Dans le Canada du XIXe siècle, un psychiatre se demande si une meurtrière doit être graciée pour cause de folie.Dans le Canada du XIXe siècle, un psychiatre se demande si une meurtrière doit être graciée pour cause de folie.Dans le Canada du XIXe siècle, un psychiatre se demande si une meurtrière doit être graciée pour cause de folie.
- Nommé pour 1 Primetime Emmy
- 11 victoires et 19 nominations au total
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What a well made, superbly acted and completely fascinating series this turned out to be. A true life murder is always interesting but the details here are not too well known like Lizzie Borden's story. An Irish maid emigrates to Canada but gets caught up and convicted of the murder of her employer and housekeeper. The psychological and emotional insights are so well incorporated they ring true. The dialog is such that you listen for every word though some of the accents are a bit thick.
Acting is superb. Sarah Gadon is luminous and perfectly cast. Deserves an Emmy. Her facial expressions are just right for the complexities of the role. Anna Paquin is good too in a difficult role. Zachary Levi is kind and surprisingly not out of place in the time period. The supporting cast are good too.
The directing is precise and shows you what you need for the story. The horrific and painful parts of the story are such that it could not have been shown in such detail if it was adapted many years ago. What a perfect balance of beauty and horror.
The series is 6 episodes. Just the right length - neither too long to have any draggy moments or too short to feel short changed in any way. This series shows CBC more than matching the best BBC can produce.
Acting is superb. Sarah Gadon is luminous and perfectly cast. Deserves an Emmy. Her facial expressions are just right for the complexities of the role. Anna Paquin is good too in a difficult role. Zachary Levi is kind and surprisingly not out of place in the time period. The supporting cast are good too.
The directing is precise and shows you what you need for the story. The horrific and painful parts of the story are such that it could not have been shown in such detail if it was adapted many years ago. What a perfect balance of beauty and horror.
The series is 6 episodes. Just the right length - neither too long to have any draggy moments or too short to feel short changed in any way. This series shows CBC more than matching the best BBC can produce.
I am somewhat sate of all these flashy trailers that leave me breathing air through my mouth and then i realize i've fallen for the same old marketing trick.
Like many others that probably watched this show, i myself have not read the book, nor do i intend to because it just leaves me questioning so many different aspects of this book/show that i never thought i would be questioning.
What i expected was a psychologically disturbed pathological liar that got away with killing and manipulating more than five people in her favor, what i got was a bible study of the feminist mind and her hot 50 year old master. He is hot, stop denying it.
The last two episodes should or could have been so much more but they never culminated for me it just went up, up and then down down and flatlined.
I have the feeling we are probably missing a lot of backstory. Nevertheless i think the show was good...maybe. Let's leave it to god shall we?
Like many others that probably watched this show, i myself have not read the book, nor do i intend to because it just leaves me questioning so many different aspects of this book/show that i never thought i would be questioning.
What i expected was a psychologically disturbed pathological liar that got away with killing and manipulating more than five people in her favor, what i got was a bible study of the feminist mind and her hot 50 year old master. He is hot, stop denying it.
The last two episodes should or could have been so much more but they never culminated for me it just went up, up and then down down and flatlined.
I have the feeling we are probably missing a lot of backstory. Nevertheless i think the show was good...maybe. Let's leave it to god shall we?
Very well written and brilliantly acted. Sarah Gadon is amazing. The story was told in an interesting way, and Grace's journey made me uncomfortable and tense quite often. That is until the last couple of episodes. All tension went away, things all of sudden appear rushed/forced, especially the last episode.
Could have been a 10/10. Worth watching though.
Could have been a 10/10. Worth watching though.
Great atmospheric period piece. I stuck with all of the episodes, though it was a little slow at times in the middle section. Exploring women during the 1800s - what it means to be feminine, what constitutes mental illness, how a female may (or may not have) committed a murder and why - those are all very interesting topics. The series spends a lot of time in the psychology of it with conversations between Grace and the doctor charged with deciding if she's still a danger to society. But because Grace has reasons to hold back her feelings and memories, she's a bit of an unreliable narrator, and I do find that hard to feel things for a main character who may or may not be telling the truth, because you don't know what's genuine and what's not.
There are many good things about this, especially in the first half. The characters are well played. In the end, however, I was unsatisfied. It was as if there was a rush to be done with it all. Not a lot of depth in the last couple of episodes.
Le saviez-vous
- AnecdotesExecutive producer / writer Sarah Polley first tried to acquire the rights to the novel Alias Grace when the book came out in 1996. It took Sarah Polley a little over 20 years to bring this miniseries to its fruition.
- GaffesWhen Grace is beside Mary's bed, just before the cemetery scene, the 'corpse' can be seen gently breathing (torso moving).
- ConnexionsFeatured in WatchMojo: Top 10 Best New Shows of 2017 (2017)
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