Megalopolis

It's the huge go for broke swing everyone said it was, and an immensely interesting mess. For everything that works in Megalopolis, there's something that doesn't. Parts are very creative and unlike anything else, and then long stretches pass that are utterly boring. It's 138 minutes long but feels like it exceeds the three-hour mark. Whether that makes it feel appropriately epic or too often dull will probably depend on the viewer.

It's also the kind of movie where I'm not sure overanalysing will help. Coppola is trying to say so much in one film, and a good part of it comes out nonsensical as a result. There were a few points during the film where I wondered if it was all some practical joke. It might mean a lot to him, or maybe only parts do and the rest of the time, he's laughing at us.

Somehow, all at once, I'm disappointed, exhausted, confused, and impressed. There's a certain balance here with the entertaining and boring. Visuals that look striking alongside parts that are visually garish. It's a movie that film buffs will argue about and remember while 99% of the population will continue to live their lives in blissful ignorance of its existence.

I can't quite decide whether it would be better to have be among the blissful many or the baffled 1%. I can offer no advice to anyone else who's considering giving it 138 minutes of their finite time. I'm glad I saw it and I also feel it was a bit of a waste of time.

I love the dreamy, beautiful, bizarre, and surreal variety of shots and scenes, as well as the strange, meta commentary dialog with multiple meanings. The cinematography is just great, and i really appreciate the effort put into the decor, sets, worldbuilding and aesthetic architecture. Technically its very impressive the cinematography is great, there's a lot happening in the background of some scenes.

The cast is full of great actors. However, the editing and plot cohesion were definitely all over the place.

Cesar's arc reminded me a bit of Legion, with him discovering maddening powers.

I am sure this will be someones favorite movie, but i think it needs time to digest for most people. It feels like a film that needs a rewatch to find new perspectives. Maybe in future retrospect, Coppola's last movie will be seen differently but for now it just doesn't hit.

I so desperately wanted to be part of the minority who enjoyed Megalopolis. However, what an abhorrent nightmare; or maybe a fever dream is more accurate. There's no doubt that the actual bundle of ideas that make up Francis Ford Coppola's "masterpiece" are incredibly unique and interesting. The problem is the execution of those ideas and the dialogue that connects them together. I am obsessed with the idea of New Rome and all these quasi Roman characters plotting against each other like a Shakespearean Game of Thrones. But listening to Adam Driver give a quote from Hamlet and then immediately saying "in the clurrrrb" and Jon Voight saying "boner" are just unforgivable. I roughly understand the plot of Megalopolis, but I cannot even begin to fathom why any character does anything they say or do. The amount of talent that was wasted on what has to be one of the most beautiful, visually stunning backdrops, is disrespectfully confusing. With all of that being said, I will probably cause myself to suffer an additional viewing of Megalopolis, just to be sure I'm sure the experience was so exhausting.

On one hand, this film has some interesting ideas and visuals, but some ideas never evolve, and some visuals don't look good.

It's challenging to understand what Coppola's intention was with this film. It seems like he chose not to focus too much on characters but rather on themes. However, some scenes suggest that the audience should feel empathy for the characters, but one simply can't. One reason for that is the pacing of this film; it somehow manages to be fast, yet feel slow, and that might be because some scenes are dull. If we remove all the misleading character development, we are left with misleading idea development. Megalopolis bombards you with interesting ideas, but because there are quite a few of them, none of them evolves into a solid conclusion. As I already mentioned, it's hard to see where Coppola was going with all of this.

If his intention was to go against the classical narrative structure and challenge viewers with a different type of storytelling, then that didn't work either. Some scenes contain clichés, and the overall structure feels like a mix of 50s to 90s scenery. One interesting thing the movie does frequently is plant a seed that sometimes does not grow-it stays in that scene, and then we move to the next one. This method of storytelling is misleading and confusing for most audiences, and it probably would work better if this technique had a solid foundation throughout the whole film. But it simply does not feel right.

David Lynch once said that you can make any film, any art the way you want, as long as it feels right. His films are stranger and more difficult to understand than Megalopolis, yet when you watch Lynch's work, you don't feel misled-everything feels right, no matter how strange it is. Megalopolis sometimes feels right, sometimes it doesn't.

Megalopolis is a good example of how the director's stylistic touch matters to the look of the movie. The cinematography of this film was done by the same person who shot The Master. Yet this film feels like any expensive commercial shot today-too vivid, too warm, too basic.

I will definitely rewatch this film in the future, all jokes aside. This film has a shtick to it that I didn't quite get the first time watching. Overall, it's a bit sad that this is Coppola's last film, but I'm sure he has no regrets making it. After all, this is the guy who made Apocalypse Now, and I will respect him forever for his contribution to American cinema.

Full disclosure: This film is a disaster of epic proportions-an absolute train wreck that careens off the tracks, crashes, and then somehow sets itself on fire. It's so bad, it's almost brilliant, the kind of so-awful-it's-genius nightmare that future cult fans will rave about. And you know what? I respect the hell out of Coppola for it. The guy is a cinematic legend who just decided to throw all caution (and coherence) to the wind and go full mad scientist on this. It's a glorious, unfiltered mess from the mind of a genius who clearly stopped caring about what anyone thinks. Bravo, you magnificent lunatic! 👏🏻