Au coeur d'une prestigieuse compagnie de danse règne une sombre menace qui engloutira le directeur artistique, un jeune danseur ambitieux et un psychothérapeute en deuil. Alors que certains ... Tout lireAu coeur d'une prestigieuse compagnie de danse règne une sombre menace qui engloutira le directeur artistique, un jeune danseur ambitieux et un psychothérapeute en deuil. Alors que certains sombrent dans le cauchemar, d'autres se réveillent enfin.Au coeur d'une prestigieuse compagnie de danse règne une sombre menace qui engloutira le directeur artistique, un jeune danseur ambitieux et un psychothérapeute en deuil. Alors que certains sombrent dans le cauchemar, d'autres se réveillent enfin.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 28 victoires et 75 nominations au total
- Dr. Klemperer
- (as Lutz Ebersdorf)
- …
- Susie's Mother
- (as Malgosia Bela)
- …
- Miss Boutaher
- (as Clementine Houdart)
Résumé
Avis à la une
For anyone unaware of the original, you do not have to have seen it, to enjoy this. But you can watch both, because they differ on enough levels to make them both enticing and interesting to watch. Even a double will would be something that made sense. And whichever order you want to watch them. Though I think it would make sense to watch Argentos Suspiria first. We have different characters here, we have an amount violence and depicted visual explicit pain enducing scenes, that this is not for the faint of hearted. If you are squeamish, do not - I repeat: do NOT watch this! But if you stomach the visceral and painful moments (there are not that many and they are mixed well with the story), you will love the rest too.
Great storytelling and a weirdness that can hold up to that of the original. And really great acting to go along with everything.
The writing, storytelling and maybe the editing seems to be decent but perhaps holding the film back a bit. So I'm unfamiliar with the historical backdrop of the film, but that's ok because I think there is enough gloom and doom feeling that I get the mood it's trying to set. But then all the flashbacks or sharp cuts to all these random pictures and scenes gets muddy. I get that maybe it was supposed to bring this elevated artistic thriller element but it failed because it was overused and just too random at times. The pacing was a bit slow as well or maybe it was the long runtime that made it feel like it was ongoing forever.
In all, I think it's a 6, but it could have been an easy 8 with at least better editing and shorter runtime.
Unlike the 1977 original, this one employs muted colours, shrivelled set design, slow-burn approach, hypnotic score & an unnecessarily drawn out narrative that piles one needless segment on top of another, resulting in an overlong flick that exceeds the original's length by a considerable margin, and will test the patience of most viewers.
Aiming for more than a straightforward supernatural horror, Guadagnino retains the themes of the original but is more interested in exploring the political unrest of the depicted timeline, not because the plot calls for it but because he wants to. While some will admire his choice to not rehash the same story, others will argue that his reach far exceeds his grasp here.
On the plus side, the eerie mood & foreboding aura never leaves the room, some kills are downright terrifying, the earthy tones do fit its depressing tone, that Volk dance sequence is truly a highlight, Make-up is top-notch, and Thom Yorke's score just fits. As for the performances, Tilda Swinton steals the show by taking the role of not one, not two but three different characters, and she excels at all of them.
Overall, Suspiria does retain the original's title but everything about it is different. More a homage than a full-fledged remake, it is an abstract re-imagination that attempts to tackle themes & elements that it could've done without, and comes stuffed with an unwarranted subplot that's detrimental to the viewing experience. In short, Luca Guadagnino's Suspiria is too long, too slow & too far up its own ass.
Director's Trademarks: The Films of Luca Guadagnino
Director's Trademarks: The Films of Luca Guadagnino
Le saviez-vous
- AnecdotesDakota Johnson completed 2 years of ballet training in preparation for her role in this film.
- GaffesThe film opens in West Berlin in 1977, with protesters chanting, among other things, "Free Meinhof!" However, Ulrike Meinhof was already dead by that point. She was found hanged in her prison cell a year earlier than the film is set, in May 1976.
- Citations
Dr. Josef Klemperer: Love and manipulation, they share houses very often. They are frequent bedfellows.
- Crédits fousJust before the credits end, Susie reappears and makes a small gesture to the camera.
- ConnexionsFeatured in WatchMojo: Top 10 Best Horror Movies of 2018 (2018)
Meilleurs choix
- How long is Suspiria?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Suspiria: El maligno
- Lieux de tournage
- Grand Hotel Campo dei Fiori, Varese, Lombardia, Italie(Dance Academy)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 2 483 472 $US
- Week-end de sortie aux États-Unis et au Canada
- 184 037 $US
- 28 oct. 2018
- Montant brut mondial
- 7 956 877 $US
- Durée
- 2h 32min(152 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1