La Zona, propriété privée

OK. So I just saw La Zona @ SFIFF, and I must say... BRAVO!! Another big success for Mexican cinema, and well earned indeed. Rodrigo Pla's first feature delivers a harsh social and political critique about Mexican social classes and fundamental morality within a gripping and thrilling narrative.

As another Mexican film about social contrasts, I must say, it proves originality. La Zona (or The Zone) delves further into character development and the consequences of moral judgment. Pla's film remains interesting because it touches upon a broader universal theme: the human struggle to choose between right and wrong. With an engaging narrative, inventive setting and well developed character arcs, La Zona gets its point across, and makes us think…

This film delivers recurring themes in Mexican cinema but with a much fresher and more creative perspective, not to mention exciting…

Much 'props' to Villanueva's enthralling cinematography and to Zaragoza's performance as the chief of police…

8 out of 10. I really liked it.

La Zona is one of those rare films which grips you from the start and doesn't let go till the end credits roll up. It is also a rare example of a thriller and social drama which delivers on both fronts.

La Zona are residential compounds in Mexico for the rich and the affluent. They have their own security system and guards and even law, thus separating them from the normal law of the land. These "zones" are real and do exist in Mexico city. The one depicted in the film is separated from the slum neighbourhood by large concrete walls and barbed wire. An accident causes one of the power pylons next to the Zone to collapse thus paving an entry for three young petty thieves from the slums to enter the Zone to make a quick burglary. Things go wrong, however, and two of the boys are shot dead while the third manages to escape from the burgled house but not from the zone.

We then follow the search for the boy, by the residents (who intend to kill him) and the cops, who are mostly corrupt ready to turn a blind eye for the right sum. The Zone is a superbly tense thriller and a damning indictment of the social system in Mexico. The residents in these zones appear to be totally cut off from the reality outside; a nice contrast is a golf course inside the Zone from which the players get a panoramic view of the slums.

It is hard to believe that this is the feature debut of its director Rodrigo Pla. It's one of the most accomplished feature debuts that I have ever seen and you can be certain that Rodrigo Pla's name is going to be much better known in the coming years.

The premise is very good, all the more so as it describes a situation becoming more and more explosive of our days. Certainly we'll see more movies of the kind in the years to come.

Personally I think that the POV of poor teens trapped into La Zona would have been more interesting, at least from a suspense and action point of view. Following a rich teen dislocates such suspense, plus it means you have to take an interest in a kid who's not the subject of the movie. On the other hand the focus on the private militia of citizens is interesting, yet I'm still a bit unsatisfied.

So, the movie is pretty good, it is a nicely rounded up excellent premise but it could have been much better. As such you don't get out of the theater moved. Emotion, as suspense, is too much diluted into a narration that changes angles too often instead of building up the tension with a limited number of protagonists tied together.

This is about the Mexican big city, there rich people have created a zone behind walls. They keep the world out, but they are also kept out. Three young thieves enter and the hunt begins. The rich just don't want to defend their privileges. They want to kill for them.

But few of them are monsters. And what could have been an after all rather conventional social thriller, is more than that. The plot turns many times and everything isn't what it seems.

A strong movie about a class hatred which is becoming a dangerous threat to our kind of societies. It's a warning to us, not just to the rich.

I really like. It's really one of the most ambitious films I've seen this year. The final scenes were so beautiful. The characters had clichés, but the others were more prominent. It was a very different thriller. It was one of those rare films that even a criminal could be innocent of and could be on his side. The insides exposed a painful world. It's an impressive and beautiful film. I definitely recommend it.