Malmkrog

I start by saying that it is indeed a long and pretentious film with the audience, which requires patience and attention.

I can say that in the first half hour of the movie is the big test of patience for what follows, but patience that deserves every minute. Malmkrog is a cinematic success with a special experimental air vibe underneath a classic presentation of great visual value. The only negative point, if I may call it negative, is that it is not for everyone, not for any level of thinking, therefore not for any age, there is a good chance that you will not understand some of the discussions in the dialogue if you are too young. The essence of Cristi Puiu's films lies in the dialogue and interaction between the characters in relation to the environment. The atmosphere in the film is unique and captivating. if you are not interested in topics such as religion, Christianity and history, chances are you will find it boring. But if you are passionate, prepare to enter into a dizzying dialogue about God, truth, subjectivity, objectivity. The film touches on themes relevant to the world we live in and to which we are heading. It's that kind of movie that's good to see several times. For lovers of the art of cinema, it deserves all the patience and all the attention.

Excellent cinematography, superb editing and the actors play great. A cinematic creation that begins in a special way and ends in equal measure. Malmkrog will surprise you in a way like human nature.

I think this is his best movie creation so far! 9/10

In high school years, I read the book of Soloviov. The impression was powerful and, after decades, its taste, the state are far to be altered.

The film selects its audience - this is the premise in its case. For dialogues, themes, for the three hours long, for the acting and for the atmosphere on set, for nuances and grace of silences, for perspectives and for relation between characters.

In fact, its virtue is be more than an exceptional film and, maybe, the masterpiece of Cristian Puiu filmography, but a precious seed for the viewer mind, return to youth lectures and to old fears and doubts.

In some measure, a film for teenagers. Indeed, old teenagers.

But just perfect for them.

If you wanna go through Brothers Karamazov and Crime and Punishment in less than 4 hours, this is your chance.

That's not entertainment. Which forbids it to be appreciated by any viewer who would want to be carried along by a plot, or a tension, or simply character acting. None of this in here. So let's forget about that audience.

This is a serious movie. So serious that it is totally devoid of any second degree, It's a movie proud of being.pedagogic. Therefore there is no humor, no provocation, nothing going over the top. So this is not for those who like their brains teased, or their knowledge challenged, or their cognitive bias toyed with. Let's forget about that audience.

This is too short a movie, running only at 200 minutes, it needed a few hours more, like 8 or 10. The movie endeavors to explore interlacing of society and philosophy at a key time in European history, a fascinating subject, unfortunately it is like a poorly introduced summary for students who have failed to do the proper reading before an exam. There is not enough background to provide learning for those new to the subject, and there is nothing new to be discovered for those already versed in it. So let's forget about this and that audience.

In summary, this a nicely shot, well written, intelligent and ambitious movie, which failed to choose which viewers to address. Too bad.

Probably the best way to discover or re-discover phylosophical rivalities in european history. Yes, it is slow, there is no action. But a great way to discover european history .