NOTE IMDb
7,2/10
18 k
MA NOTE
Alors qu'un train se fraye un chemin jusqu'au cercle arctique, deux inconnus partagent un voyage qui va changer leur vision de la vie.Alors qu'un train se fraye un chemin jusqu'au cercle arctique, deux inconnus partagent un voyage qui va changer leur vision de la vie.Alors qu'un train se fraye un chemin jusqu'au cercle arctique, deux inconnus partagent un voyage qui va changer leur vision de la vie.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 20 victoires et 26 nominations au total
Yura Borisov
- Lyokha
- (as Yuriy Borisov)
Yuliya Aug
- Natalia
- (as Julia Aug)
Stasya Khomeriki-Grankovskaya
- Juhlavieras
- (as Stasya Grankovskaya)
Natalya Drozd
- Juhlavieras
- (as Natalia Drozd-Makan)
Avis à la une
It is about human connection.
Lead actors hit it out of the ball park.
If you ever rode trains OR grew up or lived in a cold country OR love Travel - you will LOVE this movie.
Direction and photography OUT of this world.
End is bitter sweet.
You will root for the male lead
He plays a guy that probably was an introvert growing up and didn't have (and or ) was able to feel much love .
When female lead starts connecting to his world he moves heaven and earth to get her to go where she wants to go.
Visuals are stunning.
Acting was amazing.
Background score / music perfect.
At the end you WILL have a tear or two
10/10 STARS.
Lead actors hit it out of the ball park.
If you ever rode trains OR grew up or lived in a cold country OR love Travel - you will LOVE this movie.
Direction and photography OUT of this world.
End is bitter sweet.
You will root for the male lead
He plays a guy that probably was an introvert growing up and didn't have (and or ) was able to feel much love .
When female lead starts connecting to his world he moves heaven and earth to get her to go where she wants to go.
Visuals are stunning.
Acting was amazing.
Background score / music perfect.
At the end you WILL have a tear or two
10/10 STARS.
Aah, the pleasures of traveling by long distance train! Admiring the scenery from the compartment window, enjoying nice meals in the restaurant car, and dozing off at night to the clickety-click sound of the wheels.
Everybody who once took a long distance sleeper knows the reality is different. Those people will enjoy this film. One of the drawbacks of international trains is the company in the compartment to which you have been assigned. Finnish student Laura has bad luck, having to share hers with a drunken Russian miner who asks without much ado if she is a prostitute.
During the long ride from Moscow to the northern city of Murmansk the two travel companions get to know each other better, and even learn to appreciate each other. This sounds a bit cheesy, but it isn't. Laura is dissapointed and lonely: her lover couldn't accompany her on the trip and reacts coolly to her phone calls. When, during a long stopover, she has to choose between the company of her rude but adventurous travel companion or no company at all, the choice is a no-brainer.
An extra attraction is that the movie takes place in the not-so distant past. It is the pre-internet era of pay phones and Walkmans. This is no major issue in the film, but it explains why Laura takes the train instead of flying.
There's a bit of 'Lost in Translation' in this film, a bit of 'Before Sunrise' and a bit of 'Ma nuit chez Maude'. Plus: it's Russia, so everything is nicely rough-edged and vodka-soaked. Na zdorovie!
Everybody who once took a long distance sleeper knows the reality is different. Those people will enjoy this film. One of the drawbacks of international trains is the company in the compartment to which you have been assigned. Finnish student Laura has bad luck, having to share hers with a drunken Russian miner who asks without much ado if she is a prostitute.
During the long ride from Moscow to the northern city of Murmansk the two travel companions get to know each other better, and even learn to appreciate each other. This sounds a bit cheesy, but it isn't. Laura is dissapointed and lonely: her lover couldn't accompany her on the trip and reacts coolly to her phone calls. When, during a long stopover, she has to choose between the company of her rude but adventurous travel companion or no company at all, the choice is a no-brainer.
An extra attraction is that the movie takes place in the not-so distant past. It is the pre-internet era of pay phones and Walkmans. This is no major issue in the film, but it explains why Laura takes the train instead of flying.
