Land
- 2021
- Tous publics
- 1h 29min
NOTE IMDb
6,7/10
17 k
MA NOTE
Une femme en deuil cherche une nouvelle vie, hors des sentiers battus, dans le Wyoming.Une femme en deuil cherche une nouvelle vie, hors des sentiers battus, dans le Wyoming.Une femme en deuil cherche une nouvelle vie, hors des sentiers battus, dans le Wyoming.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 2 nominations au total
Dave Trimble
- Store Clerk
- (as David Trimble)
Rikki-Lyn Ward
- Kayla Big Bear
- (as Rikki-Lynn Ward)
Avis à la une
For a drama like this there was some nice mystery and tension too. The landscape and cinematography was amazing. The simple yet effective cast was convincing. I got a bit teary eyed.
I'm not entirely sure why this was so poorly received. I understand the bit of a cliche in the plot, finding yourself after a tragedy and rebuilding the world you live in to suit the lifestyle you need (See: Nomadland).
The reasons this movie worked are as follows.
The music was paired phenomenally with the visuals. The soundtrack was mostly beautifully orchestrated and delicate strings coupled with some ambient tracks that really worked with the mood of the introspective and developmental scenes.
The shots in this film are absolutely incredibly. Alberta was an amazing landscape to capture and being reminded of the beautiful, incredible and yet cruel land (hehe) that we often take for granted and certainly underestimate.
The plot fits neatly inside of 1 hr and 30 min, it does not get boring, and it completely encompasses the process of emotional healing through incredible visual story telling.
This movie is worth watching, and I recommend it to someone who is patient and wants something tender and mindfully directed to enjoy.
The reasons this movie worked are as follows.
The music was paired phenomenally with the visuals. The soundtrack was mostly beautifully orchestrated and delicate strings coupled with some ambient tracks that really worked with the mood of the introspective and developmental scenes.
The shots in this film are absolutely incredibly. Alberta was an amazing landscape to capture and being reminded of the beautiful, incredible and yet cruel land (hehe) that we often take for granted and certainly underestimate.
The plot fits neatly inside of 1 hr and 30 min, it does not get boring, and it completely encompasses the process of emotional healing through incredible visual story telling.
This movie is worth watching, and I recommend it to someone who is patient and wants something tender and mindfully directed to enjoy.
"Everybody wants to rule the world" Sung along in Land, from Tears for Fears.
Ethan Hawke brings in those lyrics as well in Tesla last year, making it an anthem for lonely souls seeking more control of their modern lives. Edee (Robin Wright, who also directs) encounters that song and sentiment during her self-exile in the Wyoming mountains in Land as she struggles with life and death in a failed attempt to control a narrative that includes the loss of her husband and son to a mass shooting.
A week ago, I witnessed two other women against the odds with The World to Come, where smart ladies weather a brutal winter in 19th century Upper NY State and inadequate husbands. Both filmmakers have captured the reality of survival in hostile but beautiful surroundings, where the environment is metaphor for the storms within.
Yet, like the hostile living, the women fight fate to control their lives, not without pain and suffering. Edee forsakes life only to find it stalking her in the form of a Good Samaritan, Miguel (Demien Bichir), who not only saves her life but gives her life through his generosity of heart for all living things.
Edee must learn to survive (she has forsaken phones and cars) by killing animals and accepting humans, both challenges for a self-determined exile. The story is minimalist, needing not more than cinematographer Bobby Bukowski's stunning landscapes and Trevor Smith's production design, which is at home in the city as well as an old mountain cabin with previous haunting lives.
Escape to stunning landscape? see Land, but don't think life can be left behind. Robin Wright's expert direction, for her first helming, never lets us forget that our humanity, and the need to connect with it, will never leave us.
Land is a fascinating existential journey that showing the melancholy unity between the living and the dead, as James Joyce so poetically pointed out long ago. The connection that brings life: Miguel explains to Edee when she asks why he is helping her: "You were in my path."
Be exhilarated by a story about exile that doesn't work. Land is beautiful, harrowing, and ultimately rewarding.
