7ème Ciel

An old lady falls in love with an old man, not her husband. She and the old man have wonderful sex, and she finds herself compelled to continue against her wishes "I didn't want this" she will say again and again. It is a bit alarming, this portrayal of a mature woman in a good relationship, with a daughter, grandchildren, a good an settled life when she finds herself acting methodically but out of control... she is filled with desire for this new man's company, and out of a sense of honesty she is compelled to tell her husband and indeed, leave him. "I didn't want this" she will say... This is not a young thing, inexperienced, taken away by some mad youthful forbidden fling, This is an adult, a mature and capable woman who is nonetheless taken up as if she were just that young thing, bereft of responsibility, consumed and driven to pursue that new love, wonderfully fresh. How can this not destroy her family? "I didn't want this." It is a little bit frightening, that for all she has, her emotions can pull her away and out of her family, surely able to know the damage that must be done but unable to experience that created pain against the overwhelming passion she has incautiously stumbled into. A lovely, revealing, cautionary tale. The audience itself seems similarly drawn in, enjoying the romance but unwilling to accept what would clearly be an expected outcome: pain.

I was disappointed by this movie. The meaning in German Wolke 9 or Cloud nine means that a person is full of happiness through being in love and passion with another person, hence sailing on Cloud 9. I don't argue that this could not happen to a well mature couple, but it was lacking in this movie. From an aesthete point of view it was not necessary to show closes ups of the aged bodies. I remember the movie Cocoon, which had a lot more sense, action and humor, also relating to older couples that enjoy or rediscover love and passion. Even the few spoken dialogs were motionless. I believe that the story had more potential than it showed. Well, just my opinion.

I saw this film at the Cannes Film Festival 2008 and I must say of the 20+ films that I saw this was the most beautiful and most moving. This by far is the best film that I have seen in a long time. It takes a level of mental maturity to get past the "eeww old people sex" and see the story for itself. The film is touching, honest and emotional. The director did an amazing job in conveying the raw emotion of the situation. The actress that plays Inge was phenomenal. I could not see anyone else in that role. She was not playing a role but actually being. I highly recommend this film to anyone that enjoys true, honest, emotional and full films. If you like the light fluffy films this isn't for you. This is a film that will stay with you for awhile. (heck I saw it almost a month ago and I'm still thinking about it).

When I saw the summary of the movie with a bright, strong image of the characters, I thought it would be quite exciting to see a movie about a (kind of) love triangle of elder people.

I mean, feelings constituted on pity, gratitude, humanity or any other cliché about age really bored... Thus, the possibility of seeing a story about elder people which doesn't care about age itself was exciting.

Additionally the strong sex images in the movie made me think the director will open up some provocative conflicts...

However, the script was so conventional and straight... Maybe the word shallow can fit here, I don't know... The problem for me was, without the detail of the characters age, there's nothing special in the movie. On the other hand, the concept of age should be totally discarded (so we should be looking for something else?) or discussed... Neither of them was there, so there was just a lack I guess...

"Wolke 9" German film title for 'Cloud 9'. The subject may not be so novel, it's about love and marriage, or you might say relationship 101 revisited. Yet the aspect of falling in love afresh for a woman at 67, discovering her erogenous zones and feelings with a new beau of 76 and thereafter certainly made us open our eyes and care for the persons involved. What does one do back at home with the husband of 30 years of marriage? What is the husband like? She tries to fight it as social norm expects, but this falling in love again feeling is irresistible. It's enchanting passion. It's an opportunity to take a look at what's really happening to one's stage in life at hand. And is the 76-year old lover worth the 'trouble' - what is he like? And we are also introduced to the daughter - what does she thinks of her mother's secret?

Director Andreas Dresen, who co-wrote the screenplay with three other writers, has given us a natural happenstance of love affairs, exceptional in the sense that the story exclusively revolves around 'older' maturing-age people - a theme seldom seen on screen. It's heartening to be able to appreciate the straightforward approach to the love-making scenes that are intimately explicit, accepting the anatomy of matured bodies, wrinkled or soft. Any nudity scenario is not at all gratuitous but simply befitting to what's happening at the particular moment of the 'storyline'.

Inge, our 67 year old heroine of the story, is portrayed with impressive naturalness and emotional depth by Ursula Werner - best actress awards well-deserved. Karl, the refreshing energy source for Inge, is remarkably played with vitality by Horst Westphal - yes, we want to go cycling, swimming, attend racing events and run in the rain with him. Werner, the husband, is played restrainedly effective by Horst Rehlberg, demonstrating how listless his life has become, in spite of occasional cuddling affection in bed with Inge, spending time with grandchildren, visiting his father at convalescent home, even listening to 'choo-choo' train are just dull routines that raise no smile. He does seem so tired - of life? Inge's affair probably makes his head hurt - does he have to make extra effort to enjoy life?

The story centrally revolves around Inge, hence besides the emotional ups and downs, we get to follow her going about with daily activities, including the added touch of belonging to a women's church choir, participating in rehearsals and singing songs together - comfortable camaraderie detected. (In the press kit - available on Cannes 2008 online under "Cloud 9" page* - director Dresen's comments are included, and he mentioned that it was Ursula Werner who suggested the 'choir' aspect of Inge's life.) 'Cloud 9' is worthwhile viewing and highly recommended.

Films by association: I recall the Brazilian film by Marcos Bernstein, "The Other Side of the Street" 2004, contains a tender exchange scene between two older persons making love (Fernanda Montenegro as Regina and Raul Cortez as Camargo) which was sensitively delivered unabashed. Paul Cox's film "Innocence" 2000, with Julia Blake as Claire and Charles Tingwell as Andreas, also marvelously depicts a married woman falling in love again in her 'later years' - not an impossible or improbable scenario at all.

* Cannes Festival - Festival Archives - 2008 - Selections - 'Un Certain Regard' - Wolke 9