La suite des aventures de l'assassin John Wick.La suite des aventures de l'assassin John Wick.La suite des aventures de l'assassin John Wick.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 38 victoires et 51 nominations au total
Aimée Kwan
- Mia
- (as Aimee Kwan)
Julia Asuka Riedl
- Operator
- (as Asuka Riedl)
Milena Rendón
- Operator
- (as Milena Rendon)
Résumé
Reviewers say 'John Wick: Chapter 4' is lauded for its intense action, impressive stunts, and Keanu Reeves' performance. The film's high-octane action, stunning visuals, and expanded universe are highlighted. However, criticisms include its lengthy runtime, lack of plot development, and repetitive action scenes. Story inconsistencies and character motivations are also noted. Despite these issues, many find the film enjoyable for its thrilling action and engaging performances.
Avis à la une
I've enjoyed the entire Wick collection but this was my least favorite' The fight scenes were just way too long and usually followed immediately with another way too long fight scene. This movie felt like one long fight scene with a little dialogue mixed in. I could have done with a lot more story dialogue and a lot less fighting. The other movies felt like the fight scenes were part of the story and this one feels like they did fight scenes just to do fight scenes.
It's kinda hard to put into words but watch it, and I recommend watching it, and you'll see what I mean. You might like it a lot more than I did.
It's kinda hard to put into words but watch it, and I recommend watching it, and you'll see what I mean. You might like it a lot more than I did.
Previous movies had a better story with more dialogues to make it interesting. Just felt like the movie was running out of ideas for the story and dialogues. But the action scenes were amazing shooting & fight scenes were taken to another level. Filming one shooting scene from above to see what is going on the other side of the room was awesome and interesting.
Hopefully this will be a lesson for the producer, that people want dialogues aswell as action in movies. Not just Keanu saying sorry and you owe me... The dialogues were to few for today's audience to completely enjoy this movie. Story and dialogues are as important as action in a movie.
Hopefully this will be a lesson for the producer, that people want dialogues aswell as action in movies. Not just Keanu saying sorry and you owe me... The dialogues were to few for today's audience to completely enjoy this movie. Story and dialogues are as important as action in a movie.
That lasted 169 minutes? I had no idea. The time just flew right by.
Chad Stahelski does not pull any punches (or engage the safety) at any time in this gun-fu epic. Combat scenes are not moments so much as they are entire acts. The amount of stunt choreography that everybody had to synchronize to was rather incredible, and they continue to find more ways to entertain us with kills, kill types, use of weapons, locations, teamwork, etc. I caught myself smiling for minutes on end several times while watching it.
Of course though, as I said, they really lean into it. I'm sure this has been true of previous films as well, but it is very apparent that John Wick should virtually die in every scene that he is in. Whether it is how he is attacked or how they fail to attack him at the right times, he goes at every foe like the bear in The Revenant with full adrenaline and no signs of slowing down no matter what he is hit by. And again, I think if you look hard enough you will find enemies who have clear shots and choose not to take them because of plot armor, but you can forgive it enough if you're rewarded with a longer take or overall longer action sequence. What I really loved was how many of these scenes took place at night with dazzlingly lit environments all around, and the music in every scene kicks as much *** as what you see on screen. I had pondered over why John Wick doesn't have a video game yet, but if they ever make one I have decided I'd like one of those top-down shooter games (similar to The Hong Kong Massacre, and if not maybe like the GTA:SA MP rampage style).
I acknowledge this franchise for what it is now, but I still pine for some of the missing components that I don't know if it'll ever be able to bring back. After watching John Wick, fun as it was, I found myself interested in seeing a prequel when he was the Baba Yaga in his prime, taking missions rather than being hunted. Even still, at least in that movie he was absolutely feared. In Chapter 2, I still found him heavily respected, but it was in that movie that I realized there would probably be a repetitive formula to the narrative and movie/action structure (which still has yet to break). In Chapter 3, there only lived assassins and they would go after him without hesitation, which did is not how I felt the world breathed the first time around. They continue down this path in Chapter 4, while opening the universe more to different characters breeding their own kind of loyalty. They are all insanely fun to watch, and you see the cogwheels of the John Wick universe spinning with the future Continental television show and the Ballerina movie spinoff. Where they remain faulty though is even with the existence of civilians during fight scenes, they act as droning NPC's like nothing is happening around them, or they aren't there whatsoever. It is clear that this is not our world that this movie takes place in, but rather a parallel one.
