Swing vote - La voix du coeur

I expected little after the lukewarm critical response. The film is not a scathing satire of right-wing hypocrisy. But it is inspired. And rare for this genre, balanced. It's target is voter complacency and the winning-is-everything bloodsport of the presidential race. Believe it or not the film makes a good case for voting as a moral choice, a choice we should take seriously. Not the stuff of Hollywood hilarity for sure. Yet it is well-acted, charming and original. Hard to guess where the story is going. Great laughs are better for being unexpected.

Liberal-leaning viewers and critics may have been disappointed based on a trailer showing Dennis Hopper as a rapid pro-life candidate. The story here is about voters. And how far our major political parties are willing to go to court the swing vote. The genius of this film is that it takes targeted campaigning to its logical conclusion. This is the stuff professional persuaders are more and more paid to do.

Not perfectly executed, but an inspired premise with better than expected follow-though. A treat. So glad I went.

P.S. full disclosure, I am a very liberal Democrat.

My son tells me that I don't understand what young people think is funny. And he's right. I'm not into cringe comedies like Borat or teen sex comedies like Superbad. So when I give Swing Vote 9 out of 10, I guess I have to limit my recommendation to those over 50. If you're too young to remember Kevin Costner's last great movie, I'm not so sure you'll like this one. You see, no one gets humiliated and you don't hear any jokes about sex or bodily functions. It's an old-fashioned comedy that my wife, my cousin and I, all near 60, loved. If you are in that age range, ignore the critics and the IMDb rating. We laughed all the way through. The editing is fast paced so that you never get bored. Some critics have criticized Swing Vote for being lightweight, but it is really more dramedy than straight comedy. There are several serious themes including divorce and civic responsibility. This is Costner's best performance in many years. And Madeline Carroll, who plays his daughter, is amazing. Watch out, Dakota Fanning and Abigail Breslin. This girl can play comedy and drama with equal aplomb. The scene where she cries in front of her class brought many to tears in our audience.

I can understand fully why this Kevin Costner movie fell so far under the radar, if the man has any sense he put it there!

It's not that it's a bad film, it's just a mediocre one with one of the most offensively ridiculous concepts of all time.

So we have Bud, a redneck and all round failure at life (Especially to his daughter). His daughter registers him to vote but then due to a fault with the voting booth he becomes the "Swing" voter. Namely this hick has the single handed decision who becomes the President of the United States.

Yep, THAT dumb.

Despite a great cast including Costner, Patton, Tucci, Hopper & Grammer this is a foolish movie.

Yes it is highly accurate in it's presentation of politics but lacks in the comedy and simply isn't as dramatic as it aims to be.

One for hardcore Costner fans only.

The Good:

Bill Maher

Solid cast

The Bad:

Laughable representation of the Republican party

Concept is ridiculous

Too much FOX "News"

Things I Learnt From This Movie:

The writers were high on weed when writing the script and somewhere along the way someone was high on crack for giving it the green light!

"Swing Vote" is a good movie. It could have been great, but it isn't, but it is still good. At its best, it invokes Frank Capra's classic films on politics, including "Meet John Doe" and "Mr. Smith Goes to Washington." It never reaches their level, though, and that failure to hit the top is a bit frustrating.

An older, dumpier, and shabbier Kevin Costner is the best part of the film. Costner is a star and that shows here. Even the grunge that is his costume in almost every scene can't disguise his charisma. Costner's voice has not aged and he uses it to great effect, especially in a final speech.

The film draws laughs by parodying our two major political parties, with a Democratic presidential candidate starring in the funniest anti-abortion TV commercial ever made (no doubt its competition was slim, but it is very funny) and a Republican presidential candidate touting his party's tender concern for the environment.

These excellent scenes make you wish that the movie had gone deeper. It doesn't, though. It veers off into dead-end soap opera subplots about Costner's daughter's boyfriend from school and her attempt to live with her estranged mother (Mare Winningham, in a role that should have ended up on the editing room floor, as it contributes nothing to the film.) The casting wasn't great. The two presidential candidates and their aids end up being cardboard cut-out stereotypes of Machiavellian evil (Stanley Tucci) and compromise (Nathan Lane). Kelsey Grammar and Dennis Hopper, as the candidates, never transcend their "Frasier" and "Easy Rider" personas. Other actors, perhaps unknowns, should have been cast in these two key roles.

