The Man Who Came Back

I thought the movie was not that great. The firearms were as close to any historical events but not the story. Eric Braeden was totally miscasted in this role and mumbled through the movie. He went to jail and then to prison for a long term but was always clean shaven and his hair the same length. His escape from prison was sort of ridiculous. He then keeps appearing around town with everyone and their dog hunting him. Just doesn't project a strong character.

The end fight with the villain was totally ridiculous as he had vowed to kill him and not show who was the best fighter. Could have been a lot better movie with better actors and script. Glad I saw it free on TV and didn't have to pay for it. Sad to see George Kennedy and Sean young having to take roles like this. Billy Zane was the most believeable. Just not a great movie.

Forget the fact that this film is supposedly based upon historical fact. Several people who know what happened in Louisiana at the time have set straight the fact that nothing in the movie resembles what actually happened.

And, no, it's not High Plains Drifter either, even if they try to make comparisons.

Let's just view this a a good revenge flick that happens to be a cross between a western and a plantation flick.

Now, I have to admit I really like George Kennedy, and would give a film with him in it a higher rating than it probably deserves. I also like Armand Assante, but not as much. I certainly couldn't wait for him to get some justice, along with Billy Duke (James Patrick Stuart).

I'm not familiar with Eric Braeden, the star of this movie. He is, after all, a soap star. He did OK, but I sure would have liked more passion.

Sean Young was certainly a wife that no one would desire. Certainly, no one but maybe Amos (Assante) will miss her.

Justice prevails.

I just went to Blockbuster to find a film and came up with this one. The western genre drew me in, so I decided I'd give it a shot. I'd agree with the other post that this is certainly not your regular western, but I tended to like the extra edge it provided. It's not for young children, or for folks who are bothered with scenes presenting violent conflicts, but it left me wondering what would I do it a similar situation. Overall, I thought Eric Braeden did a great job as did George Kennedy. But I thought the real show stealer was Billy Zane. His characterization was worth the price of admission. The female roles were fun to watch too. Carol Alt was great, Sean Young did a good job of presenting a pretty interesting character, but on the female side, I was most impressed with Jennifer O'Dell. I really believe she is up and coming.

It's very misleading to say, "...this really is a great western". It's anything but. If it is (to quote another reviewer) "the best (they) have seen in a while", then I'd recommend watching a few good ones. There are plenty, but this film doesn't qualify. Nor is it a "classic western revenge movie" (try "Ride Lonesome"). It's an excuse for a lot of quite predictable bloodshed, masquerading as some kind of historical comment, and for some nasty misogyny. The movie strives for political correctness, at least racially, but misses the boat completely where the female characters are concerned. They simply get raped and brutalized. It's unrealistic, too; everyone, including field hands, is far too clean, and there's no feeling of authenticity. The direction's adequate at best; there are far too many lingering shots of the star's face (he's too old for the role anyway).

As for being based on the Thibodeaux Massacre of 1887, as the final comments indicate, it bears little resemblance to that event - but then, it's not actually about injustice to black field hands, it's about the white guys, as usual. The black characters are just there to die on the "hero"'s behalf, as the women are there to be raped. As long as he can stagger to the final showdown, they've played their part in this miserable vehicle for an aging soap opera heartthrob.

Forget it. It might please fans of the soap in question, or kids, but that's all it's good for.

This is an example of welfare for once famous actors. Poorly written, directed, and videotaped, with one dimensional caricatures, instead of characters, who are used as plot pawns to advance a story that is so obvious, you see what is coming from the next county.

I gave it a view, as I do all western type films, because it is a uniquely American genre that I wish would be rediscovered by present day film makers.

A simple story, about a slower pace of time, doesn't have to be obvious and contrived, it can ring true and be compelling, but this effort is simply not up to the task.