NOTE IMDb
5,5/10
3,8 k
MA NOTE
Ajouter une intrigue dans votre langueA man embarks on a road trip with his girlfriend and estranged baseball legend dad.A man embarks on a road trip with his girlfriend and estranged baseball legend dad.A man embarks on a road trip with his girlfriend and estranged baseball legend dad.
- Réalisation
- Scénario
- Casting principal
Kevin Lee Foxx
- Fan #2
- (as Kevin Foxx)
Clay Chamberlin
- Impatient Fan
- (as Clay Chamberlain)
Avis à la une
The Open Road stars Jeff Bridges and Justin Timberlake as a pair of baseball players, father and son, at different stages of their careers. They've been estranged for many years, but a health crisis in the life of Mary Steenburgen, wife to Bridges and mother to Timberlake, forces a reconciliation of sorts. But it's not an easy one.
Bridges is a former star who may have just missed the era of free agency and all he knows is baseball. So he now makes a comfortable living at various card shows, telling stories and signing autographs all of which he's well paid. When the crisis comes he's at a show and leaving abruptly would cost him some bucks. Still there is family to consider, something he's not very good at.
Timberlake is a minor league prospect who shows that he might not reach the same heights as Bridges. In fact he's in danger of being cut from the Houston Astros farm club where he's playing. He's got troubles with former girlfriend Kate Mara whom he broke it off with and now realizes that might have been a big mistake and worries now about the failed relationship with Mara and Steenburgen's health may have compromised his abilities. In short he's just not got his head in the game.
In fact Timberlake leaves the team in Texas and goes north to Columbus, Ohio where Bridges is doing a show and he and Mara take him back albeit reluctantly to Texas because Steenburgen wants to see him for the very last time possibly before open heart surgery. You ask why Mara is along with her ex when she has a current boyfriend whom she plans to marry. Bridges gets it, but Timberlake is a bit dense.
Not much of a story line, but some great characterizations by all involved. Bridges is his usual good reliable self and Timberlake shows some ability which blossoms later on in another baseball story Trouble With A Curve. Timberlake plays a similar role there in a film with a similar story. Of course Clint Eastwood's film got a much wider audience.
Basically there's a lot of growing up to do for both Bridges and Timberlake. Baseball is great, but it's not the whole of life for both of them. Timberlake keeps a journal because writing is a sideline for him. I can see him being a future Jim Brosnan or Jim Bouton.
This is not a baseball story as such, it's a story about life and the growth of people. You should really see this very unsung film.
Bridges is a former star who may have just missed the era of free agency and all he knows is baseball. So he now makes a comfortable living at various card shows, telling stories and signing autographs all of which he's well paid. When the crisis comes he's at a show and leaving abruptly would cost him some bucks. Still there is family to consider, something he's not very good at.
Timberlake is a minor league prospect who shows that he might not reach the same heights as Bridges. In fact he's in danger of being cut from the Houston Astros farm club where he's playing. He's got troubles with former girlfriend Kate Mara whom he broke it off with and now realizes that might have been a big mistake and worries now about the failed relationship with Mara and Steenburgen's health may have compromised his abilities. In short he's just not got his head in the game.
In fact Timberlake leaves the team in Texas and goes north to Columbus, Ohio where Bridges is doing a show and he and Mara take him back albeit reluctantly to Texas because Steenburgen wants to see him for the very last time possibly before open heart surgery. You ask why Mara is along with her ex when she has a current boyfriend whom she plans to marry. Bridges gets it, but Timberlake is a bit dense.
Not much of a story line, but some great characterizations by all involved. Bridges is his usual good reliable self and Timberlake shows some ability which blossoms later on in another baseball story Trouble With A Curve. Timberlake plays a similar role there in a film with a similar story. Of course Clint Eastwood's film got a much wider audience.
Basically there's a lot of growing up to do for both Bridges and Timberlake. Baseball is great, but it's not the whole of life for both of them. Timberlake keeps a journal because writing is a sideline for him. I can see him being a future Jim Brosnan or Jim Bouton.
