Night Train

On a snowing Christmas Eve, a stranger embarks in the night train Nightingale at Fall Brook Station and has a heart attack after an overdose on pills and vodka. The medical student Chloe (Leelee Sobieski) and the drunken salesman Peter Dobbs (Steve Zahn) see a mysterious box with the stranger with valuable stones inside and convince the stiff conductor Miles (Danny Glover) to not report the death of the passenger and keep the box for them. Chloe chops the corpse with a cleaver; put the severed parts in a trunk and Peter and Miles dump it from a bridge into the Sturgeon River; however they do not succeed in opening the box. Therefore Chloe does not get off the train in Maple Creek, but the passenger Mr. Gutman (Constantine Gregory) embarks seeking out the stranger. He subdues the greedy trio and discloses that everyone that sees inside the box dies until the end of the day; but Peter accidentally kills him. When they have an unscheduled stop by the police that had found the body parts in the river, the number of corpses increases in a travel without return.

"Night Train" has an intriguing plot with a mysterious Pandora box that corrupts the soul of bizarre characters. The weird story has a promising beginning with black humor and an excellent character – Chloe – that is wasted to a collection of clichés in the end. Unfortunately the director and writer Brian King loses control and derails with his "Night Train" to a very deceptive conclusion without any explanation about the content of the mystical box. My vote is six.

Title (Brazil): "Viagem Sem Volta" ("Travel Without Return")

In the cast & crew interviews on the DVD, the name "Hitchcock" is mentioned by multiple people multiple times. Whether or not "Night Train" will strike you as a Hitchcockian thriller, one thing can be said without a doubt: it was highly, brazenly, unapologetically influenced by the master of suspense, old Alfie.

That means it contains all of the following: suspense, action, comedy, innuendo, morality, heaps of character psychology, psychosis, an amusingly pompous Victorian old lady or two (recall that Hitchcock was schooled by nuns) and another Hitchcock trademark: a little dog. Those are the superficial similarities, and yes, you can watch this film simply for its entertainment value and have a great time. But to me, the beauty of Hitchcock and similarly "Night Train" is that you can dig below the surface and have a great time experiencing what the story is really about.

For the sake of this review, I'll assume that describes you if you read further. If not, the other reviews here on IMDb have covered the bases as far as entertainment value. On that point I'll just summarize by saying that this is a very fast-paced, interesting, sometimes-gory-sometimes-humorous, dreamlike film that will keep your attention from start to finish, even though the story is linear. It packs enough twists to keep things at a boil until the end.

Now about the deeper themes, the real substance that made films like Hitchcock's "Strangers on a Train", "Blackmail" and "Rope" such classics. This movie has a simple story that revolves around a bunch of people fighting over a "MacGuffin". A "Macguffin" is a term Hitchcock used to describe the central object that makes everyone act the way they do, and yet, it doesn't matter what it is. What matters is how characters react to it. In spy movies, the Macguffin was often the microfilm or the secret files. In crime capers, the Macguffin is usually money or jewels. In "Night Train" the Macguffin is simply a wooden box. Thus, the director is making a sort of joke, telling us "it don't get any more 'Macguffin' than this, folks!" Once we accept the premise that everyone is fighting over this box, we understand what the real film is about. It's about how people change when consumed by desire for something. Note that it's not just about greed, lust or material possession. Instead, it's a bit more complex: the box represents HOPE.

And that, my friends, is what makes this a great film. Pay attention to the different characters and how they react to the promise of their own greatest hope. Not everyone turns into ruthless killers (although, as you can guess, at least one person does!). A few characters become remarkably more human when infused with hope. I won't say who they are for fear of ruining it, but let's just say the acting was fantastic.

If you're starting to nod off, don't worry. There are a few murders, a bunch of blood, maybe a decapitation or two, Leelee Sobieski showing some skin (though no outright nudity), some very tense action and some genuinely funny moments (the satirical humor, as if sometimes poking fun at all the thriller clichés, is a lot of fun).

Filmed entirely in East Europe--almost completely on board a train which was built specifically for this film--the movie carries a timeless, location-less, surreal vibe as if in a dream. Certain props are antique looking while other elements are distinctly modern. That is to say, "Night Train" is completely cut off from reality, and that's the way it should be approached. It's really like a fable more than a traditional thriller story.

If you're a fan of the old Hitchcock flicks as well as John Huston ("The Maltese Falcon") and others of that genre, you should check out "Night Train" for a fun, modern spin on that classic way of storytelling.

Sometimes the synopsis of a film just calls out to me. I can't always put my finger on exactly what it is, but something just screams at me that I have to see that film. Quite often it leads me down the track of watching some abysmal films, but that was not the case when it came to 'Night Train'. What I found instead was a little gem (so to speak).

I love films set entirely in one place. Always have done. And trains are one of my favourite settings too because although they're all one place, each cabin can be entirely different, and characters can be in the story without a clue as what is actually going on around them. 'Night Train' was a surprisingly suspenseful ride from start to finish. It achieved what very few modern horror/thrillers manage to do and that is to get me on the edge of my seat and keep me there. Leelee Sobieski had a lot to do with this. She was a real presence on the screen and kept me hooked with everything she said and did.

There's a real creepy atmosphere throughout this one. It has very much a 'Twilight Zone' feel to it, only with slightly better actors, a little more action and obviously a touch longer. I also loved the underlying psychology of the story. We really are a strange race sometimes. I loved this film and if you are able to track it down somewhere please give it a watch. You'll be pleased you did.

" Night Train" is a quirky and hard to define movie, but nevertheless an enjoyable experience. Its seems to be a dedication to the golden oldies of the 1940's, the era of Peter Lorre , Sidney Greenstreet and other amazing character actors that all but disappeared these days. The plot is a strange mix of thriller, comedy ,slasher and even religious metaphor about greed. And, unfortunately it is where some of its troubles begun. The talented director seems to hop from one genre to another like a confused fly. It adds to a certain level of frustration in this little irritated albeit good natured viewer. To sum it up: I'll rather have a bit troubled effort than stale and predictable rubbish.

It definitely is not some first run Hollywood flick, but it had good American actors and not a horrible plot. You see this mysterious stranger dies on a train, and only three people see him. Well he has this mysterious box, oh so evil, that warps each person's mind with dreams of riches then sows strife amongst the passengers who are trying to claim it. It has horror elements to it, the original box bearer was hacked up after death to aid in the disposal of the body by Leelee Sobieski, some buttoned down pre-med student severely bitten by the greed bug. Danny Glover is the train's conductor who tries to be all moral and fair, and Steve Zahn plays his trademark loser rogue role as a drunken salesman who sees his big break. Of course, the dead man has others trailing him who too were smitten by the greed thing. And soon more bodies start piling up on top of the first one who was an accidental drug overdose. The ending really was sort of a let down, it's like everyone on the train was somehow already or got involved and started shooting everything and everyone to pieces as the box exerted its malignant supernatural influence all around, even on the people who didn't peer inside, which is what hooks someone on the greed hate thing. The noirish, creepy atmosphere set design, a mix of modern and 1940s, was interesting and the cgi animation of the exterior shots of the train winding down line in the snow were adequate for the film. It was made in Bulgaria. But the lame ending, when they needed to concentrate on the initial triumvirate of conspirators, made it fall short of the mark. It could have become a good cult film with a better ending, not just endless twists of the supporting cast popping as greed treasure seekers to create more mayhem.