Land
- 2021
- Tous publics
- 1h 29min
NOTE IMDb
6,7/10
17 k
MA NOTE
Une femme en deuil cherche une nouvelle vie, hors des sentiers battus, dans le Wyoming.Une femme en deuil cherche une nouvelle vie, hors des sentiers battus, dans le Wyoming.Une femme en deuil cherche une nouvelle vie, hors des sentiers battus, dans le Wyoming.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 2 nominations au total
Dave Trimble
- Store Clerk
- (as David Trimble)
Rikki-Lyn Ward
- Kayla Big Bear
- (as Rikki-Lynn Ward)
Avis à la une
LAND is a touching study of a woman steeped in grief, determined to leave life behind in the midst of a devastating happening. Robin Wright effectively directs from an angle of isolation, both of place and of mind. It's a solid directorial debut and a raw, emotional performance. A lot of moments and scenarios feel familiar, and while that hinders the overall experience, LAND is so beautifully shot with such deeply heartfelt performances that it earns a lot of respect by the end. The film's biggest achievement is the its second half, and the subtle way it works through grief and pain in restrained, tender moments.
I'm not entirely sure why this was so poorly received. I understand the bit of a cliche in the plot, finding yourself after a tragedy and rebuilding the world you live in to suit the lifestyle you need (See: Nomadland).
The reasons this movie worked are as follows.
The music was paired phenomenally with the visuals. The soundtrack was mostly beautifully orchestrated and delicate strings coupled with some ambient tracks that really worked with the mood of the introspective and developmental scenes.
The shots in this film are absolutely incredibly. Alberta was an amazing landscape to capture and being reminded of the beautiful, incredible and yet cruel land (hehe) that we often take for granted and certainly underestimate.
The plot fits neatly inside of 1 hr and 30 min, it does not get boring, and it completely encompasses the process of emotional healing through incredible visual story telling.
This movie is worth watching, and I recommend it to someone who is patient and wants something tender and mindfully directed to enjoy.
The reasons this movie worked are as follows.
The music was paired phenomenally with the visuals. The soundtrack was mostly beautifully orchestrated and delicate strings coupled with some ambient tracks that really worked with the mood of the introspective and developmental scenes.
The shots in this film are absolutely incredibly. Alberta was an amazing landscape to capture and being reminded of the beautiful, incredible and yet cruel land (hehe) that we often take for granted and certainly underestimate.
The plot fits neatly inside of 1 hr and 30 min, it does not get boring, and it completely encompasses the process of emotional healing through incredible visual story telling.
This movie is worth watching, and I recommend it to someone who is patient and wants something tender and mindfully directed to enjoy.
First of all, I want to say how good it was to see a newly released movie on the big screen. I missed "going" to the movies. This may very well prejudice this review. This was a beautiful movie, epic in landscape, quiet in thought, skillful in silent performance. Filmed in the Canadian Rockies (or as Robin Wright said, "the Alberta mountains"), the location is equally a character. It has garnered many film festival accolades and I've heard it described as Wright's greatest work. It definitely was her work. She produced, performed and directed it. It is a beautiful piece of film making. I give this film an 8 (beautiful) out of 10. {Drama}
For a drama like this there was some nice mystery and tension too. The landscape and cinematography was amazing. The simple yet effective cast was convincing. I got a bit teary eyed.
A woman in despair after a tragedy retreats to a cabin in the mountains to live alone.
Robin Wright directs her own performance, spending much time onscreen alone and silent as a woman struggling to survive both in relation to the wilderness and her own pain. Her performance always rings true emotionally, and the beats of her transformation are lucid. The landscape is beautifully filmed, the landscapes are vast, the winter is bitterly cold and the wilderness is living and breathing; though her interaction with it, her struggle to chop wood and hunt deer, the physical realities of her life, a very superficially depicted. The beauty and tangibility of the world is so real that I can't help but want to believe in her relationship with it. But the ultimate impact, of a woman struggling with significant emotional turmoil and despair, is real and her transformations and relationships are moving.
Robin Wright directs her own performance, spending much time onscreen alone and silent as a woman struggling to survive both in relation to the wilderness and her own pain. Her performance always rings true emotionally, and the beats of her transformation are lucid. The landscape is beautifully filmed, the landscapes are vast, the winter is bitterly cold and the wilderness is living and breathing; though her interaction with it, her struggle to chop wood and hunt deer, the physical realities of her life, a very superficially depicted. The beauty and tangibility of the world is so real that I can't help but want to believe in her relationship with it. But the ultimate impact, of a woman struggling with significant emotional turmoil and despair, is real and her transformations and relationships are moving.
Robin Wright and Demián Bichir Ask Each Other Anything
Robin Wright and Demián Bichir Ask Each Other Anything
Robin Wright discusses her feature directorial debut, Land, with her co-star, Demián Bichir. They interview each other about everything from signature taco recipes and off-the-grid survival skills, to the struggles of directing yourself.
Le saviez-vous
- AnecdotesRobin Wright was initially attached only as the director but stepped up to star as well because of a scheduling issue. Wright said: "We got down to a scheduling issue and a time crunch where we had to shoot this movie in this window of time, and we only had 29 days to shoot it. And we just couldn't take the risk trying to hopefully get somebody in that window of time. And then the producers just said, 'Well, why don't you just do it?', and I said, 'Well, I'm going to be there anyway, so okay.'"
- GaffesThe backpack Edee is wearing during her long walk late in the film (not being too specific as it would be a spoiler) switches from one with side pockets and a bedroll at the bottom to a military-style pack with MOLLE straps and no bedroll and back again. She wore the latter pack in several earlier scenes.
- ConnexionsFeatured in IMDb Originals: A Salute to Women Directors (2020)
- Bandes originalesI'm on Fire
Written by Bruce Springsteen
Performed by The Staves
Courtesy of Atlantic Records UK
By arrangement with Warner Music Group Film & TV Licensing
[Edee is seen buying supplies and driving up to the cabin for the first time]
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Land?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Tierra Salvaje
- Lieux de tournage
- Didsbury, Alberta, Canada(location. The town stands in for the fictional town of Quincy, Wyoming, where the hospital is located.)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 2 577 830 $US
- Week-end de sortie aux États-Unis et au Canada
- 899 810 $US
- 14 févr. 2021
- Montant brut mondial
- 3 164 246 $US
- Durée1 heure 29 minutes
- Couleur
- Rapport de forme
- 1.66 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant