NOTE IMDb
6,5/10
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MA NOTE
Un jeune homme juif est pris entre des rendez-vous privés palpitants et sa famille répressive dans ce drame réfléchi se déroulant dans le Brooklyn des années 1980.Un jeune homme juif est pris entre des rendez-vous privés palpitants et sa famille répressive dans ce drame réfléchi se déroulant dans le Brooklyn des années 1980.Un jeune homme juif est pris entre des rendez-vous privés palpitants et sa famille répressive dans ce drame réfléchi se déroulant dans le Brooklyn des années 1980.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 4 nominations au total
Lili Rosen
- Principal Rabbi
- (as Eli Rosen)
Avis à la une
I didn't have high expectations when starting this film, and yet it crept up on me. Expertly crafted, it's a subtle, yet powerful piece. A dark humor runs within it, but I found it illuminating in so many ways- the love, support, idiosyncrasies and hypocrisies of family and communities.
A worthwhile watch when you want to be moved by a film.
A worthwhile watch when you want to be moved by a film.
It takes a while to get into this subtle, understated film. Exchanges between characters tend to be muted and at times abruptly truncated. This, you gradually come to understand, reflects the closeted world of the main character, David, whose most crucial interchanges are often a matter of a sidelong glance, a touch, amidst the garrulous world of his mother and fellow Jewish emigrés in nineteen eighties Brighton Beach. I was slowly drawn into thus milieu, permeated as it is by memories of the holocaust and ominous references to a disease affecting gay men, and ultimately found it deeply moving.
I didn't mind this at all, slow burn but not boring. There was something intriguing about the narrative, some left of field scenes and plot holes not explored but mostly a good film. I'm a fan of anything set in New York City and this was a side of it I'd never seen before.
Sensitive and uplifting, director Eric Steel's coming-of-age sexy drama won the Best U.S. Narrative Feature Prize at Outfest. Channeling the obstacles of growing up gay in a conservative Russian-Jewish community in 1980's Brooklyn, it brings a career-changing performance by Broadway's The Inheritance's Samuel H. Levine, in the role of the rabbinical student David, a teen struggling with hormones and family expectations. A beautiful portrait of a Brighton Beach boy exploring his sexuality, identity and culture, as well as a rich meditation on generational values (he's educated by his grandfather and other local elders), Steel conceived a powerfully perceptive debut.
10jtboone2
An exceptional, moving performance all the way around. Every aspect exuded excellence yet this is a film that isn't for everyone. Deep dive into an ethnic that most of us only very slightly know and even fewer understand without being one of them. It's one of those rare glimpses into the unknown and still one can never thoroughly understand unless it is YOUR story.
I can not imagine y'all watching it. Painfully slow but so exacting in every detail. Beautiful in the extreme when it explores things you are familiar with, but mystifying in the unknown pieces of those lives and loves.
And the soundtrack featuring clarinetist David Krakauer takes you on a wild ride to heaven and back. Just took my breath away...
I can not imagine y'all watching it. Painfully slow but so exacting in every detail. Beautiful in the extreme when it explores things you are familiar with, but mystifying in the unknown pieces of those lives and loves.
And the soundtrack featuring clarinetist David Krakauer takes you on a wild ride to heaven and back. Just took my breath away...
Le saviez-vous
- AnecdotesDavid's Grandfather is called Joseph Brodsky. Early on in the movie, looking at old photographs, he says: "memory is no substitute for love". His namesake, the 1987 Nobel laureate poet Joseph Brodsky, is quoted as writing: "If there is any substitute for love, it is memory."
- GaffesSeveral cars in the background are from 2010s. Ford E-Series on the right side in front is 2003-2015 as depicted by the external rear-view mirror housing. The story takes place in November 1986.
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 11 451 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 988 $US
- 24 oct. 2021
- Montant brut mondial
- 13 861 $US
- Durée
- 1h 58min(118 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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