Après un passage dans un établissement psychiatrique, l'ancien professeur Pat Solitano retourne vivre chez ses parents et tente de se réconcilier avec son ex-femme. Les choses deviennent plu... Tout lireAprès un passage dans un établissement psychiatrique, l'ancien professeur Pat Solitano retourne vivre chez ses parents et tente de se réconcilier avec son ex-femme. Les choses deviennent plus difficiles lorsque Pat rencontre Tiffany, une fille mystérieuse qui a ses propres problè... Tout lireAprès un passage dans un établissement psychiatrique, l'ancien professeur Pat Solitano retourne vivre chez ses parents et tente de se réconcilier avec son ex-femme. Les choses deviennent plus difficiles lorsque Pat rencontre Tiffany, une fille mystérieuse qui a ses propres problèmes.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 90 victoires et 148 nominations au total
- Tiffany's Father
- (as Patrick Mcdade)
- Regina
- (as Regency Boies)
Avis à la une
But back to the leading couple. A couple that is really so far apart, that you know what that ultimately means for them. But Bradley Coopers character has a lot more going on than that. There are relationships that went wrong and it's really tough sometimes to watch him destroying himself or at least attempting to. A very good movie, with great dialog
Silver Linings Playbook doesn't play by the current romantic comedy book—No scatology, nudity, f-bombing, or feminist and gay bashing. It's simply a smart playbook about the mental institution's recently-released Pat Solitano (Cooper, shedding his Hangover boy-man shtick), who may be saner than his dad, an OCD gambler (Robert De Niro), and Bradley's new friend, Tiffany (Jennifer Lawrence).
But that comparison is all relative because director David O. Russell (remember his funky family in Flirting with Disaster?) allows each character in this dramedy to become whole and interesting without becoming marginalized.
After some serious outbursts of anger, Pat starts training for a dance competition with Tiffany in order to make contact with and eventually impress his estranged wife, Nikki (Brea Bee).
The eventualities of the story are not half as stimulating as the plot along the way, some of the best scenes centered around the family squabbling about the Philadelphia Eagles or Pat's relationship with that "slut," Tiffany. When Pat confronts his parents at 4 AM about the deficiency of Hemingway's ending to A Farewell to Arms and when Russell places under another scene Bob Dylan and Johnny Cash singing Girl from the North Country, you know you're in a film that follows no particular playbook.
The dynamics as fostered by these superior actors are some of the best ensemble work this year. In fact, this is so far the best of the romantic comedies in recent memory. Pat and Tiffany may be bi-polar, but they can dance the stars into your eyes.
Jennifer Lawrence plays so different a character from those in Winter's Bone and Hunger Games that it may take you a scene or two to recognize her. But when she dances, you'll confirm she's one of the best young actresses in Hollywood, and this film one of the best of the year.
I did not know what to expect from this movie. It is a stunningly accurate trip into the mind of a BP sufferer. It shows the disease from the outside, too. It is amazing in its accuracy. The mood swings, the detachment from reality, the failure to learn from past errors are there. Here is a guy who has so messed up he is in the hospital. He is released into the custody of his parents. He improves himself physically yet cannot see what he has done, what he is now, and what the future portends with any sort of reality.
There are other situations in the film which mirror the BP life. There are job losses, broken relationships, unlimited optimism, anger, and a feeling that no one understands you. But he doesn't even understand himself. He thinks he is the only sane person around. He is in complete denial yet goes along with treatment just to get along with others.
The obsession with his estranged wife drives him. Everything he does is to make himself look desirable to her.
Then there is the hair trigger and the propensity toward violence which ultimately put him into the hospital. He has the belief that he sees with much more clarity than anyone else. There is also the hatred of medications and the belief that he doesn't need them.
Yet, there is hope. There is no miraculous cure. There is a negotiated peace between his illness and the way he must be to survive in the world.
The only thing I felt was missing was the crushing depression. But I understand that. Depression makes for lousy movies. The film is strictly about a manic life that wants to be better but cannot accept that he is badly off dead center normal.
If you are bi-polar and under control, see this film! If you live with or deal with a BP, see this movie. If you are untreated, you won't get it because BP clouds the mind.
My new wife and I went to see it. Up front I told her that I had this mental illness. She still married me. She is a health care worker with an understanding of illness and of treatment. After the film she asked me what I thought.
I told her that I was a bit frightened to tell her that the portrayal is spot on and that I had seen all of it before.
But like all bipolar sufferers, I wanted her to know that "I was never that bad." The truth is, I was....but we BP people don't handle reality all that well.
Le saviez-vous
- AnecdotesIt took five years and twenty-five re-writes before David O. Russell could direct it, as Sydney Pollack told him it was tricky to have emotional, troubling, funny, and romantic content mixed together.
- GaffesWhen Tiffany throws Pat's book and newspaper outside before one of their dance rehearsals, they refer to the book as Lord of the Flies, but the cover is that of The Great Gatsby.
- Crédits fousThere are no opening credits.
- ConnexionsFeatured in Jessie J: Silver Lining (Crazy 'Bout You) (2012)
- Bandes originalesMy Cherie Amour
Written by Stevie Wonder, Henry Cosby (as Henry Crosby) & Sylvia Moy
Performed by Stevie Wonder
Courtesy of Motown Records
Under license from Universal Music Enterprises
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Los juegos del destino
- Lieux de tournage
- 238 S. Madison Avenue, Upper Darby, Pennsylvanie, États-Unis(Solitano residence)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 21 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 132 092 958 $US
- Week-end de sortie aux États-Unis et au Canada
- 443 003 $US
- 18 nov. 2012
- Montant brut mondial
- 236 412 453 $US
- Durée2 heures 2 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1