Ajouter une intrigue dans votre langueA retired cop seeks revenge against an elderly man he's convinced is the Nazi who slaughtered his family during WW2.A retired cop seeks revenge against an elderly man he's convinced is the Nazi who slaughtered his family during WW2.A retired cop seeks revenge against an elderly man he's convinced is the Nazi who slaughtered his family during WW2.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires au total
Alexander Newton
- Young Joseph
- (as Alexander Newton)
Veronica Milagros
- Bonita
- (voix)
- (as Veronica Diaz)
Avis à la une
It's difficult to be too critical of the movie because the production coincided with not only the death of the great Roy Schieder, but also the director's father (a holocaust survivor) upon which Schieder's character is based...but:
This is a simply poor piece of filmaking that is close to risible due to the decision to use the holocaust as a background to make a quasi-action pic. Based on a Q&A with the director and his son (who co-stars), it seems that the holocaust is simply another way for Newton to get his directing kicks: as he said, a project he thought up while waiting to direct a "divorce thriller." Rather than a serious investigation of what his father's experience meant, Newton takes it as reason to portray gratuitous violence and hone his camera skills. A set-up that could lead to a veritable graduate seminar of fascinating themes and conflicts is dispensed with in order to follow a ridiculous whodunit.
Poor editing, acting (with the exception of Schieder and, surprisingly, Newton's son) and an absurd plot are hallmarks of many films, but few manage to be offensive, cloying, hilariously melodramatic, painstakingly dull, vain, and just shootstormingly bad. And this is just in a twenty minute section in the middle of the movie. There's actually some kind of anti-brilliance on display here because things start out fairly okay, like a cheesy made-for-TV movie, but develop into "holy cow - am I really watching this?" mode about halfway through.
Sadly, the ineptitude isn't easily available for a Room-like mockery because of Schieder's passing, but there are some classic moments where it would be fun to imagine a packed theater laughing at all of this. Nazis rounding up houses full of people speaking with British accents, the worst storytelling neighbor in cinema history, a fall-out-of-your-seat lesson in compassion through an analogy with a bee, and a visual style that seems like Edgar Wright without the wink would make for some brilliant midnight watching. If you get a chance, find the DVD and skip to the barn scene, but otherwise ignore the obvious planted reviews above.
This is a simply poor piece of filmaking that is close to risible due to the decision to use the holocaust as a background to make a quasi-action pic. Based on a Q&A with the director and his son (who co-stars), it seems that the holocaust is simply another way for Newton to get his directing kicks: as he said, a project he thought up while waiting to direct a "divorce thriller." Rather than a serious investigation of what his father's experience meant, Newton takes it as reason to portray gratuitous violence and hone his camera skills. A set-up that could lead to a veritable graduate seminar of fascinating themes and conflicts is dispensed with in order to follow a ridiculous whodunit.
Poor editing, acting (with the exception of Schieder and, surprisingly, Newton's son) and an absurd plot are hallmarks of many films, but few manage to be offensive, cloying, hilariously melodramatic, painstakingly dull, vain, and just shootstormingly bad. And this is just in a twenty minute section in the middle of the movie. There's actually some kind of anti-brilliance on display here because things start out fairly okay, like a cheesy made-for-TV movie, but develop into "holy cow - am I really watching this?" mode about halfway through.
Sadly, the ineptitude isn't easily available for a Room-like mockery because of Schieder's passing, but there are some classic moments where it would be fun to imagine a packed theater laughing at all of this. Nazis rounding up houses full of people speaking with British accents, the worst storytelling neighbor in cinema history, a fall-out-of-your-seat lesson in compassion through an analogy with a bee, and a visual style that seems like Edgar Wright without the wink would make for some brilliant midnight watching. If you get a chance, find the DVD and skip to the barn scene, but otherwise ignore the obvious planted reviews above.
The cinema photography was excellent.
Not only is it emotional, but this film builds to a quite intense and thrilling climax with a good twist at the end.
We give it a firm 8."
