First Love, le dernier Yakuza

Incredibly directing over 100 films of various shapes and sizes since his first official film went out for public consumption in 1991, famed Japanese filmmaker Takashi Miike always provides his viewers with wild, unpredictable and often extremely original offerings (with in most cases additional blood shed and limb lopping) and in keeping up with tradition, black comedy First Love is yet another unique product from a visionary who has refused to ever rest on his laurels.

Showcasing a softer side to his persona and even dialing things back a little bit here and there throughout, First Love is in some ways a different kind of Miike ride as we spend a night with downtrodden up and coming boxer and personality by-passed Leo, who by a chance encounter finds himself involved with the Yakuza owned Monica and on the run from a bunch of Tokyo criminals that are all mixed up in a drug-swindle that sets in motion a group of warring parties all hell-bent on revenge and coming out on top.

Viewers have all certainly seen these type of "one night in the life" of type of films and there are elements of First Love that feel familiar but flying by at a consistent rate and throwing curve-balls at us every chance he gets (nothing can prepare you for visions of Monica's creepy father), there's enough fresh and exiting elements to Miike's vision that it ensures should a viewer fall under its spell, its likely that this odd hybrid of gangster film, romance and thriller will become a new favorite very quickly.

It's not a film that is going to make itself a legacy like some of Miike's most renowned works like 13 Assassins, Ichi the Killer and Audition but Miike fans are going to have a blast watching one of their favorite directors take himself and his audience on a wild Tokyo fueled ride that increasingly ramps up the craziness and zaniness as Leo and Monica get further and further entrenched into a night on the town that features lopped limbs, cartoon segments and fast-paced car chases and offers a more original narrative than countless other Hollywood counterparts and even in its last moments showcases a director with a growing heart and sense of sentimentality as Leo and Monica's journey may even warm hearts in unsuspecting ways.

So while not a fully-fledged instant Miike classic, First Love is a fun, fast-paced and frenetic fusion of violence, love and crazed criminals all set against the ever colorful and energetic backgrounds of one of the most vivid and unique cities in the world.

Final Say -

First Love is a fresh take on a familiar story line and while many of Miike's well-known staples are present, this is a film that feels a little different from what we've come to expect from the much-discussed director and provides a fun night out on the blood-soaked streets of Tokyo.

3 1/2 fortune tellers out of 5.

This is a crazy black comedy. Not seen a Miike movie before but will be on the lookout now! I can't wait for a crappy American remake to show just how good it was.

A fast, funny, zany escapade. Comic book fun. A delightful surprise.

Strongly recommend.

A chance encounter between a young boxer and a prostitute causes an all out gang war and they are both caught right in the middle of it. Takashi Miike anyone?

When one goes to see a Takashi Miike film one expects certain things. It has to be grotesquely violent, slightly tongue in the cheek and an over the top story that that would never work with anyone else at the helm. FIRST LOVE delivers everything and more. In fact it is a surprisingly coherent, thought through and even touching film that works on many levels. It is drama, it is a comedy, it's an action film and it's a thriller, where all elements are a perfect fit.

This is classic Miike with Japanese yakuza and Chinese triad going at each other over nothing. It may be a bizarre and violent affair, but the cut off limbs and heads seem a bit Monty Pythonish, which makes the gore slightly less disturbing.

There's a lot of fun to be had here, this is a sort of film Tarantino would like (he did praise Miike as one of his favourites) and this film is Miike at his best.

With its jazzy upbeat soundtrack and out there action, this is an energised piece of work that has to be seen to be believed.

Good casting, great cinematography, fitting score and decent directing, but there were obvious plot and technical issues. The 108 run time felt much longer and some scenes were too long and/or unnecessary. The choreography and camera shots were terrible in the action scenes. A good film but could've easily been great.

On the light side of Miike but still with plenty of what you expect from his palette. Camera work and cliches work perfect here supported by a great soundtrack. Kind of modern jazz frenzy beat. Also great to see Shota Sometani in a different roll.

Pretty good to have a taste of Miike.