I mentioned the introduction of new characters in this world, and you can't not bring up Donnie Yen when talking about them. He steals each and every scene that he is in, and it's crazy because you wonder how a character like his could thrive in such a world but you absolutely believe it when you watch it. I will absolutely take more of him and Rina Sawayama. She isn't featured as much, but she makes use of every second that she is in front of the camera. There are plenty of others (such as the great Hiroyuki Sanada), but the point remains that Wick is relegated to this greater universe with characters who-good, bad, or for themselves-are ones we can actually root for in any fight. Keanu Reeves is understandably less nimble at his age than the others (and it's either bad acting or he really has taken on this John Wick role in his line delivery to hilarious new heights), but he and Stahelski have found a groove that still makes him the most impenetrable force around, to the point that I go back and watch the action scenes in The Matrix Resurrections and wonder what happened there. I didn't love one particular character in their big fighting moment(s), but they go for versatility and I have to give them that much.
March has had an incredible run of theatrical films, and John Wick: Chapter 4 is no different. You will lean forward during the action which there is plenty, and if I'm one to go off of you will not feel the runtime. There is an end credits scene as well if you're able to stay for a moment longer. I would love to go back and see this one again.
Chad Stahelski does not pull any punches (or engage the safety) at any time in this gun-fu epic. Combat scenes are not moments so much as they are entire acts. The amount of stunt choreography that everybody had to synchronize to was rather incredible, and they continue to find more ways to entertain us with kills, kill types, use of weapons, locations, teamwork, etc. I caught myself smiling for minutes on end several times while watching it.
Of course though, as I said, they really lean into it. I'm sure this has been true of previous films as well, but it is very apparent that John Wick should virtually die in every scene that he is in. Whether it is how he is attacked or how they fail to attack him at the right times, he goes at every foe like the bear in The Revenant with full adrenaline and no signs of slowing down no matter what he is hit by. And again, I think if you look hard enough you will find enemies who have clear shots and choose not to take them because of plot armor, but you can forgive it enough if you're rewarded with a longer take or overall longer action sequence. What I really loved was how many of these scenes took place at night with dazzlingly lit environments all around, and the music in every scene kicks as much *** as what you see on screen. I had pondered over why John Wick doesn't have a video game yet, but if they ever make one I have decided I'd like one of those top-down shooter games (similar to The Hong Kong Massacre, and if not maybe like the GTA:SA MP rampage style).
I acknowledge this franchise for what it is now, but I still pine for some of the missing components that I don't know if it'll ever be able to bring back. After watching John Wick, fun as it was, I found myself interested in seeing a prequel when he was the Baba Yaga in his prime, taking missions rather than being hunted. Even still, at least in that movie he was absolutely feared. In Chapter 2, I still found him heavily respected, but it was in that movie that I realized there would probably be a repetitive formula to the narrative and movie/action structure (which still has yet to break). In Chapter 3, there only lived assassins and they would go after him without hesitation, which did is not how I felt the world breathed the first time around. They continue down this path in Chapter 4, while opening the universe more to different characters breeding their own kind of loyalty. They are all insanely fun to watch, and you see the cogwheels of the John Wick universe spinning with the future Continental television show and the Ballerina movie spinoff. Where they remain faulty though is even with the existence of civilians during fight scenes, they act as droning NPC's like nothing is happening around them, or they aren't there whatsoever. It is clear that this is not our world that this movie takes place in, but rather a parallel one.