This is not a baseball story as such, it's a story about life and the growth of people. You should really see this very unsung film.
This movie has it all revealed in the title; we have the typical road movie, the open situations that need closure, the family gathering when almost-tragedy might happen, the girl that almost got away, the father-son estranged yet reliable liaison, the change in the hero's mind along the way.
And above that, it has the sparkling dialog, Jeff Bridges (I just love how he cries in most of his roles, because he can and he's so damn good), the wise replies that might (or not) mean something to you at some point. The open spaces, and a feel-good impression that will make it perfect for a late evening when you just don't feel like sleeping. Or you would feel like taking a long walk somewhere, only it would be wiser not to in the middle of the night.
I probably shouldn't give it a ten, but grades "don't mean nothing" to me, it's all about whether I liked it or not, and I sure did like it.
And above that, it has the sparkling dialog, Jeff Bridges (I just love how he cries in most of his roles, because he can and he's so damn good), the wise replies that might (or not) mean something to you at some point. The open spaces, and a feel-good impression that will make it perfect for a late evening when you just don't feel like sleeping. Or you would feel like taking a long walk somewhere, only it would be wiser not to in the middle of the night.
I probably shouldn't give it a ten, but grades "don't mean nothing" to me, it's all about whether I liked it or not, and I sure did like it.
I have not actually gotten to see this movie yet, but I was a camera operator on this film. I was very sorry to see that it didn't get a wider release. I thought that with a cast including Justin Timberlake and Jeff Bridges that it would have gotten more attention. It just goes to show how messed up the movie distribution business is. When we were shooting this film I thought that it was going to be good. It was a good story and had a great cast. They all were a dream to work with. Now that I know it is out on DVD, I am going to see about getting a copy as soon as I can.
One interesting little anecdote from my point of view: We shot the bulk of the film in the vicinity of Hammond, Louisiana which is where we all stayed. But one sequence required that the whole cast and crew go to another small town that was just a little too far to drive to and from for each day's work, so we all stayed in some tiny old "tourist courts". One night several of us on the crew got together in one of the camera assistant's rooms to play poker. I wound up sitting next to writer/director Michael Meredith. I mentioned that I lived in Dallas and Michael said that he lived in Dallas up until he was five, then moved around a lot. So I asked him what his dad did, half expecting him to say either military or oil business. No, he said his dad played football. I immediately put two and two together and asked him "Your dad is Don Meredith?" he said yes. Turns out the movie we were shooting was very loosely based on Michael's own story, only the sport was changed from football to baseball.
As I said, they were all great to work with, cast crew and production. I hope that this film eventually gets the attention it deserves. Definitely worth a look.
One interesting little anecdote from my point of view: We shot the bulk of the film in the vicinity of Hammond, Louisiana which is where we all stayed. But one sequence required that the whole cast and crew go to another small town that was just a little too far to drive to and from for each day's work, so we all stayed in some tiny old "tourist courts". One night several of us on the crew got together in one of the camera assistant's rooms to play poker. I wound up sitting next to writer/director Michael Meredith. I mentioned that I lived in Dallas and Michael said that he lived in Dallas up until he was five, then moved around a lot. So I asked him what his dad did, half expecting him to say either military or oil business. No, he said his dad played football. I immediately put two and two together and asked him "Your dad is Don Meredith?" he said yes. Turns out the movie we were shooting was very loosely based on Michael's own story, only the sport was changed from football to baseball.
As I said, they were all great to work with, cast crew and production. I hope that this film eventually gets the attention it deserves. Definitely worth a look.
This movie didn't do much for me. It's the story of another dysfunctional family, without much happening to make the family very interesting. I guess the theme is that no matter how rotten your Dad is, he's still your Dad, and can be loved and forgiven. I suppose that's true enough, as long as there are some good memories to outweigh the bad. But the Dad in this movie doesn't seem to have left too many good memories behind.
