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An Englishman in New York

  • 2009
  • Not Rated
  • 1h 15min
NOTE IMDb
7,1/10
1,7 k
MA NOTE
John Hurt in An Englishman in New York (2009)
BiographieDrame

Les dernière années de Quentin Crisp à New York.Les dernière années de Quentin Crisp à New York.Les dernière années de Quentin Crisp à New York.

  • Réalisation
    • Richard Laxton
  • Scénario
    • Brian Fillis
  • Casting principal
    • John Hurt
    • Denis O'Hare
    • Jonathan Tucker
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    1,7 k
    MA NOTE
    • Réalisation
      • Richard Laxton
    • Scénario
      • Brian Fillis
    • Casting principal
      • John Hurt
      • Denis O'Hare
      • Jonathan Tucker
    • 21avis d'utilisateurs
    • 18avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Nomination aux 3 BAFTA Awards
      • 5 victoires et 8 nominations au total

    Photos5

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux50

    Modifier
    John Hurt
    John Hurt
    • Quentin Crisp
    Denis O'Hare
    Denis O'Hare
    • Phillip Steele
    Jonathan Tucker
    Jonathan Tucker
    • Patrick Angus
    Cynthia Nixon
    Cynthia Nixon
    • Penny Arcade
    Swoosie Kurtz
    Swoosie Kurtz
    • Connie Clausen
    Nick Adams
    Nick Adams
    • Dim Man
    Jeff Applegate
    Jeff Applegate
    • Journalist
    Silver Bramham
    • Orlando
    Twinkle Burke
    Twinkle Burke
    • Audience Member # 3
    David Douglas
    • Audience Member # 5
    Benjamin Eakeley
    Benjamin Eakeley
    • Young Man
    • (as Benjamin Eakley)
    Alex C. Ferrill
    • Audience Member # 1
    Amy Gaipa
    • Audience Member # 2
    Robert Gomes
    • Angry Gay Man
    Craig muMs Grant
    Craig muMs Grant
    • DJ
    • (as Craig 'muMs' Grant)
    Stephen Guarino
    Stephen Guarino
    • Demonstrator
    Andrew Halliday
    • Chat Show Host
    Blake Hammond
    • NY Party Host
    • Réalisation
      • Richard Laxton
    • Scénario
      • Brian Fillis
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs21

    7,11.6K
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    Avis à la une

    10ginda2000

    A great piece of work with so much to say

    This is a fascinating film on so many levels, but most notably (from a production point of view) because Hurt is reprising a role he played 35 years previously as a much younger actor. What makes the piece even more perfect is it picks up where the other film (The Naked Civil Servant) left off.

    Quentin Crisp – the one time naked life model and civil servant has gained celebrity due to his ITV film 'The Naked Civil Servant'. He is given the opportunity to fly to New York for one month to give talks; however once he arrives in the big apple he falls in love with a city which seems to offer him everything he ever dreamed of. Quentin quickly gains residency as 'a legal alien'. However, he faces some hard lessons about the vastly changing face of not only public homosexuality but also the world in general.

    My opinion of an Englishman in New York is it's a flawless piece of work. It's rare a film can deliver such a sharp, but honest message which is relevant to today's society. In the original 1975 piece, Quentin was abused and attacked by 'hetrosexual' society not only for being gay but being different. In an Englishman in New York everything has flipped. The heterosexual world seems (on the whole) to adore him and be accepting of his eccentric and overtly homosexual persona. However, now his victimisation comes from the gay community who are excluding their own if they do not fit the very strict criteria of what they deem 'attractive'. Once upon a time Quentin was celebrated in the gay community as a brave pioneer of human rights. Now he's seen as a ghastly old queen who represents every gay stereotype a homosexual man is fighting against.

    Hurt plays Crisps exasperation to this new rejection with perfect understated brilliance. It becomes very apparent that Quentin was fighting the cause for individuality and the colonisation of the gay community was not actually what he wanted. He seemed to long for a world where every individual was accepted on their own merits and not because they fit criteria of a certain group. WHen Quentin discovers the (seemingly) universal ambition of gay man is to be a caricatured clone of the male heterosexual stereotype – you can almost hear his eyes rolling. It's also saddening to watch the world speed by Crisp in fifth gear, as he tries to get his head around the aggressive "fad" that is AIDS. This lesson being a particularly poignant one he has to learn.

