision avec celui des grands-parents.Artie et Diane acceptent de s'occuper de leurs trois petits-enfants pendant l'absence professionnelle de leurs parents. Des problèmes surviennent quand le comportement des enfants entre en collision avec celui des grands-parents.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 4 nominations au total
- Barker Simmons
- (as Kyle Harrison Breitkopf)
- Brad Zolick
- (as Justin Kennedy)
Avis à la une
I like Billy Crystal and Bette Midler. I like their chemistry. I like their 'old fashion' ways. But some really stupid scenes destroy any chance this movie had. Grumpy Billy Crystal has some funny moments. Bette Midler is likable as the peacemaker. But by the middle of the movie, they just piled on one too many ridiculous premise to accept, and the movie falls apart.
It is obvious to me that neither Billy Crystal or Bette Midler get too many good movie roles nowadays, and I think you can clearly see their joy at being back in the limelight in starring roles. They deliver strong performances and have great timing, and it is a pity that the source material is so weak to begin with. The basic plot is okay with me, but some of the comedy is far-fetched and grandchild Barker's bizarre behavior is used as an excuse for comedy too many times.
I liked a couple of scenes, which deal with the pressure of constantly keeping up with the technological advances of this day and age, with Artie losing his job because he doesn't tweet or know what an app is. This is a very relevant issue and unfortunately it is lightly dealt with.
All in all, the plot is thoroughly predictable and the points the movie wishes to make are obvious to all without any hint of subtlety, but the strong acting performances saves it from being a train wreck.
Le saviez-vous
- AnecdotesThe movie was shot in late fall-early winter. The grass at the Atlanta home was dead, and had to be digitally colored green.
- GaffesWhen Artie is searched by the TSA there are (what appear to be) U.S. Marines behind him to his right wearing desert camouflage uniforms. U.S. Marines are not authorized to wear camouflage uniforms off-base unless authorized by their command(s). Also, from October 2011 through March 2014 Marines did not wear their sleeves rolled up.
- Citations
Drayton Glass: We're looking for guys who Tweet.
Artie Decker: I'll tweet, I make any kind of noise you want.
- Crédits fousThere is one final scene, after the end of the credits.
- ConnexionsFeatured in The Tonight Show with Jay Leno: Épisode #21.48 (2012)
- Bandes originalesPossibilities
Written by William Peterkin, Barbara L. Jordan (as Barbara Jordan) and Daniel Mark Thompson
Performed by William Peterkin (as Pete Peterkin)
Courtesy of Heavy Hitters Music Group
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Le choc des générations
- Lieux de tournage
- Johns Creek, Géorgie, États-Unis(OceePark)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 77 267 296 $US
- Week-end de sortie aux États-Unis et au Canada
- 14 554 053 $US
- 30 déc. 2012
- Montant brut mondial
- 119 772 232 $US
- Durée
- 1h 45min(105 min)
- Mixage
- Rapport de forme
- 1.85 : 1