I like Jeff Bridges on screen. He's made some very good movies ("Fearless" for instance), and some that didn't impress me much ("The Contender", "Sea Biscuit", "The Fisher King"), but no matter the quality of the film, he always seems to rise above the material. In this movie, he plays such a rotten piece of work - a self-centred, boozy, sleazy, loud-mouthed jock living in the past - that I started to see the less redeeming features of Bridges himself. Maybe that just proves what a good job he did.
Justin Timberlake is OK, but he doesn't inject much life into his character. What the lovely Lucy (the totally gorgeous Kate Mara) sees in this sour, sulky, colourless character is beyond me. With her knowing grin, a flash of the eyes, a shake of the head, she makes it obvious that she understands this lot only too clearly. I felt like shouting "Run, Lucy, run! Don't get mixed up with these screw-ups! You can do better! Much better!" I could have added, but didn't, "Pick me!"
Basically, I found the film bland and un-involving. I gave it 5/10, and every one of the 5 points derives from the presence of Mara, who brings not just loveliness to the screen, but there's a fire in her eyes and a sense of personality that few others are capable of projecting.
I like Jeff Bridges on screen. He's made some very good movies ("Fearless" for instance), and some that didn't impress me much ("The Contender", "Sea Biscuit", "The Fisher King"), but no matter the quality of the film, he always seems to rise above the material. In this movie, he plays such a rotten piece of work - a self-centred, boozy, sleazy, loud-mouthed jock living in the past - that I started to see the less redeeming features of Bridges himself. Maybe that just proves what a good job he did.
Justin Timberlake is OK, but he doesn't inject much life into his character. What the lovely Lucy (the totally gorgeous Kate Mara) sees in this sour, sulky, colourless character is beyond me. With her knowing grin, a flash of the eyes, a shake of the head, she makes it obvious that she understands this lot only too clearly. I felt like shouting "Run, Lucy, run! Don't get mixed up with these screw-ups! You can do better! Much better!" I could have added, but didn't, "Pick me!"
Basically, I found the film bland and un-involving. I gave it 5/10, and every one of the 5 points derives from the presence of Mara, who brings not just loveliness to the screen, but there's a fire in her eyes and a sense of personality that few others are capable of projecting.
Great actors (Jeff Bridges always delivers, but even Justin Timberlake and his "girlfriend" in the movie are great too). As the title suggest, you are aware that this going to be a road movie. With characters that have flaws and a story that is very close to the directors heart (see a review of crew member for more information on that), this has everything a road movie needs.
While a few story tweaks may seem a bit far stretched (for something that seems to be so close to life), the whole thing still feels very real. The relationships in the movie are explored nicely without much glamour and there are a few treats along the way. There is not one real bad guy (which you might see as a bad thing or a good thing, depending on how you're going to feel about it), which made me like this even more and might have to do with the influence Jeff B. had on the script.
While a few story tweaks may seem a bit far stretched (for something that seems to be so close to life), the whole thing still feels very real. The relationships in the movie are explored nicely without much glamour and there are a few treats along the way. There is not one real bad guy (which you might see as a bad thing or a good thing, depending on how you're going to feel about it), which made me like this even more and might have to do with the influence Jeff B. had on the script.
Le saviez-vous
- AnecdotesIn several scenes in the movie, Jeff Bridges' character mentions "Walter Henry Hagan" at the Dallas airport. Walter Henry Hagan was in fact head of Special Services for American Airlines up until his retirement in 1995, and remained on as a consultant in same capacity until his death in February 2000. Hagan was "the" man to talk to if you needed assistance in your travels with American Airlines. He considered former Dallas Cowboy, Don Meredith (father of writer-director, Michael Meredith) and his wife, dear friends.
- GaffesWhen the characters are lost and ask for directions, both they and a local refer to local highways as "the" 20 and "the" 65. This verbal affectation is largely limited to California and not used in the rest of the country.
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- How long is The Open Road?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Відкрита дорога
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 19 716 $US
- Week-end de sortie aux États-Unis et au Canada
- 13 323 $US
- 30 août 2009
- Montant brut mondial
- 19 716 $US
- Durée1 heure 31 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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