Ajouter une intrigue dans votre langueTrapped in an isolated gas station by a voracious Splinter parasite that transforms its still-living victims into deadly hosts, a young couple and an escaped convict must find a way to work ... Tout lireTrapped in an isolated gas station by a voracious Splinter parasite that transforms its still-living victims into deadly hosts, a young couple and an escaped convict must find a way to work together to survive this primal terror.Trapped in an isolated gas station by a voracious Splinter parasite that transforms its still-living victims into deadly hosts, a young couple and an escaped convict must find a way to work together to survive this primal terror.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 7 victoires et 1 nomination au total
Avis à la une
But first off the acting is not just adequate, it's great.
The characters are believable and well cast.
Splinter makes great use of it's low budget. With good acting, some gnarly gore and good creature design. It's the best it can be on a low budget. And it is good.
Is it amazing? No. But it doesn't have any glaring flaws. A nice movie for a friday night.
It's a great indie sci-fi/creature feature movie. With a solid script and no glaring flaws.
I thought about giving it a 6/10 because it's not earth-shattering but I think it deserves a 7/10 for how solid and well executed it is.
In the end it is a smart little creature feature that makes the most of it's budget.
First, the necessary prerequisite is that you have to like low budget movies. If you are going into this expecting the effects level of your summer blockbuster, or top notch acting, you're going to be disappointed. I don't mind indie films, at all, and don't want to judge them on their limitations. Basically, did the movie entertain me? The other ingredient that seems necessary to mention in a review of this movie is the similarities to THE THING. How you judge that may depend on where you, personally, draw the line between "homage" and "blatant ripoff". I never felt it crossed that line into stealing an idea, but certainly lifted some ideas from that horror classic, especially in the way that the organism seems to take control of human bodies and essentially replicate them, as well as its ability for each part to exist separately from the whole.
The central plot revolves around 4 people trapped at a gas station by some sort of invading organism that is almost unstoppable. They are barricaded inside a small building with limited defenses against the invading threat, so we get a little bit of Night of The Living Dead, as well.
My second viewing seemed to pretty much re-instill what I thought the first time around. This is an entertaining movie that will keep you riveted for the short run time of its' story, but nothing here sticks with me as being a modern classic, or even one of the best indie horrors of the past few years. Shea Wigham is really good, as usual, in the cliché role of a criminal with a good heart. I thought that Jill Wagner does a serviceable job as a strong female lead. Her boyfriend is pretty much annoying and I found myself at times hoping he would die next.
The effects are very limited and most of the violence is shot in quick camera angles, which is a good way of hiding their limitations, but also sometimes leaves the viewer wondering what the heck just happened. This was especially true of the first female death in the movie, as you never got any sense of the violence that might lead to her demise. There are some good shots that do serve to show what the director probably really had hidden in his imagination but wasn't able to translate to screen.
The creature itself presents some interesting impetus to the movie. As mentioned, it's fairly unstoppable which lends to the feeling of helplessness in our main characters. A few of the infected hosts pull off a really good Silent Hill look with twitchy movements and not-quite-in-the-right-place body parts. Ultimately, to transcend the Thing comparisions, they needed to develop more the plot points they introduced early in the film, such as the oil testing site, or this idea of an old forest nearby. That depth might have helped the movie to elevate from popcorn passer to truly memorably movie.
The acting is top quality. All characters, especially the one portrayed by Shea, are portrayed exceptionally well. The plot keeps you glued to your seat, and you can't wait to see what happens next or how they will think of a way out of their predicament.
The only problems lie in the filming of the "monster" and to a lesser degree, the sound. I'm not a personal fan of the "flicker" style of filming so it may work for others. I prefer a fluid style of filming throughout the entire film. It's hard to keep track of the events occurring when things "flash" around rapidly.
But if you can overlook it's extremely minor flaws, you're in for a treat with this one. The acting and the central theme of the plot are strong enough to overcome its shortcomings.
My final ratings: Quality: 7 Entertainment level: 7 Overall: 7 Consensus: This might be Toby Wilkins' break as a writer/director and is a standout performance for Shea Whigham
Le saviez-vous
- AnecdotesShea Whigham ad-libbed a fair share of his dialogue.
- GaffesDiesel fuel only burns as a mist. Shooting a diesel fuel-pump with a shotgun wouldn't do anything.
- Citations
Dennis Farell: [screaming]
Polly Watt: It's okay, it's okay, we're cutting your arm off.
- Bandes originalesWest
Written by Jodee Purkeypile
Performed by The Alice Rose
Meilleurs choix
- How long is Splinter?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Está dentro de ti
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 14 154 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 517 $US
- 2 nov. 2008
- Montant brut mondial
- 522 497 $US
- Durée1 heure 22 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1