A Shine of Rainbows

Tomas is a young orphan who is rescued from a drab church orphanage in Ireland by a 'rainbow' in the form of Maire (Connie Neilsen) who takes him to live with her and her husband on a small island of the coast of Ireland with a view to the couple adopting him permanently.

We are spared the most of cruelties that Tomas must have suffered in the orphanage (this film steers completely clear of the clerical abuses suffered by many children in Ireland's church-run institutions of the period).

If Maire is a rainbow to Tomas, her husband Alec (Aidan Quinn), a decent but surly man, is a storm cloud. He doesn't warm to the boy, as Tomas falls short of his expectations. Throughout the film, chinks of light shine through the cloud as it seems Alec is warming to Tomas, but the cloud soon moves over again...

There are many emotional moments in the film, from the outset. Overall, it works very well, and ends on a high note, though there is much heart- wrenching in between. Slightly off-putting for me was Tomas' accent, which sounds Scottish rather than Irish, as well as my perception that the emerging acting talents of the young John Bell (Tomas) didn't seem quite capable of delivering with as much naturalness as I would have expected.

A moving and compelling film.

I saw this one last night. This is a gut-wrenchingly, poignant movie. Really glad I stumbled across this one in my DVD collection. Word of caution though, watch it with a hanky at hand!I was sobbing half way through it and am glad there was nobody around to catch me in the middle of my sob-fest. And the little boy- such a fine performance I was astounded. I don't want to spoil it for you, but it's a story about a little orphaned boy and his adoptive family. Very fine exploration of the nuances of human nature. But more than that, it is a story about love.

I thoroughly recommend watching this one, but it's not a date movie though.

However, that said, I wouldn't call this entertainment. A small boy growing up in a catholic orphanage, clearly has a problem with men, which isn't likely to be surprising given what the so called men of the cloth used to get up to! A woman comes along to adopt the little boy and it develops from there. The "winners" are the child who play the boy and the scenery, some of which is northern Ireland (shots of glenluce). you may not watch this more than once and Im trying to avoid "spoilers" but its quite different from most films that have been on this Christmas and there are solid performances within it

A shy, stuttering 8-year-old boy moves from the orphanage he's lived in since the death of his grandmother to an Irish island with his adoptive, free-spirited woman and her cold, silent husband. The story that unfolds is about both the boy and the husband coming out of their shells and learning to express and value what's important in their lives.

THE GOOD: The performances of every single actor in the film stand out. Particularly the child actors do an extraordinary job. The emotional fabric of the film is wonderful. You have to be touched if you have any emotions at all! The cinematography is jaw-dropping-gorgeous, owing mostly to the beautiful Irish setting.

THE BAD: There's no way around the simplicity of the script; you know everything that's going to happen long, long before it actually happens. In most films, this would be crippling; however, here it doesn't really matter because the story's about the characters, not the plot.

THE VERDICT: Heart-warming, beautiful, emotional, and family-friendly. You should most certainly watch this.

I give this movie a "10" on the cinematography alone, but it's so much more than that. The story is heartwarming, directing is perfect, acting is superb (even young John Bell in what is likely his first role), and the musical score is worth purchasing on its own. Loved every piece of it.

The story centers around an orphan (Bell) who is adopted by a beautiful and 'colorful' Irish woman (Connie Nielson, an actress new to me but I will definitely look for her again) and her reluctant husband (Quinn, an A-list actor who never ever disappoints) and whisked off to picturesque Corrie Island in County Donegal. The film tugs at your heart without being maudlin or without even a hint at 'over-acting,' so common in movies about orphans. (Kudos to the director.)

I cannot recommend this film highly enough and am shocked that I had never heard of it before renting it on a lark.