Nothing Compares
- 2022
- 1h 37min
NOTE IMDb
7,6/10
3,4 k
MA NOTE
L'histoire de l'ascension de Sinéad O'Connor vers la célébrité mondiale et la façon dont sa personnalité iconoclaste a entraîné son exil du courant dominant de la pop.L'histoire de l'ascension de Sinéad O'Connor vers la célébrité mondiale et la façon dont sa personnalité iconoclaste a entraîné son exil du courant dominant de la pop.L'histoire de l'ascension de Sinéad O'Connor vers la célébrité mondiale et la façon dont sa personnalité iconoclaste a entraîné son exil du courant dominant de la pop.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 11 victoires et 28 nominations au total
John O'Connor
- self, Sinéad O'Connor's father
- (images d'archives)
Brian D'Arcy
- Self
- (voix)
Paul Byrne
- Self
- (voix)
Mike Clowes
- Self
- (voix)
Ranking Miss P.
- Self
- (images d'archives)
Kate Garner
- Self
- (voix)
John Maybury
- Self
- (voix)
John Grant
- Self
- (voix)
Bill Coleman
- Self
- (voix)
Elaine Schock
- Self
- (voix)
Avis à la une
I first heard Sinead here in NY on WLIR-FM in 1987 with the release of her first album, "The Lion on and the Cobra." She was also played on college radio and it wasn't until the Prince song, "Nothing Compares to You" that she became a rock star. The film shows the incident when she would not allow the National Anthem to be played before a concert and its repercussions. Later, while appearing on SNL, she tore up a picture of Pope John Paul II and, excuse me, all hell broke loose. As a struggling Catholic, I was not offended by the gesture and history has proven her to be accurate after the many molestation cases came to light with the cover ups by the Vatican. I only wished for more and longer segments of her music. Her voice is magical and this film a gritty and honest portrayal of her life.
Nothing Compares (2022) by Kathryn Ferguson is beautifully crafted tribute to one of the most iconic singers of my generation. Sinead's story is both epic, tragic as well deeply inspiring and the director here captured the true value and respect she so rightly deserves. The film gives us a greatly balance montage of performances by Sinead and the political environment surrounding her career and whether you are new to Sinead's work or a lifelong fan honestly i'd say this is a film to see. If you are gonna see one doc this year let it be this one. It's certainly has revitalised my interest in Sinead and well frankly I am in awe of her bravery and passion. Well done to the director, I look forward to her future projects, I know they will be equally as worthy. 8 0ut 10.
Haven't been a big Sinnead fan, I never followed her "controversy" over the years - but I did notice her desperate Facebook appeals a few years back. It's hard really to even begin sharing my impressions, so let's just say (after many others) this documentary is a fitting tribute to an remarkable woman who glows. She obviously never wished to be a "pop star", and her artistic expression achieved what it was intended for, to not only be therapeutic but keep her alive. That she did become a pop star and an icon was inevitable - she is captivating - an epitome of sincerity and compassion, wrapped in beauty - and it's tremendously sad her struggle intensified over the years. This is, however, to be expected with complex post-traumatic stress being left untreated, and the abuse she suffered on from the patriarchy-enslaved public. We can't begin to fathom either what it was to tear the main image of it, the Pope, or to suffer the backlash. A recent crucifiction of a woman by the inane patriarchy fan boys and girls is the Amber Heard trial, so the heartbreaking fact is that nothing's changed - and the only means of instant emancipation of a woman is simply to be vocal. To scream if necessary. Would feminist icons like Gaga and others be possible today if not for Sinnead? We can't speculate, but it's clear she was the first. It's encouraging to know that the climate in Ireland has also changed.
The boys are simply terrified, and likely due to inept mothers like Sinnead's - and these mothers, and women in general who have operated themselves from compassion in awe of patriarchy, bear the guilt. It's symptomatic that a woman on TV, Sinnead's accuser, said angrily that child abuse in her case had been justified.
I see that Sinnead was quick to be deemed bipolar by dubious psychiatrists, which was later reversed, and she's now branded "borderline". Current psychology, however, tends to summon all Cluster B disorders under the umbrella of CPTSD. And that's curable through mere compassion, support, and a feeling of safety. Her big heart is what's kept Sinnead sane, and she IS saner than anyone who tries to cover child abuse. Let's say the majority of the music business, not to mention the Catholic church.
Big kudos to Kris Kristofferson... Sinnead's first husband also speaks of her with such warmth. It makes me happy that these filmmakers have made the steps to reinstate a true icon.
I see she's recently written an autobiography, described as "full of heart, humour and remarkable generosity", and she has an album coming. She is still OUT THERE. How many of us have dared?!... "Thank you for breaking my heart and making it stronger."
The boys are simply terrified, and likely due to inept mothers like Sinnead's - and these mothers, and women in general who have operated themselves from compassion in awe of patriarchy, bear the guilt. It's symptomatic that a woman on TV, Sinnead's accuser, said angrily that child abuse in her case had been justified.
I see that Sinnead was quick to be deemed bipolar by dubious psychiatrists, which was later reversed, and she's now branded "borderline". Current psychology, however, tends to summon all Cluster B disorders under the umbrella of CPTSD. And that's curable through mere compassion, support, and a feeling of safety. Her big heart is what's kept Sinnead sane, and she IS saner than anyone who tries to cover child abuse. Let's say the majority of the music business, not to mention the Catholic church.