I mentioned the introduction of new characters in this world, and you can't not bring up Donnie Yen when talking about them. He steals each and every scene that he is in, and it's crazy because you wonder how a character like his could thrive in such a world but you absolutely believe it when you watch it. I will absolutely take more of him and Rina Sawayama. She isn't featured as much, but she makes use of every second that she is in front of the camera. There are plenty of others (such as the great Hiroyuki Sanada), but the point remains that Wick is relegated to this greater universe with characters who-good, bad, or for themselves-are ones we can actually root for in any fight. Keanu Reeves is understandably less nimble at his age than the others (and it's either bad acting or he really has taken on this John Wick role in his line delivery to hilarious new heights), but he and Stahelski have found a groove that still makes him the most impenetrable force around, to the point that I go back and watch the action scenes in The Matrix Resurrections and wonder what happened there. I didn't love one particular character in their big fighting moment(s), but they go for versatility and I have to give them that much.
March has had an incredible run of theatrical films, and John Wick: Chapter 4 is no different. You will lean forward during the action which there is plenty, and if I'm one to go off of you will not feel the runtime. There is an end credits scene as well if you're able to stay for a moment longer. I would love to go back and see this one again.
There really was no story here at all, just a long shoot em up scene. The action in it was good, but i also felt like it was too much of a good thing. After a while you don't really appreciate the stunts because that's the entirety of the film. It was a little too straight forward and had a lot of side plots that never went any where. All that said, cinematographically it was a pretty film. It had some incredible back drops to the chaos. But if you just want an action flick that doesn't require any thought for a couple hours, i'd recommend it. Really as low as the bar is for films these days this isn't that bad. I'd give it a 6.5 if i could.
For a conclusion to a franchise (at least the Wick story arc) you'd expect story. Each movie has gotten a little further away from telling an interesting story. I even enjoyed when they layered in more of this far-fetched stuff with the high-table & continental in 2 & 3. But, we still don't know much about this world, how it was created, or who is in charge. I thought this movie would do more with this secret government for criminals, but instead this movie made those aspects of the story pointless. So many elements from the past movies were just glazed over to essentially give this movie no story. No Elder, No Winston's betrayal, No past characters except Winston & The King, No Dog, No Wife. All of those things amounted to a few 1-liners in this movie. Instead they focused on the worst aspect of 3 and multiplied it with fights that last too long, and people that need to be shot 20 times. I personally preferred the realism and tactical focus to the action of 1 & 2.
Keanu Reeves and Cast Talk Getting Into Character
Keanu Reeves and Cast Talk Getting Into Character
Keanu Reeves and the John Wick: Chapter 4 stars break down the impact of wardrobe on character and weigh the meaning behind the multitude of monikers assigned to the franchise's infamous assassin.
Le saviez-vous
- Anecdotes(at around 1h 45 mins) The Paris subway station where John Wick meets the Bowery King and Winston is "Porte des Lilas". It's often seen in films, as this particular station has a disused platform that's still kept fully functional, so it can be rented to filmmakers who wish to shoot in the Paris subway without having to disrupt regular traffic.
- Gaffes(at around 2h) The Arc de Triomphe is missing the eternal flame which crowns France's Tomb of the Unknown Soldier. As its name suggests, it is never ever allowed to go out.
- Crédits fousThere is a small scene after the credits have finished where you can see Caine on the way to his daughter encountering Akira.
- Versions alternativesThe end title for the theatrical version shows "John Wick Baba Yaga" while in home media version shows "John Wick Chapter 4".
- ConnexionsFeatured in WatchMojo: Top 10 Most Anticipated Franchises Returning in 2023 (2023)
- Bandes originalesNocturne No. 20 in C-Sharp Minor, Op. Posth.
Written by Frédéric Chopin
Arranged by Joel J. Richard
Performed by Lola Bates (as Lola Colette) and Mark Robertson
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- John Wick 4
- Lieux de tournage
- Wadi Rum Desert, Jordanie(location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 100 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 187 131 806 $US
- Week-end de sortie aux États-Unis et au Canada
- 73 817 950 $US
- 26 mars 2023
- Montant brut mondial
- 447 142 521 $US
- Durée2 heures 49 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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