Ethan Hawke brings in those lyrics as well in Tesla last year, making it an anthem for lonely souls seeking more control of their modern lives. Edee (Robin Wright, who also directs) encounters that song and sentiment during her self-exile in the Wyoming mountains in Land as she struggles with life and death in a failed attempt to control a narrative that includes the loss of her husband and son to a mass shooting.
A week ago, I witnessed two other women against the odds with The World to Come, where smart ladies weather a brutal winter in 19th century Upper NY State and inadequate husbands. Both filmmakers have captured the reality of survival in hostile but beautiful surroundings, where the environment is metaphor for the storms within.
Yet, like the hostile living, the women fight fate to control their lives, not without pain and suffering. Edee forsakes life only to find it stalking her in the form of a Good Samaritan, Miguel (Demien Bichir), who not only saves her life but gives her life through his generosity of heart for all living things.
Edee must learn to survive (she has forsaken phones and cars) by killing animals and accepting humans, both challenges for a self-determined exile. The story is minimalist, needing not more than cinematographer Bobby Bukowski's stunning landscapes and Trevor Smith's production design, which is at home in the city as well as an old mountain cabin with previous haunting lives.
Escape to stunning landscape? see Land, but don't think life can be left behind. Robin Wright's expert direction, for her first helming, never lets us forget that our humanity, and the need to connect with it, will never leave us.
Land is a fascinating existential journey that showing the melancholy unity between the living and the dead, as James Joyce so poetically pointed out long ago. The connection that brings life: Miguel explains to Edee when she asks why he is helping her: "You were in my path."
Be exhilarated by a story about exile that doesn't work. Land is beautiful, harrowing, and ultimately rewarding.
Some of the reviews of this movie complain of the slow pace and it is in fact slow. But as we get older we are not in such a rush to get to the end, don't need a breakneck pace to satisfy. We can often see ourselves in this sort of film and have some experience of loss.
I very much enjoyed this.
This is a minimalistic film, but it offers a lot. First, the scenery and cinematography are both stunning. Second, details of the harsh life are portrayed very well. Then, the journey of healing is beautifully portrayed. The characters are sympathetic, and they make you care about them. I think this is a very good film.
Robin Wright and Demián Bichir Ask Each Other Anything
Robin Wright and Demián Bichir Ask Each Other Anything
Robin Wright discusses her feature directorial debut, Land, with her co-star, Demián Bichir. They interview each other about everything from signature taco recipes and off-the-grid survival skills, to the struggles of directing yourself.
Le saviez-vous
- AnecdotesRobin Wright was initially attached only as the director but stepped up to star as well because of a scheduling issue. Wright said: "We got down to a scheduling issue and a time crunch where we had to shoot this movie in this window of time, and we only had 29 days to shoot it. And we just couldn't take the risk trying to hopefully get somebody in that window of time. And then the producers just said, 'Well, why don't you just do it?', and I said, 'Well, I'm going to be there anyway, so okay.'"
- GaffesThe backpack Edee is wearing during her long walk late in the film (not being too specific as it would be a spoiler) switches from one with side pockets and a bedroll at the bottom to a military-style pack with MOLLE straps and no bedroll and back again. She wore the latter pack in several earlier scenes.
- ConnexionsFeatured in IMDb Originals: A Salute to Women Directors (2020)
- Bandes originalesI'm on Fire
Written by Bruce Springsteen
Performed by The Staves
Courtesy of Atlantic Records UK
By arrangement with Warner Music Group Film & TV Licensing
[Edee is seen buying supplies and driving up to the cabin for the first time]
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- How long is Land?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Tierra Salvaje
- Lieux de tournage
- Didsbury, Alberta, Canada(location. The town stands in for the fictional town of Quincy, Wyoming, where the hospital is located.)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 2 577 830 $US
- Week-end de sortie aux États-Unis et au Canada
- 899 810 $US
- 14 févr. 2021
- Montant brut mondial
- 3 164 246 $US
- Durée1 heure 29 minutes
- Couleur
- Rapport de forme
- 1.66 : 1
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