Paula Patton, the woman who played what would have been the Barbara Stanwyck role in the Frank Capra movie, was pretty as a little doll and a complete bore. This is part of a pattern in today's Hollywood; female leads must have the perfectly perky looks of a plastic doll; there's no need for them to be talented. Male leads, like Costner, can be beat-up, and slovenly, but must be talented. Patton's role, that of the desperate, sharp, female reporter who gains inside knowledge of a national story, is underwritten, and she does nothing with it. It's a dead-end, and that's a shame. It makes me want to rewatch "Meet John Doe" in which Stanwyck worked so well as the female reporter.

Overall, though, this movie is better than much else at the multiplex, and it at least ventures into the world of ideas.

If the 2000 Presidential election could be decided by a single county in Florida (with a little help from the United States Supreme Court, of course), imagine what it would be like if the decision ever came down to a single individual voter! That's the scenario put forth by "Swing Vote," a political fantasy that will probably be remembered more for launching the career of a talented young actress than for any insight it might offer into the political process.

Bud Johnson is a working-class divorced dad who lives in a broken-down trailer with his bright, twelve-year-old daughter, Molly - a youngster who is as astute and savvy about real world issues and politics as her father is ignorant and apathetic. Through a complicated fluke of fate, Bud finds himself in the unenviable position of being the sole swing vote in an otherwise deadlocked presidential contest. Suddenly, Bud is living in the glare of the media spotlight, besieged by candidates, campaign managers, handlers, celebrities and various special interest groups all vying for his vote.

Political satire rarely works on screen for the simple reason that it is either so slanted (usually towards the liberal side) that it winds up preaching mainly to the converted, or it's kept so inoffensive and generic that it loses any edge it might have had and becomes an exercise in watered-down, self-congratulatory Capraesque populism. "Swing Vote," oddly enough, falls into both categories at once - with conservatives likely to view it as little more than a two-hour commercial for the Democratic Party (or at least the issues they stand for) and move on. In strictly cinematic terms, "Swing Vote," co-written by Jason Richman and Joshua Michael Stern and directed by Stern, is really two movies folded into one. The first is a sometimes touching story of a father/daughter relationship in which the child is parent to the father. Kevin Costner (who pretty much financed the project himself) pours on the charm as a boozy, irresponsible slacker who's more interested in popping open a beer can and plopping down in front of the TV set than in actively rearing his daughter. Relative newcomer Madeline Carroll is a real find as the no-nonsense, wise-beyond-her-years Molly who takes care of her dad and isn't afraid to speak truth to power when the situation calls for it. Whenever the film is concentrating on the interplay between these two characters, it hits a responsive chord in the viewer. In fact, the scene in which Molly confronts the alcoholic mother who abandoned her (wonderfully played by Mare Winningham) makes for some genuinely powerful and gripping human drama.

Unfortunately, the second and much larger portion of the film (that is to say, the political part) doesn't fare nearly so well. Its revelation that politics is a dirty business - i.e. that it often prizes empty platitudes and sound bites over exploring issues of substance, and that it appeals to voters' greed, fears, ignorance and prejudices to win votes - is hardly an earth-shattering one at this late stage of the game, true though it may be. The film has lots of big-name stars - Kelsey Grammar, Dennis Harper, Nathan Lane, Stanley Tucci, George Lopez, Judge Reinhold - and a number of actual TV pundits and commentators throwing themselves into their roles with admirable aplomb, but the material isn't clever or sharp enough to really deliver the goods. Everyone, except for the two main characters, is quickly reduced to a "type" and the attempts at political parody are fairly obvious and lightweight compared to what we find in venues like "The Daily Show" or "The Colbert Report."

"Swing Vote"'s clarion call for all individuals to take their responsibility as citizens seriously and to become actively involved in the political process can't help but be uplifting and inspiring, especially in a presidential election year. The filmmakers just needed a bolder, more sophisticated vehicle from which to sound that call.

My advice is to look past all the political nonsense and concentrate on the beautiful performance by the young Ms. Carroll instead - and be present at the birth of a brand new star.