There's a bit of 'Lost in Translation' in this film, a bit of 'Before Sunrise' and a bit of 'Ma nuit chez Maude'. Plus: it's Russia, so everything is nicely rough-edged and vodka-soaked. Na zdorovie!
Finland's official entry to 2022's Oscars, that made it to the shortlist, is beautiful, simple and genuine. The relationship between the leads is so unique and likable. Their performances are superb and their characters are catchy too. The film also tackles interesting topics like passion, relationships and trust. It's sensational but also sometimes feels empty and flat.
Let's put one thing to rest. Anywhere at all where there are night trains, the sexes are mixed. Even in Muslim countries - the night sleepers in Morocco, for example, are not single sex cabins. Not knowing this is not a reason for giving low marks just because they find the situation unbelievable!
As for relationships in the film, ideas of distance and travel played a huge part. The further from Moscow, the more the lesbian lover receded and rejected. But the nearer to the petroglyphs, the deeper the bond between the ill matched compartment mates became.
However, the script didn't go overboard - there was no sentimentality in the refusal to swap addresses.
90s Russia was portrayed perfectly. Not yet a consumer society, there were hangovers from the communist times, notably in the appalling service offered on hotels and restaurants as well as the train itself.
As a speaker of (very poor) Finnish, I loved the joke about the terrible swear word in that language that framed the narrative on the train. It means a lot more than the tame subtitled translation that was offered.
I loved this film. The actors were perfect as were the locations. I personally enjoy train journeys and would now want to go on this one.
As for relationships in the film, ideas of distance and travel played a huge part. The further from Moscow, the more the lesbian lover receded and rejected. But the nearer to the petroglyphs, the deeper the bond between the ill matched compartment mates became.
However, the script didn't go overboard - there was no sentimentality in the refusal to swap addresses.
90s Russia was portrayed perfectly. Not yet a consumer society, there were hangovers from the communist times, notably in the appalling service offered on hotels and restaurants as well as the train itself.
As a speaker of (very poor) Finnish, I loved the joke about the terrible swear word in that language that framed the narrative on the train. It means a lot more than the tame subtitled translation that was offered.
I loved this film. The actors were perfect as were the locations. I personally enjoy train journeys and would now want to go on this one.
What would you do, in a carriage made for four, there's just you and a drunk guy, and he thinks that you're a whore, there's nowhere to run or hide, this will not be a great ride, but you're stoic and heroic, you will take it in your stride.
A wonderful story, as Laura and Ljoha, two strangers on a train, gradually allow the ice that encapsulates us all to thaw, defrost, puddle and merge, creating a bond that was as distant as the poles when they first encountered each other at the beginning of their journey from Moscow to Murmansk. A story that proves what a catalyst we can be to each other when the barriers are removed to reveal the compassionate and emotional beings we are deep inside.
A wonderful story, as Laura and Ljoha, two strangers on a train, gradually allow the ice that encapsulates us all to thaw, defrost, puddle and merge, creating a bond that was as distant as the poles when they first encountered each other at the beginning of their journey from Moscow to Murmansk. A story that proves what a catalyst we can be to each other when the barriers are removed to reveal the compassionate and emotional beings we are deep inside.
Le saviez-vous
- AnecdotesThe film crew had to smuggle some of the negatives out of Russia to have them developed, as they were shot in the dark and required a special process. Originally set to be sent to Budapest, the negatives could not be delivered due to the COVID-19 pandemic. As development was not possible in Russia and the law doesn't allow for transporting film negatives out of the country, the crew had to resort to smuggling at the border of Finland and Russia.
- GaffesThe train with the main characters arrives in St. Petesburg Vitebsky railway station and then keeps going. In real life, this station is terminal and none of the trains can continue to move in the same direction.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Compartment Number 6
- Lieux de tournage
- St Petersburg-Vitebsky, Saint-Pétersbourg, Russie(railway station)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 230 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 205 843 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 514 $US
- 30 janv. 2022
- Montant brut mondial
- 2 669 654 $US
- Durée
- 1h 47min(107 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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