Big kudos to Kris Kristofferson... Sinnead's first husband also speaks of her with such warmth. It makes me happy that these filmmakers have made the steps to reinstate a true icon.
I see she's recently written an autobiography, described as "full of heart, humour and remarkable generosity", and she has an album coming. She is still OUT THERE. How many of us have dared?!... "Thank you for breaking my heart and making it stronger."
I saw this really interesting documentary yesterday for the CPH-DOX festival in a packed cinema hall.
I myself have a couple of old and dusty Sinéad O'Connor albums, but they have unfortunately like Sinéad herself been forgotten with time .... And that's a shame, well almost a sin, as she and especially the 3 amazing albums from 1987-92 deserve to be heard! I got several songs, some new ones too, on repeat in my head after seeing the film, "Mandinka" among others.
I was looking forward to the super hit with over 200 million plays on Spotify, which, however, was not included in the documentary due to the rights holders! (Prince Estate!)
Apart from the music, the film took me back in time to my own youth and was both interesting, touching, funny and really really thoughtful especially with the eyes of today.
It deserves to be seen, and Sinéad deserves to be heard.
I myself have a couple of old and dusty Sinéad O'Connor albums, but they have unfortunately like Sinéad herself been forgotten with time .... And that's a shame, well almost a sin, as she and especially the 3 amazing albums from 1987-92 deserve to be heard! I got several songs, some new ones too, on repeat in my head after seeing the film, "Mandinka" among others.
I was looking forward to the super hit with over 200 million plays on Spotify, which, however, was not included in the documentary due to the rights holders! (Prince Estate!)
Apart from the music, the film took me back in time to my own youth and was both interesting, touching, funny and really really thoughtful especially with the eyes of today.
It deserves to be seen, and Sinéad deserves to be heard.
Originally premiered back at the 2022 Sundance Film Festival in the World Cinema Documentary Competition. As if writing now, I can't believe I missed this one when I attended the virtual festival back in January 2022.
Nothing Compares is directed by Kathryn Ferguson and it's a story about the five year period of singer and songwriter Sinead O'Connor and all the things happening to her around that time period. I had recently enjoyed some of her songs and her musical style. I really like her song Nothing Compares 2 U, Mandinka, and so on and so on. This documentary is really well informed and has really interesting editing choices. Ferguson includes voice overs from various people who knew O'Connor and O'Connor herself while presenting old footage and creative made up scenes to capture the tone of O'Connor's career, past life, and the controversial times she was in. It doesn't just focus on her music but it also explores about her past trauma with the Catholic church, her parents, politics, religion and many others aspects. Because of these topics, it really helped to sell this documentary to heart and becomes really touching.
Very informative and emotional at times. I knew about Sinead O'Connor before seeing this documentary and reading and listening about her experiences and troubles she was facing, I really do feel bad for her at times especially some of the more recent events that had happened to her. I was able to connect with this documentary very well and learned a lot more then I expected it. Surprisingly, there were some fault with the sound design as some moments felt they had a weird echoing effect in the back ground. Strangely, the main song "Nothing Compares 2 U" didn't appear in this documentary due to copyright issues I have to assume. Weird, but it felt missing.
Overall, a really well informed and at times depressing documentary about Sinead O'Connor.
Rating: A-
Nothing Compares is directed by Kathryn Ferguson and it's a story about the five year period of singer and songwriter Sinead O'Connor and all the things happening to her around that time period. I had recently enjoyed some of her songs and her musical style. I really like her song Nothing Compares 2 U, Mandinka, and so on and so on. This documentary is really well informed and has really interesting editing choices. Ferguson includes voice overs from various people who knew O'Connor and O'Connor herself while presenting old footage and creative made up scenes to capture the tone of O'Connor's career, past life, and the controversial times she was in. It doesn't just focus on her music but it also explores about her past trauma with the Catholic church, her parents, politics, religion and many others aspects. Because of these topics, it really helped to sell this documentary to heart and becomes really touching.
Very informative and emotional at times. I knew about Sinead O'Connor before seeing this documentary and reading and listening about her experiences and troubles she was facing, I really do feel bad for her at times especially some of the more recent events that had happened to her. I was able to connect with this documentary very well and learned a lot more then I expected it. Surprisingly, there were some fault with the sound design as some moments felt they had a weird echoing effect in the back ground. Strangely, the main song "Nothing Compares 2 U" didn't appear in this documentary due to copyright issues I have to assume. Weird, but it felt missing.
Overall, a really well informed and at times depressing documentary about Sinead O'Connor.
Rating: A-
Le saviez-vous
- AnecdotesSinéad O'Connor's final film.
- Citations
Sinéad O'Connor: They broke my heart and they killed me. But, I didn't die. They tried to bury me. They didn't realize I was a seed.
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- How long is Nothing Compares?Alimenté par Alexa
Détails
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- Aussi connu sous le nom de
- Nothing Compares - En film om Sinéad O'Connor
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 163 421 $US
- Durée1 heure 37 minutes
- Couleur
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