Not only is it emotional, but this film builds to a quite intense and thrilling climax with a good twist at the end.
We give it a firm 8."
BEAUTIFUL BLUE EYES - review
You'd be forgiven for expecting a revenge thriller about the Holocaust to have been a fully exhausted, predictable and an over-exposed subject by now. However, Beautiful Blue Eyes, directed by Joshua Newton, breaks the mold.
It is the last ever film of Roy Scheider, in which he plays a retired NYPD cop who visits his estranged son, living in Germany. The story explores the lack of trust between father and son, at first somewhat tensely and the viewer remains just the observer. But with flashbacks to the horror of Nazi-occupied Poland, we are soon fully immersed in the family's tragic history, the unreasonableness of Jew hatred and the futility of war. The main character, Joseph witnesses such cruelty and injustice that no wonder he seeks revenge when he suspects he has found the perpetrator of that injustice, years later. Do not expect the predictable. There is a twist to keep you guessing.
The character of Joseph, played by Roy Scheider, is loosely based on Joshua Newton's father, Bruno Newton. Bruno died during the filming of the movie from the same disease that took Roy Scheider's life nine months later. Originally intended for released in 2009, this new edit of the film, titled Beautiful Blue Eyes, has been made for theatrical release in 2022.
You'd be forgiven for expecting a revenge thriller about the Holocaust to have been a fully exhausted, predictable and an over-exposed subject by now. However, Beautiful Blue Eyes, directed by Joshua Newton, breaks the mold.
It is the last ever film of Roy Scheider, in which he plays a retired NYPD cop who visits his estranged son, living in Germany. The story explores the lack of trust between father and son, at first somewhat tensely and the viewer remains just the observer. But with flashbacks to the horror of Nazi-occupied Poland, we are soon fully immersed in the family's tragic history, the unreasonableness of Jew hatred and the futility of war. The main character, Joseph witnesses such cruelty and injustice that no wonder he seeks revenge when he suspects he has found the perpetrator of that injustice, years later. Do not expect the predictable. There is a twist to keep you guessing.
The character of Joseph, played by Roy Scheider, is loosely based on Joshua Newton's father, Bruno Newton. Bruno died during the filming of the movie from the same disease that took Roy Scheider's life nine months later. Originally intended for released in 2009, this new edit of the film, titled Beautiful Blue Eyes, has been made for theatrical release in 2022.
It's clear the director put heart and soul into this. I just wish more movies had this dynamic level of storytelling. It's a great story. Scheider is great. His young co-star Alexander Newton is does a fine job too.
"Iron Cross" features the late actor Roy Scheider in his last performance. Once again, Scheider's portrayal of his character is captivating and moving. This film is fast paced and will keep you guessing about where the story is taking the audience. The locations that are utilized in the movie make a visual impact upon viewers. Helmut Berger is wonderful in his role as the former officer who is hiding his true identity. The scenes between Scheider and Burger are intense. This is a fine film to end the career of an esteemed actor like Scheider. The soundtrack is outstanding and compliments the plot well. Finally "Iron Cross" imparts a message that is critical to future societies throughout the world. It is important that the memory of this dark time in history is kept in the forefront.
Le saviez-vous
- AnecdotesRoy Scheider's final film.
- Versions alternativesThe original version released in 2009 was later reworked because Roy Scheider had died a few days before all his scenes were filmed. A new version of the film, titled 'Beautful Blue Eyes' after a suggestion from the late Roy Scheider during filming, was released in September 2022; in this version a small amount of CGI and AI voice work has been used to complete the unfilmed scenes involving Scheider as per the original shooting script. The new edit is approx. 30 minutes shorter than the original cut.
- ConnexionsFeatured in WatchMojo: Top 10 Actors Recreated with Special Effects (2014)
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- How long is Beautiful Blue Eyes?Alimenté par Alexa
Détails
Box-office
- Budget
- 9 000 000 $US (estimé)
- Durée
- 1h 30min(90 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
- 2.39:1
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