Lo

This movie was everything i didn't expect when reading the synopsis on netflix. I had went into it expecting a sort of pans labyrinth search for his girlfriend. Instead, I was completely in awe of the use of what i thought was stage acting on a stage itself. The story and plot is what kept me intrigued until the great twist. Great film, if i had to rate it i'd personally give it 8 out of 10. Even though it was a bit cheesy at parts Lo is still an achievement of biblical proportions. To take such a story and portray it in such a way was absolutely marvelous. and a great Film overall as well. I would recommend this to any movie fanatic. and i have many times..........

i came across the demon lo by accident scrolling through netflix. i was intrigued by the number of high reviews it received by viewers so i took a chance. it was like nothing i anticipated, but i think i enjoyed it more for that reason.

if you are expecting a "D" level horror movie filled with blood, guts, and a predictable plot, you should probably watch something else unless you are willing to be pleasantly surprised.

"lo" was a department store film wrapped up in dime-store wrapping paper, but the contrast made it the perfect combination. though obviously low budget, betz makes this film powerful through dramatic makeup, great lighting (the room where the story takes place could be a bedroom or a warehouse), and clever comebacks.

however, there were parts of the movie even i struggled to get through. the bartender dance scene was painful. i felt embarrassed for the guy. the "fight scene" was almost too cheesy and the "drama faces" in the flashback scene curtains were over-the-top.

but, if you can put up with a little bit of cheese to taste the wine at the end, you'll be the better film fanatic for it. well done, betz. well done.

What a fascinating movie. That's really the best way to describe it: fascinating. There is something about Lo that is strangely intriguing. It's hard to explain. The plot is very simply. A young man named Justin is in love with a woman who is unexpectedly taken away by a demon. Justin summons a different Demon by the name of Lo in hopes of getting his girl back. This plot develops into a complex but very intriguing narrative with great acting and costumes, despite it's low budget. (The whole film takes place in one room). It's hard to explain, but there was something about Lo that I really loved. I guess it's the way that this movie really cared about it's characters. The characters were deep and well written. Really great movie.

This one surprised me. . .I call this a 'Profane Comedy' as a counterpoint to what we know as 'Divine Comedy'. I was expecting a low budget slapstick horror romp: Boyfriend loses Girl to a Demon and then summons a demon to get her back-- but the tagline is that "the Demon has Other Ideas" Then the movie started.

Then I saw that it was actually a PLAY. And I normally don't like Plays. But I didn't hit the BACK button and remove it from my Netflix Queue. Why? The acting wasn't stilted or boring, and the dialogue was pretty 'with it'.

Now the humor is there, but it's light humor. And the Humor is light because it covers a deeper dramatic question. Some of it was strained and reaching. Other parts were nicely comedic. And the reason the structure of the sets seems so. . .staged. . .is because the focus is NOT about the HORROR about dealings with Demons. It's a play about Dealing with Demons.

And the ending was, from a Guyz perspective. . .disturbingly touching.

Girlfriend Friendly movie-- and a Girlfriend Test. If she fails: Dump her.

What Lo lacks in financial backing it makes up with extreme originality in order to tell its story. Pitfalls are turned into opportunities, making business moguls jealous of its commerce of fiscal efficiency. The result is not perfect, but wickedly entertaining nonetheless. The script is the first step towards admiration or atrocity, with Lo hurdling over the trappings of disaster with its high school simplicity done fabulously right. The acting was surprisingly good, with the beast's humorous sentiments only to be challenged by our hero's facial contortions ala the school of Bruce Campbell. Direction is admirably industrious with its paucity of resources. Where production values are woeful, such as sound, lighting, etc, the audience is moved to forgiveness as the efforts and seriousness given to this fun little number overcome its scant budget. In short, Lo gives proof that CGI is not the future of cinema and may at times be its atrophy. Merci beaucoup.

Genruk of Evil Eye Reviews