Alice, 19 ans, revient dans le monde magique après son aventure d'enfance, où elle retrouve ses anciens amis et découvre son véritable destin: mettre fin au règne de terreur de la Reine Roug... Tout lireAlice, 19 ans, revient dans le monde magique après son aventure d'enfance, où elle retrouve ses anciens amis et découvre son véritable destin: mettre fin au règne de terreur de la Reine Rouge (Red Queen).Alice, 19 ans, revient dans le monde magique après son aventure d'enfance, où elle retrouve ses anciens amis et découvre son véritable destin: mettre fin au règne de terreur de la Reine Rouge (Red Queen).
- Réalisation
- Scénario
- Casting principal
- Récompensé par 2 Oscars
- 35 victoires et 65 nominations au total
Avis à la une
Moving rendering of Lewis Carroll classic with gimmick of blending live action and computer generator puppets and 3D animation . Riveting for its casting , but overall , roller-coaster spectacle. Most of the charm and wit remains from original story in this particular version . It results to be an amusing of somewhat aloof , storytelling of children classic with a magnificent three-dimensional visual effects team at its best bring to life the following : the Cheshire cat , Blue caterpillar, the Queen of hearts, March Hare , Tweedledum and many others. Breathtaking array of technical effects with impressive set pieces illuminate the Alice's full-blown adventures. The amazing plot is pure entertainment and with interesting screenplay based on characters created by Lewis Carroll , though here Alice acts as a heroine who combats dragons , monsters and of course the evil Queen of Hearts . Episodic characters as Mad Hatter and Queen of Hearts are given major boost by strong personalities from Johnny Depp and Helena Bonham Carter . Spectacular final battle full of action , groundbreaking frames and fabulous fights . Overwhelming production design , though full of digital effects with impressive scenes and portentous images . Stirring musical score fitting perfectly to story by Danny Elfman and colorful cinematography by Dariusz Wolski . The motion picture lavishly financed by veteran producer Daryl F. Zanuck is originally directed by Tim Burton in his exceptional style. Rating : 6,5 acceptable rendition .
Other take on based on this vintage tale are the following : 1933 by Norman Z McLeod with Gary Cooper , Edward Everett Horton and Jack Oakie ; 1950 by Dallas Bower with Carol Marsh , Pamela Brown and Felix Aylmer ; 1951 by Walt Disney directed by Clyde Geronimi, Hamilton Luke with voices of Sterling Holloway , Ed Wynn and Richard Haydn ; 1972 by William Sterling with Fiona Fullerton, Peter Sellers , Dudley Moore and Michael Crawford and TV version with Tina Majorino and Woopy Goldberg .
The animation is quite stunning and wonderful though, as is the costuming and set design (in so much as there were sets and not just green screens, I'm sure SOME actual props were used). There are some clever elements that owe only to good visual design and direction I'm sure, as the only other clever bits in the dialogue were the parts directly lifted from the originals.
If you remember, Steven Spielberg's Hook was the live action sequel to Peter Pan. Similarly, Tim Burton's film is very much like a close cousin, except it's about Alice. The progression of the story is also kind of similar, where the main character, Alice, like Peter, must rediscover herself and finally defeat her nemesis. Likewise, both films are both elaborately staged, they are both about growing up and making choices, and there's a big showdown. Chances are if one liked Hook, one will find many things to like about Alice.
Tim Burton's version of the Wonderland's environments are gorgeous, imaginatively created, lots of colorful details, and breathes life. The castles are sleek and intricately designed. The creatures are generally live versions (CG) of the Disney's previous animated version, and they're even more odder and fun to look at. I particularly loved the portrayal of the Chesire Cat in this film, and the way he snakes through midair like water feels very natural, although it wouldn't feel so natural in real life. Only complaint I may have in terms of visuals would probably be where we see CG versions of natural creatures like dogs--they're not particularly stylized so their CG-ness can be more noticeable.
Danny Elfman's score fits the environment just right, giving added intensity when needed. This film is essentially Tim Burton's playground and even if there wasn't any story, it still would be plenty of fun to just watch the loony characters in their environment. I will add that 3-D aspect of it helped a lot.
