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3,0/10
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Ajouter une intrigue dans votre langueGiven incredible power by an ancient Celtic Cross. Callan continues to fight evil... Now, joined by a team of weapons experts, Callan battles an unstoppable empire in Los Angeles.Given incredible power by an ancient Celtic Cross. Callan continues to fight evil... Now, joined by a team of weapons experts, Callan battles an unstoppable empire in Los Angeles.Given incredible power by an ancient Celtic Cross. Callan continues to fight evil... Now, joined by a team of weapons experts, Callan battles an unstoppable empire in Los Angeles.
- Réalisation
- Scénario
- Casting principal
Rachel Noll James
- Beth
- (as Rachel Noll)
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This film is a textbook case of "biting off more than you can chew." Which sucks because with a couple million bucks, it could've been something impressive.
The premise is actually promising: mythological-powered heroes sharing the spotlight with action heroes in a comic book universe as they save the world from supernatural threats. There are actually some clever and well-written lines and zingers in the script, and these are the lines usually best delivered. It also manages to not take itself too seriously, which makes it easier to digest. I'd argue that it's a direct descendant of "Adventure of Buckaroo Banzai" which makes it's failure all the more painful.
Unfortunately, the movie tries to do too much with too little. While half the cast is composed of well-known and very talented actors, the other half is composed of stunt men and friends of the director's, and it shows. The budget is woefully small for subject matter of this magnitude, and while there's some spirited camera-work and clever production schemes to compensate, it doesn't quite pull off.
The biggest problem is that the director didn't have what he needed to light it properly. Considering that the budget was likely under $800,000 it could have been anything: not enough lights, not enough money to get additional shooting days, or not enough money to keep the talent on longer than needed, etc. but the limits of the budget really show. The setups are nowhere near as dynamic as they need to be, the lighting is stark and practical, and the set design virtually nonexistent. The setups reminded me of a lot of mid-budget HD porn movies where they shoot the action head-on and in two shots to keep the borders of the set (and the warehouse beyond) out of frame.
The cast is staggeringly impressive; there's some real talent here, and Sizemore, Busey and Jones tend to have the best delivery of some truly underwhelming lines, but even their contributions can't distract from the fact that the film was so rushed that they didn't have time to learn their lines as well as they should. In the commentary, the director admits that Sizemore often had to learn his lines minutes before they shot a scene, so this probably happened more often than not. More than anything, it looks like Hollywood actors doing a favor for a film student and his buddies.
Visually, it looks like a cross between "Repo: The Genetic Opera," "The Batman XXX" parody, and the "Angel of Death" web series with Zoe Bell.
Still, the fact that the director managed to get the film made with the cast he did for the money he had and in LOS ANGELES (at God knows WHAT rates) is nevertheless impressive, and I have to respect him for that. Because the budget was so low, it's hard to tell how much of the film's failure is due to ineptitude or finance, so I'm not going to write off the filmmakers just yet. With more money and a larger crew, he might actually have done this (or the sequel) right.
It falls short of the "Buckaroo Banzai" level it wants to be, but its a digital age cult curio nonetheless. Perhaps not one of the best, but no less worthy of consideration.
The premise is actually promising: mythological-powered heroes sharing the spotlight with action heroes in a comic book universe as they save the world from supernatural threats. There are actually some clever and well-written lines and zingers in the script, and these are the lines usually best delivered. It also manages to not take itself too seriously, which makes it easier to digest. I'd argue that it's a direct descendant of "Adventure of Buckaroo Banzai" which makes it's failure all the more painful.
Unfortunately, the movie tries to do too much with too little. While half the cast is composed of well-known and very talented actors, the other half is composed of stunt men and friends of the director's, and it shows. The budget is woefully small for subject matter of this magnitude, and while there's some spirited camera-work and clever production schemes to compensate, it doesn't quite pull off.
The biggest problem is that the director didn't have what he needed to light it properly. Considering that the budget was likely under $800,000 it could have been anything: not enough lights, not enough money to get additional shooting days, or not enough money to keep the talent on longer than needed, etc. but the limits of the budget really show. The setups are nowhere near as dynamic as they need to be, the lighting is stark and practical, and the set design virtually nonexistent. The setups reminded me of a lot of mid-budget HD porn movies where they shoot the action head-on and in two shots to keep the borders of the set (and the warehouse beyond) out of frame.
