Ajouter une intrigue dans votre langueSalt-N-Pepa will tell the story of nursing students Cheryl "Salt" James and Sandra "Pepa" Denton, who fell into the world of rap and hip hop, after recording for a friend's school project.Salt-N-Pepa will tell the story of nursing students Cheryl "Salt" James and Sandra "Pepa" Denton, who fell into the world of rap and hip hop, after recording for a friend's school project.Salt-N-Pepa will tell the story of nursing students Cheryl "Salt" James and Sandra "Pepa" Denton, who fell into the world of rap and hip hop, after recording for a friend's school project.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 1 nomination au total
Monique Jasmine Paul
- Dee Dee 'DJ Spinderella'
- (as Monique Paul)
Bronson Phillip Lake
- Kid
- (as Bronson Lake)
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I grew up hearing songs from this duo on the radio but never knew the story of their origin or how they broke up. I found this both educational and entertaining. This is not only the story of this duo but a piece of Hip Hop history.
I liked this biopic, but I did think that the girl who played Spinderella could've had more lines or something. Only thing I could think is maybe salt & pepa only based it on their lives.
Admit that i saw this film to its enticing title salt and pepa, knowing the vixen song ''push it'' must be in there, some of the best 80'sh disco rythmic kinda ecstasy at a time when i still spun the dancefloor at the local clubs.
but was i impressed with what i saw, no not at all, the song was there in some pretty nice layouts including the original, along with other selfcarpentered hip hop that may chill the hearts of todays youth. so i give a 6 for the musical score.
acting are the sugar sweet american television ,black neighbourhood with twinkling large neclaces and to the fingertips makeupstyled actors that are just from mediocre to average in their job.
productionwise its a good visual product but the sound quality are ready for the bin in the corner, especially in the dialouges, everybody is like living in a box, sounding like talking in a yougurt can with a fishing line to the other.so its a damaging execution that shouldve been refurbished before release. 1 for sound and 6 for filmo.
that should give a total of 4 from the ''word up'''ed grumpy old man. a small recommend for the hiphoppers.
but was i impressed with what i saw, no not at all, the song was there in some pretty nice layouts including the original, along with other selfcarpentered hip hop that may chill the hearts of todays youth. so i give a 6 for the musical score.
acting are the sugar sweet american television ,black neighbourhood with twinkling large neclaces and to the fingertips makeupstyled actors that are just from mediocre to average in their job.
productionwise its a good visual product but the sound quality are ready for the bin in the corner, especially in the dialouges, everybody is like living in a box, sounding like talking in a yougurt can with a fishing line to the other.so its a damaging execution that shouldve been refurbished before release. 1 for sound and 6 for filmo.
that should give a total of 4 from the ''word up'''ed grumpy old man. a small recommend for the hiphoppers.
When the "Push It" single and video dropped, I was a 14 year old kid, glued to the TV and radio as these two fierce, young, female newcomers hit the rap scene hard with their fly hairdos and fat gold chains. They were instant hip hop icons having been matched with the genius of Hurby Love Bug's beats and rhymes that heated up hip hop airwaves.
For me in LA, Salt and Pepa stayed in heavy rotation on 1580 KDAY, the premier hip hop station of the era, proving that they were far from one hit wonders. My favorite Salt N Pepa song of all time is still "Get Up," with its heavy bass and melodic piano riff that hit so hard, the male dominated hip hop world had to take notice.
The project was quality, although I would have liked to see more of Spinderella's story as well. She was a vital component of the group from the moment she replaced the original Spin. It was clear that Salt and Pepa were involved in telling their story from start to finish and it wasn't some made up account of what transpired. It felt authentic and I was also glad to hear their actual music throughout the film. As for the starring actors, they embodied their characters and were cast perfectly! I hope to see more of all of them in other projects.
For me in LA, Salt and Pepa stayed in heavy rotation on 1580 KDAY, the premier hip hop station of the era, proving that they were far from one hit wonders. My favorite Salt N Pepa song of all time is still "Get Up," with its heavy bass and melodic piano riff that hit so hard, the male dominated hip hop world had to take notice.
The project was quality, although I would have liked to see more of Spinderella's story as well. She was a vital component of the group from the moment she replaced the original Spin. It was clear that Salt and Pepa were involved in telling their story from start to finish and it wasn't some made up account of what transpired. It felt authentic and I was also glad to hear their actual music throughout the film. As for the starring actors, they embodied their characters and were cast perfectly! I hope to see more of all of them in other projects.
This interesting look into the life and times of one of the 80s good but not great hip-hop duos comes off a bit amateurish. Considering the experience level of director Mario Van Peebles, this formulaic approach was missing a professional touch. The decision to place unknown and untested actors in starring roles might save the budget, but it insures that this style of film making will stay on the Lifetime channel where there is a ton of time to fill and nor enough original product. Black women viewers deserve better. I hope Queen Latifah's acting chops keep going up because this nonepic dioes nothing for her as a producer.
Le saviez-vous
- AnecdotesCameos: The two imposters are played by Salt and Pepa's real-life daughters Corin and Egypt. Mandela Van Peebles who played their boss 'Sweet Tooth' who plots the scheme is the son of the director Mario Van Peebles.
- GaffesIn the Inferno introduction scene, Hurby's upper synth is actually an Arturia Microbrute, from 2014.
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