Beckett

What a nauseating beginning to what turns out to be a perfectly mediocre action movie. After going on for some 10 minutes, much more of the eponymous Beckett and his girlfriend's lovey-dovey, cutesy-wootsy foreplay, and I would've been ready to run their car off the road. These American vacationers (well, I guess Alicia Vikander is Swedish, but whatever) in Greece display some of the most irritating intimacy ever filmed, I swear--talking nonsense to each other, fondling each other while driving, drawing a heart on him--grown adults acting like horny teenagers.

Otherwise, and despite what the extra-T "Beckett" might conjure regarding more thoughtful fare involving a Thomas or a Samuel Becket, this "Beckett" is a good alternative for anyone who enjoyed watching John David Washington running around in "Tenet" (2020), but would rather not engage with a complicated narrative, or those who liked the conspiratorial intrigue of him in "BlacKkKlansman" (2018), but wished the politics of it were vague to the point of irrelevance. Communists and fascists, oh my. An old-fashioned American-savior narrative, but without the white guilt, an unwitting wrong-man mystery solved during panting breaks in between fighting and chasing. The scenery is nice, though, and, granted, a movie that begins by prophesizing the hero at the ruins of the Oracle of Delphi can't be all bad, although grand, Ancient Greek tragedy this isn't. Watch the "John Wick" shoot-'em-ups for that, seriously.

There's also the debatable appeal of Washington's hero not being without personal guilt and being mostly realistically human--limited by injuries, fatigue, panic attacks, an' all. Yet, he still ends up doing a Batman in a parking garage. If Washington keeps this up, Marvel or DC is going to cast him in one of their superhero burgers.

This movie was not for John David Washington, they should have cast someone else. The acting was generally really bad, I felt nothing for the characters and I also didn't connect with the story. The Characters who are seemingly "in-love" had no chemistry between them. The camera work and editing were the biggest let down, some of the shots were out of focus....not artistically out of focus, like incompetent DP out of focus. Editing department should have cut those out. Some scenes were shot like it was a low budget student film. This movie was hard to watch because the overall quality was really poor.

I thought that the filming was incredible. Great shots and great edits. The story was the typical chase and crime thriller. Compared to other recent films, I thought this story had more depth to it than say Without Remorse. I enjoyed that the plot focused on the character rather than the detailed politics. It kept it more relatable. Really a pleasure to watch and just enough details to keep you interested. There was realistic violence versus the over the top.

This is newb writer and director Ferdinando Cito Filomarino's first full length feature film, with five previous short films. And I'm thinking this one should've been a short as well.

The 108 min runtime was way too long with more filler than substance, then add the slow pacing, and you get bored real quick. Had this film been based on actual events - and filmed verbatim, then I may have given it at least one more star, but the fact this was a fictional story, so much more could've been done - such as adding some excitement.

There were moments of tension and suspense, but the cat and mouse game is nothing new, and this one was just more dull in general, and got stale real quick. I did like the setting in Greece, but again, I think more could've been done with that.

The entire opening scene and the relationship with Alicia Vikander (and her minimal screen time) was overwritten, while the rest of the story and its themes were underwritten and, well, dull. The ending also seemed too rushed compared to the guts of the story from the start. A lot more action and suspense would've gone a long way in this film. However, his story execution was well thought out, with great scene transitions and coherent themes and plot.

Filomarino's directing, camera work, and directing his cast was actually decent. Performances were on point, although Washington's character cried a little too much for a guy that jumps 5 floors off a parking garage. The score was actually amazing and fitting, especially for a B film.

Had Filomarino trimmed off about 20 mins, and/or consulted a seasoned writer to add some "opa!" into his screenplay, this film could've been great. Nevertheless, for a newb filmmaker, he should be proud of his first full length feature.

As a thriller, Beckett is a dull primer on the genre, employing every trope, gimmick, and theme ever, all in one action plot so predictable as to be risible. In addition, it is so indebted to moving the plot favorably for the titular protagonist (John David Washington) that its coincidences exceed logic.

Beckett and April (Alicia Vikander-underused) are blissfully vacationing in Greece ("I think I'm having a love attack," he says-yikes for the dialogue) when their auto plows at dark into a home that just happens to be the hideout for conservatives who have kidnapped a little boy, the son of a prominent politically left candidate. Such an improbability kickstarts the plot that has the thugs tracking Beckett and nothing else.

At several points that Beckett escapes, we can be assured that he will survive because of his extraordinary good luck in doing so. Each set piece of his escapes also seems disjointed enough from the main plot that it could exist outside of this film, albeit some are well executed if not fabulous.

Because of his ability to get out of each tough spot, I have forgotten most of them; all I know is that Beckett cannot be stopped, despite multiple wounds. The people along the way who help him are not as lucky.

Washington is durable if not a bland, a stoic face that accompanied him when he was chased in Tenet as well. Vikander remains one of the best actresses of her time even if she's gone early from Beckett when she is unfortunately delivered by her lover's sleepy driving. Lena (Vicky Krieps) is a rebel who helps him along the way to seeking refuge from his pursuers in the American embassy, another wasted talent.

As for who represents what in the political part of the film, I haven't a clue except that the candidate at the rally seems to be more liberal than the organization pursuing Beckett. Netflix is the home of this disappointing thriller-even during pandemic time, I can't recommend it.