Johnny Depp plays the Mad Hatter with usual gusto, as he brings much energy and quirkiness to such an oddball character. I suppose there is a mix of Willy Wonka and Jack Sparrow in there somewhere. Given that other characters are mostly or completely CG, Johnny Depp's character can feel a bit of out of place, as he still feels human. Helena Bonham Carter as the big-headed (literally) Red Queen is fun, expressive, and extremely likable for such a short-tempered character. Mia Wasikowska is particularly noteworthy as Alice, which she plays with free-spirited pluckiness, charm, and beauty.
The story, admittedly, is a simple one, although it is to the story's credit that Alice is now an adult--it helps since many happenings in Wonderland can be quite unfriendly, bizarre, and grotesque. Thankfully, no more worries about some dream causing some lifelong trauma to some poor child. I also appreciated the fact that her Wonderland, like dreams, is an extension of her frustrations with the "real" world, where she felt she had many "expectations" from outside forces. At the same time, it's not like Where the Wild Things Are, where other characters are actually projections of real-life people from the main character's life. For example, to read Mad Hatter as an extension of her father feels a bit like a stretch, although the Red Queen could possibly represent her future mother-in-law since they both dislike animals. Certainly, one can merely enjoy it at face value and the creativity of this world and be fine with it.
Overall, I enjoyed this world of Alice. In one sense, that may be the important thing, if one were to stick to the flavor of the original novel. The story within the Wonderland, I felt, wasn't as poignant as "real life" moments, which were filmed with much love and detail. Given the fact that original story consisted of series of random events and character interactions, it was nice to see the characters work together a bit. The overall result isn't something beyond what one would expect from this style of work, but it's fun, and where it succeeds, it succeeds well, thanks to the consistency of Tim Burton's imaginative visuals. *** out of **** stars.
For more of my reviews, you can follow me on Twitter at http://twitter.com/d_art
Best, Stefan
'Lilo & Stitch' Joins the Billion Dollar Box Office Club
'Lilo & Stitch' Joins the Billion Dollar Box Office Club
Le saviez-vous
- AnecdotesJohnny Depp, who says that he likes "an obstacle" while filming, admitted that he found the process of filming in front of a greenscreen "exhausting", and that he felt "befuddled by the end of the day".
- GaffesWhile looking at the scroll, the Red Queen says she would recognize Alice anywhere by looking at her hair. Yet when Alice is in her castle under the name Um, why doesn't the Queen realize it's her? It is entirely within the Queen's character to claim she would recognize Alice, and then later not actually do so. She also believes that all of her court members have overly large features when the rest of the characters know they are fakes. There are multiple evidences throughout the movie that the Queen is easily deceived.
- Citations
The Mad Hatter: Have I gone mad?
[Alice checks Hatter's temperature]
Alice Kingsley: I'm afraid so. You're entirely bonkers. But I'll tell you a secret. All the best people are.
- Crédits fousThe ending credits have flowers going from dead to blooming, a sun rising and setting, and vines moving around.
- Versions alternativesAlso released in a 3D version.
- ConnexionsFeatured in The Rotten Tomatoes Show: The Ugly Truth/G-Force/Orphan (2009)
- Bandes originalesAlice
Written by Avril Lavigne
Produced by Butch Walker
Mixed by Deryck Whibley
Performed by Avril Lavigne
Courtesy of RCA/JIVE, a Label Group of Sony Music Entertainment
Meilleurs choix
- How long is Alice in Wonderland?Alimenté par Alexa
- Is this an adaptation of the Alice stories or is it a follow-up?
- Is this a remake of the animated Disney film or a new film version?
- Does this movie feature live actors or animations?
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Alicia en el país de las maravillas
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 200 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 334 191 110 $US
- Week-end de sortie aux États-Unis et au Canada
- 116 101 023 $US
- 7 mars 2010
- Montant brut mondial
- 1 025 468 216 $US
- Durée1 heure 48 minutes
- Mixage
- Rapport de forme
- 1.85 : 1