Satria Dewa: Gatotkaca

Gatotkaca is the First Instalment of Satria Dewa Universe, This Movie a Lot Many Problem.

Story or Script is Really Bad, Directing is Fine, Acting is Cheesy and Cringe (This Acting Looks Like Soap Opera or FTV), Cinematography is Fine, Editing Camera is Really Bad and Broken, CGI is Failed, Production Design is Good, Gatotkaca Costume Design is Okay (Kinda Captain Marvel Little Rip-off), Sound and Music is Really Bad, And The Most Annoying in Movie is A Lot Many Commercial or Ads.

Overall, A Disappointing Indonesia Superhero Movie, I Giving Score is 6/10, The Next Satria Dewa Movie Arjuna is Gonna Be Better Than Gatotkaca.

When I sat down to watch the 2022 Indonesian action movie "Satria Dewa: Gatotkaca", here late in 2022, it was without ever having heard about the movie. But given my fascinatio and love of the Asian cinema, of course I needed no persuasion to sit down and give this movie a chance.

And I will say that "Satria Dewa: Gatotkaca" was actually entertaining enough, and writers Rahabi Mandra, Hanung Bramantyo and Tesadesrada Ryza did put together a good enough script and storyline here. However, I don't feel that the movie was really outstanding as per se, and there are far better Indonesian action movies out there. But it was entertaining enough, though I personally don't understand why they opted to turn the movie into a strange hybrid mix of superhero movie and "Mortal Kombat" towards the end, it was a rather strange change of direction for the overall feel of the movie.

I was, for the majority of the actors and actresses on the cast list, not familiar with the talents that starred in "Satria Dewa: Gatotkaca". In fact, the only familiar face to me here was Yayan Ruhian (playing Beceng), and he is always a nice addition to any movie.

Something that worked well in favor of director Hanung Bramantyo's movie was the action sequences and the special effects. There was quite a lot of action in the movie, and it was nicely choreographed and executed on the screen, which added a lot of enjoyment to the movie. And the special effects were quite surprisingly good for an Indonesian movie.

While "Satria Dewa: Gatotkaca" was entertaining enough, it is hardly a movie that I will ever return to watch a second time though.

My rating of "Satria Dewa: Gatotkaca" lands on a five out of ten stars.

GATOT KACA does an admirable job of introducing the origins of an Indonesian superhero, providing a detailed exploration of who he is and tracing his journey from an ordinary individual to a celebrated hero. The film manages to present this origin story with clarity, allowing audiences to gradually understand the character and his evolution.

The film begins with a strong foundation, methodically digging into the backstory and slowly revealing the details to the viewers. This deliberate pacing builds intrigue around the mysteries within the film, keeping the audience engaged as they uncover more about the plot and the characters. As the film progresses, it continues to unfold new information, effectively expanding the narrative and introducing additional characters that contribute to the overall story.

In terms of improvement, GATOT KACA appears to address and refine several aspects that were seen as shortcomings in other Indonesian superhero films, such as GUNDALA. It seems to build on the lessons learned from its predecessors and presents a more polished and engaging superhero experience.

Visually, the film is a standout. For an Indonesian production, it is quite impressive to see a superhero in flight with all the accompanying spectacular and magical effects. While it may not yet rival the visual grandeur of Marvel superhero films, the film still manages to deliver a visually captivating experience. The special effects and cinematography contribute significantly to the film's appeal, showcasing a superhero genre that is both exciting and unique within the context of Indonesian cinema.

Overall, GATOT KACA is a commendable effort in the Indonesian superhero genre. It combines a compelling origin story with impressive visuals and a thoughtful approach to character development, making it a film that deserves recognition and appreciation.

Plenty of sci-fi/fantasy flicks revolve around finding THE ONE of some prophecy who will save the world from ...whatever. Usually it's an average young guy (occasionally a kid or young woman) who seems an unlikely, underqualified wearer of that lofty mantel. Keanu Reeves in the Matrix was probably the most famous. Yuda, the hero of this iteration of the concept, can only claim to be the most... recent.

The movie runs too long for what it delivers. It takes almost half of its two hours just to get the kid started. Then another half hour of figuring out who's who on both sides of this eternal conflict. Waaaay too much exposition for the amount of action they manage to stage; overcrowded with past and present characters involved in this existential struggle. And when the big CGI-laden fights finally begin, they're mostly in dim lighting with misty overlays, and cut so jerkily that it's hard to appreciate whatever physical skills the players may be deploying.

All of this for the first installment of an intended series. No spoiler in saying the good guys win this battle, but it's not the end of the war. The Yuda character might play well in a tighter package, but the the producers have to clean house on writing, directing and editing to make the sequel(s) worth following.

Watching the action scene makes me headache theres too much cut to cut clip, i cant focus and its hard to figure out what are they doing.

I know, that particular way of editing is to help the action scene to cover bad movement etc but in my opinion they were doing it too much.

I dont know who's responsible for this, but for a superhero movie i think the action part is one of the biggest factor people would watch.

And i think they could've done much better for the choreography, i thought this character would have a superstrength kinda like power, that the fight will full with breaking walls and stuff intead of just ordinary martial art fighting, i think the choregrapher should've work more on the imagination of the power of the superhero, and not just a choreofighting.