The cast is staggeringly impressive; there's some real talent here, and Sizemore, Busey and Jones tend to have the best delivery of some truly underwhelming lines, but even their contributions can't distract from the fact that the film was so rushed that they didn't have time to learn their lines as well as they should. In the commentary, the director admits that Sizemore often had to learn his lines minutes before they shot a scene, so this probably happened more often than not. More than anything, it looks like Hollywood actors doing a favor for a film student and his buddies.
Visually, it looks like a cross between "Repo: The Genetic Opera," "The Batman XXX" parody, and the "Angel of Death" web series with Zoe Bell.
Still, the fact that the director managed to get the film made with the cast he did for the money he had and in LOS ANGELES (at God knows WHAT rates) is nevertheless impressive, and I have to respect him for that. Because the budget was so low, it's hard to tell how much of the film's failure is due to ineptitude or finance, so I'm not going to write off the filmmakers just yet. With more money and a larger crew, he might actually have done this (or the sequel) right.
It falls short of the "Buckaroo Banzai" level it wants to be, but its a digital age cult curio nonetheless. Perhaps not one of the best, but no less worthy of consideration.
Actually, I have to agree with the message board post - Cross is an "action-comedy". It is not advertised as an Oscar film. It is a comic book hero movie. And it delivers. The movie takes the fantastic and plays it for keeps. It is a comic book adventure of fun, magic, awesome action, and an amazing cast! Viewers have been spoiled by big budget action movies with too many special effects and not enough of a story - as if enough effects will make up for the fact that there was no character development or plot. However, Cross is a story with a pay off. It is an homage to the campy cult classics, but the first one to be stuck in the pages of a comic book.
I have always been a huge fan of Brian. He has always been my favorite actor...well, since ever! I've loved him since his days on 90210 and Desperate Housewives. Now, to see that handsome man wielding awesome powers with a really awesome Cross with powers beyond human ability, that was so cool! So hot! Not to mention, Green did it alongside a team of weapons experts
those weapons experts were the perfect charming accessory to the dark brooding handsome personality of Brian Austin Green. I guess you can say...My goodness, I cannot wait for the sequel to this movie! This movie keeps you pleasantly surprised everywhere!! Yeah, amazing! It really is an overall fun fun fun movie! Must see!
I watched this film and it was...awesome!
It is action-packed and the stunts are really well-done all the way through. Each of the characters is really vibrant and attracts you into their world. The writing is enjoyable and hysterical.
Memorable one-liners and very entertaining. Better than Green Lantern! Overall highly recommended and you will not be disappointed.
All of Durham's films have a strong plot and memorable characters and "Cross" is no different. I'm really unclear about the first few reviewers' motives as their comments are clearly unfitting for this film.
It is action-packed and the stunts are really well-done all the way through. Each of the characters is really vibrant and attracts you into their world. The writing is enjoyable and hysterical.
Memorable one-liners and very entertaining. Better than Green Lantern! Overall highly recommended and you will not be disappointed.
All of Durham's films have a strong plot and memorable characters and "Cross" is no different. I'm really unclear about the first few reviewers' motives as their comments are clearly unfitting for this film.
As an indie filmmaker, I know the blood, sweat, and tears that goes into creating a film. After watching "Cross," I have nothing but utmost respect towards this film!! It is an instant classic because it has all the ingredients that a quality film needs: big weapons, clever witty script, sarcastic humor, large explosions, great locations, gorgeous cars, damsels in distress...I could go on and on for ages!! To know that a fellow indie filmmaker was able to gather up all of those amazing stars...I mean amazing!! We are talking roles from Danny Trejo, C.Thomas Howell, and Billy Zabka. We are talking lead roles from The Michael Clark Duncan and Vinnie Jones. Tons more too!! The fact that these actors signed on to this project in the first place is proof that this film is an inspiration to all of us indie filmmakers out there. I say bravo! A job well done on creating this instant classic!!
Le saviez-vous
- AnecdotesCross - meaning "strong in battle"
- GaffesThe rope that is tied around Sunshine's hands changes to another type of rope when Callan is untying her.
- ConnexionsFollowed by Cross Wars (2017)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Shifter
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 000 000 $US (estimé)
- Durée
- 1h 45min(105 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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