Best Sellers

Best Sellers is a great feel-good movie and a fitting ending to a legendary career. The film follows Aubrey Plaza, who is a young struggling publisher. In order to save her company, she seeks outs Michael Caine, a cranky, retired author who is still under contract. Supposedly this is going to be Sr. Michael Caine's final film, and while anything is possible, it certainly feels likes the end of an era. And while this probably won't go down as his greatest movie, he still gives an amazing and emotional performance. Aubrey Plaza, who I feel like you never know what you are going to get from her, also does a fantastic job with what she is given to work with. ITs not a perfect film, but the two main actors have great chemistry, and they really make you care about the characters. I would give it a watch for Michael Caine alone.

Best Sellers won't disappoint much people. There's a captivating story, sometimes sentimental, sometimes funny, and some good actors. For the funny parts it was mostly due to the character of Ellen Wong, for the sentimental parts the difficult relarionship between Michael Caine and Aubrey Plaza. Ellen Wong had a smaller part but was funny. Michael Caine (already 88 years old) still has it. Audrey Plaza in a slightly different role that we're normally used of did okay. I can't say I was bored by this movie, on the contrary it's an engaging story easy to follow. Best Sellers isn't a fast paced action movie, it's rather slow, a lot of conversations, but they all add something to the emotional story.

Lucy Stanbridge (Aubrey Plaza) is struggling to maintain her book publishing father's legacy. Her books are being skewered by critics and Jack Sinclair (Scott Speedman) is trying to buy her out. She and her assistant Rachel Spence (Ellen Wong) discover an old contract with legendary writer Harris Shaw (Michael Caine). Harris wrote a groundbreaking blockbuster with her father but nothing more. In the contract, he owes the company one more book and she forces the sickly drunken writer to do a book tour.

The first half is trying to be a slightly comedic road trip with Plaza doing Plaza. It's a bit uneven and clunky. It's not until Aubrey throws up into the bowl that the movie finds its heart. The second half is much better for it. I'm not sure if this is a realistic book publishing world but at least, the movie is trying. One does need to stick with this movie for awhile before it gets good.

On the surface, the storyline of "Best Sellers" seems simple enough. Young book editor Lucy Stanbridge (Aubrey Plaza), who recently inherited Stanbridge Publishing from her father, attracts famous but long-silent author Harris Shaw (Michael Caine) back into business after he unexpectedly has a new novel to offer. They set out on a publicity road tour in and around Boston and New York, and lots is learned about both of them, leading up to a revelatory finish. By turns it's poignant, wry, funny, or all three at once. It's a 'little' film, very human-centered, and really well done. Michael Caine is predictably excellent, so it turns out that the success of the film depends a lot on Aubrey Plaza's acting (is he going to steal every scene, or can she stand up to him?) since she's probably on screen the most of all. Turns out she does pretty well, and it's not just him that we end up interested in.

The character-driven progress of the story is all about how Lucy tries to manage Harris through her publisher's agenda of getting the new book publicized versus his stubborn resistance ('crusty old codger' doesn't say the half of it). The script leaves a lot of questions hanging in the air. Why is Harris so cranky and at times downright mean to her, his own agent? Why is he an apparently self-loathing drunk and why hasn't he written anything in 40 years? What about her father, who was Harris's editor long ago? Is the new book going to take off, or her company going to go under? All these questions get clever and complete answers, and when they do, the story suddenly starts to cut a lot deeper and gain many new layers. I thought, though, a bit too much of the Reveal got packed into the last 20 minutes or so of Act 3. The long central Act 2 is all about the road trip, which is always teetering hilariously on the brink of collapse. Lucy is constantly driven to distraction, and Harris constantly looks so rumpled and dissolute that you wonder if Michael Caine himself is really that frail; is it all an act?

There's a quietly brilliant set of scenes where Lucy gets fed up with Harris's recalcitrance and recruits fans to do readings from his new book instead, which then go viral on the Web. And another where devoted readers ceremonially burn the book after reading it (which makes pefect sense in context -- you have to see it).

And the ending -- also very quietly done, but Wow. Everything is going to be all right. And it's satisfying, not just something that was pulled in out of left field. It makes perfect sense knowing what we know by then about Harris and his hidden history. What's an author going to do for 40 years except write?

I have just finished watching this movie, and anything with Michael Caine in his winter years is worth seeing, his characters played over the decades has appealed to audiences across generations.

I didn't honestly feel this was time lost and enjoyed his latest performance, and all the character actors in the movie didn't disappoint,there have been several publisher movies over the past decades,with different themes,with the American ideal, all about the bucks, this particular work had that varnish sprinkled with pathos and humor.