Blind Mountain

In the early 90s, a young woman, Bai Xuemei, a recent college graduate, travels to the countryside of rural Shaanxi province believing she is going to start a job selling medicine to rural peasants. After arriving at remote village, she is drugged and awakes to discover her identity papers have been taken and she is the prisoner of her new 'husband', a contemptuous, uneducated peasant who has bought her for 7000 yuan. Bai protests and tries to leave but is forcibly restrained by her new 'family'. In fact, her new husband's parents assist him in restraining her so that she can be raped. Eventually Bai manages to escape her confinement and flees to inform the local police and is brought to the village chief. He, however, won't help her without proof (identity papers) or a refund of the 7000 yuan and returns her to custody of her would-be-husband. Later Bai meets other prisoner wives who share her fate but have long given up their will to escape. Horrified, as the seriousness of her predicament sinks in, she makes more desperate attempts to escape.

Incredibly enough, the film is based on the real stories of women who were enslaved this way in rural China - the demand for wives brought about by the imbalance of male and female children in the countryside. For once an idyllic, isolated rural Chinese village is portrayed as a place of ignorance and malevolence and a place to escape from. Amazing acting from the cast of non-actors who play themselves very convincingly. The only disappointment might be Bai herself who, as a college graduate, doesn't seem to plan her escape attempts very well.

The style reminded me so much of Zhang Yimou's "Not One Less" - the way that it was directed with nonactors (only two of the characters were professional actors), the teaching of school children in the country side, and the contrast between the lifestyles of rural and urban China. In fact, I'm pretty sure that one of the locations in the city is a location in Not One Less – the broadcast station. I'm wondering whether or not the obvious influences are intentional, since this movie seemed to be receiving warm praise. I would hate to learn that the director did not realize the similarities between this and Not One Less, since Zhang Yimou's present influence seemed to be somewhat overt to me. The way in which it is shot mostly with wide lenses with a deemphasis on the shot in order to normalize and situate the film as a socialistic commentary on modern day China definitely owes much to the 5th gen directors Zhang Yimou, Chen Kaige, and others (at least in my opinion). I don't think this film is anywhere near the level that those experienced veterans are used to making, but it's a good effort. I think the biggest thing that it lacks is fluency between scenes and I think that that is a burden the actors have to carry. It's difficult to direct nonactors (imagine being abducted to act for a month, i'm surprised they weren't terrified 100% of the time). He actually used real policemen, hospital workers, and rural villagers and although they don't have to pretend to be anyone other than themselves, it can be dangerous if these characters have a presence in the movie because they have to be able to carry on the story in their own way as well. Even minor roles have motivations and emotional arcs, but it seems as if these people have lost them, and are acting from a shot to shot basis without any idea of how the overall story is like. I'm glad I got to see this film though, despite the acting, because it gives me a chance to see how important the element of directing your actors are. And I definitely respect the choice of using nonactors. It seems to be a characteristic feature of many of these kinds of international films. Besides, these people have a realistic understanding of the micro-cosmic world of which we so easily play critic from afar. You just have to know how to tap into it.

I heard about the movie from Leonard(a youtuber) when something happened in Harvest County(I don't dare to tell the name so I translated it), which shares the same event as the plots here.

However the movie is banned in China because it has torn the fig leaf of the dark side.

This is an extremely compelling and thought provoking film.

It portrays the fate of a young woman who accepts a job offer in the countryside and finds she has been sold as a bride to a family in a remote village in modern day China.

It is extremely realistic, my uninformed guess is that there were very few professional actors involved. All the characters seemed completely true to life.

Village life in modern China is very accurately portrayed. The Chinese government is vigorously trying to stop the old cultural practice of young women being sold as brides but traditions sometimes die hard; especially in areas remote from centers of authority.

Most interestingly the film revealed how Chinese people relate to authority. The villagers' reactions to visits from party officials and the police were right on the mark.

I watched this with a woman who grew up in in a small village and she confirmed its unerring accuracy.

There are many wonderful improvements in the life of most Chinese people. This film doesn't negate them; but shines a light on one facet that is heartbreaking in its injustice.

Make sure you catch this classic.

I was able to see this movie at the Portland International Film Festival. I'm a huge fan of Asian cinema, particularly Japanese and Korean films. Before this, I had seen very little from the Chinese, and i must say this is a great introduction to China's promising film-making talent. Not one scene of this movie bored me, as i thought it certainly would. The majority of the movie follows the main characters imprisonment in the isolated village, and her numerous attempts to escape until the final, abrupt yet amazing, ending. I would absolutely recommend this to anyone who enjoys great cinema, and i personally can't wait until i get my hands on this movie. Ironically, i saw this with my girlfriend on valentine's day. Talk about silly.