Ce que pensent les hommes

A group of interconnected, Baltimore-based twenty- and thirty-somethings navigate their various relationships from the shallow end of the dating pool through the deep, murky waters of married life, trying to read the signs of the opposite sex... and hoping to be the exceptions to the "no-exceptions" rule.

Gigi just wants a man who says he'll call—and does—while Alex advises her to stop sitting by the phone. Beth wonders if she should call it off after years of committed singlehood with her boyfriend, Neil, but he doesn't think there's a single thing wrong with their unmarried life. Janine's not sure if she can trust her husband, Ben, who can't quite trust himself around Anna. Anna can't decide between the sexy married guy, or her straightforward, no-sparks standby, Conor, who can't get over the fact that he can't have her. And Mary, who's found an entire network of loving, supportive men, just needs to find one who's straight.

If you've ever sat by the phone wondering why he said he would call, but didn't, or if you can't figure out why she doesn't want to sleep with you anymore, or why your relationship just isn't going to the next level... he (or she) is just not that into you. He's Just Not That Into You 7/10

I really like this film, but Gigi is pure cringe. It's embarrassing. It's hard to love a movie when you don't sympathize with a central character.

My girlfriend and I, both at or approaching our 50's, saw this in a theater that was absolutely filled with high school girls. That surprised me actually, given that most of the stars in this film are well-beyond high-school age. But they, like the rest of the audience, seemed to really enjoy this film, as did we. The relationships were nicely intertwined without being contrived ("Crash" anyone?), and unlike the similar movie "Love Actually," nothing portrayed was too outlandish. The convention of adding comments by "real" people to introduce story lines was well done and amusing. If I find any fault with the film, it's that all of the guys are presented as having relationship "issues" or as being total bone-heads. Hopefully there are more "nice guys" interspersed in society than what this film might lead you to believe (though I must say that the attitudes presented are definitely not inaccurate).

Overall, a very nice film whose 2 hour plus running time goes by rather quickly. If you've ever been in or tried to be in a relationship, you'll probably enjoy this movie.

Wow, reviews are really harsh here. Men and women alike seem to hate this movie because how their gender is portrayed especially when it comes to dating. And how it paints dating as a horrible experience. Well I hate to break it to you but 12 years later, all of these things are not only still true but probably even worse with dating apps. There is a solid cast in this movie and I found the writing and directing to be very decent for a rom com. It's a movie so of course there's a bit of dramatization (do you think all cops act like John McLane?) but for the most part the storylines are interesting and pretty representative of their situation. Overall I found it cute and entertaining.

A limp ensemble relationship movie that feels like the frustrated venting of a bitter single girl after a blind date gone badly awry.

This is the kind of movie where a bunch of 20 and 30-somethings own beautiful loft apartments they couldn't possibly afford and struggle with relationship issues that are just boring to watch other people grapple with if you yourself are over the age of 30. Once again we're expected to accept Jennifer Aniston as a sad sack who can't get a date after she dumps the long-time boyfriend (Ben Affleck, playing not so much a character as a woman's fantasy made real) who won't commit to marriage. Ginnifer Goodwin is the doormat who can't figure out why guys won't call her even though they say they will. Justin Long is terribly miscast as a womanizer who doesn't know when he's fallen in love himself (I can't look at him without seeing the image of his dork from "Dodgeball" getting hit in the face with a wrench, which is not far from what I wanted to do to his character in this movie). Jennifer Connelly and Bradley Cooper are the lone married couple in the film, and because this is a Hollywood movie about relationships, of course the married couple MUST be miserable. Scarlett Johanssen is a bombshell with giant knockers that I couldn't take my eyes off of; Drew Barrymore might as well not be in the movie, and only is because a.) she co-produced it and b.) the filmmakers needed a forum in which to introduce a bunch of stock gay characters. You want to throttle pretty much everyone by the time the movie's over; I settled for thanking God I didn't have to be friends with any of them.

Though the film was only written by two people, it has the feeling of something written by committee. Characters aren't consistent or believable; those played by Goodwin and Connelly more often than not come across as mentally ill. In the world of this film, there are only two kinds of marriages: the ones that end in adultery and bitterness, or the ones that end in a ridiculously romanticized version of happily-ever-after. No wonder so many people have trouble making marriages work if they're using films like this as examples.

What a dud, and probably solid evidence that movies shouldn't be adapted from smug and jokey self-help books written by jackass talk show hosts.

Grade: C+