    Even after seeing 'The Naked Civil Servant' (20 years ago) I had always seen Quentin Crisp as representative of tolerance toward homosexuals. After seeing 'An Englishman in New York' I now see him as someone far more important. Crisp represents tolerance toward individuality and our right to be whoever we want to be without fear of exclusion. As the song says "If Manners maketh man as someone said, Then he's the hero of the day, It takes a man to suffer ignorance and smile Be yourself no matter what they say".
    Vincentiu

    lovely

    bitter, profound, fascinating. story of a guru. like modern parable. a character. and a great performance. map of small things. and a great arena. seed of dark joy because the story of Quentin Crisp is out of categories. it seems be a fairy-tale, page of a history of homosexual freedom war, testimony about values and traces of Oscar Wilde style, a manifesto about reality behind illusions, a form of silent protest against ordinaries warm lies. each of this aspects is present in this movie. a film like definition of an air. or, only, circle of a small refuge garden. nothing else. only reflection about real nature of world. an old man in a large city. and its gestures, words, trips. as pieces of a lesson about yourself. or shadows of a continuous search of truth sense.
    10gradyharp

    Quentin Crisp: A Unique Philosopher

    AN ENGLISHMAN IN NEW YORK is a exceptionally well done film about the last years of the infamous Quentin Crisp (born Denis Charles Pratt, 25 December 1908 - 21 November 1999), an English writer and raconteur - one who is skilled at regurgitating funny anecdotes he heard someone else say first. Writer Brian Fillis has provided a highly polished script for director Richard Laxton, the two thus being able to bring to life this icon of homosexuality in the 1970s who, after publication of his memoir, The Naked Civil Servant, came to America to do 'speaking engagements', better described as cabaret comedy/philosophy routines. He dressed effeminately because that is the way he saw himself, and he adapted to life in New York with a joy that made people notice and respect him finally.

    John Hurt brings a brilliant luster to his role as the strange but lovely elderly Crisp who sits before audiences and says what comes to his mind. He is befriended by Christopher Street editor Phillip Steel (Dennis O'Hare) who gives him work as a movie critic, noticed by promoter Connie Clausen (Swoosie Kurtz) who schedules him heavily in nightclubs as an act, shy painter Patrick Angus (Jonathan Tucker) whom he champions among galleries, and kooky performance artist Penny Arcade (Cynthia Nixon). At the height of his popularity he makes a comments about AIDS being a 'fad', something that unites gays with a disease that Crisp claims is just what the straight public wants, and his popularity among his audience wanes. He discovers Angus is stricken with the disease and mourns his too soon death, and is sheltered by Steel as he grows into a fragile very elderly 91 year old. Throughout the film Hurt glows as the strange but somehow lovable Crisp, showing us all a side of a man who has been too often dismissed as a weird one. This is a very tender film, complemented by a first class cast, and one that deserves very wide attention.

    Grady Harp
    percydubois

    Excellent!

    This movie is worth seeing when it comes out on television. Everything about the film works, and I do mean everything! Brian Fillis certainly did his homework and scripted a show that holds one's interest, and will intrigue anyone who is unfamiliar with Quentin Crisp. Granted any made-for-television movie has limits of what can be written and shared, often dictated by time slots and network requirements, but this movie has surface and detail and informs. Brilliantly written and acted! John Hurt's performance is absolutely phenomenal and as otherworldly as Quentin Crisp was. Denis O'Hare's acting ability is fully on display throughout the film, providing a touching portrayal of someone who loved and cared for Quentin Crisp. Jonathan Tucker is a star and is spectacular in his role. Swoosie Kurtz and Cynthia Nixon provide colorful portrayals of two women in Quentin Crisp's New York life. Could not ask for a better cast. Definitely, see the film when it appears on television!
    Kirpianuscus

    admirable work

    behind I see the film, Quentin Crisp was only a name. eccentric, bizarre, a kind of Oscar Wilde, with the basic differences , of XX century. the film change everything. not only the perception about the lead character, because it is more than a portrait. not the manner to see a community. but the way to discover a period, in its fundamental traits. it is difficult to define the brilliant work of John Hurt. sure, it is amazing, touching, spectacular, magnificent. he becomes, scene by scene, Quentin Crisp. but his great contribution , his impressive performance, are not reduced at a good acting. but at subtle, precise explanation of an option, its consequences and the way to fight and win against the time. a film like a huge open window. maybe, to yourself.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Sir John Hurt also played this character in the television movie The Naked Civil Servant (1975). Quentin Crisp said of Sir John Hurt, that he was his representative here on Earth.
    • Citations

      Quentin Crisp: Persistence is your greatest weapon. It is in the nature of barriers that they fall. Do not seek to become like your opponents. You have the burden and the great joy of being outsiders. Every day you live as a kind of triumph. This you should cling onto. You should make no effort to try and join society. Stay right where you are. Give your name and serial number and wait for society to form itself around you. Because it will most certainly will. Neither look forward where there is doubt nor backward where this is regret. Look inward and ask not if there is anything outside that you want but whether there is anything inside that you have not yet unpacked.

    • Connexions
      Follows L'homme que je suis (1975)
    • Bandes originales
      Englishman in New York
      (uncredited)

      Written and performed by Sting

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    FAQ

    • How long is An Englishman in New York?
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    Détails

    Modifier
    • Date de sortie
      • 21 novembre 2009 (France)
    • Pays d’origine
      • Royaume-Uni
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • New York'ta Bir İngiliz
    • Lieux de tournage
      • Ham House, Richmond, Surrey, Angleterre, Royaume-Uni
    • Société de production
      • Leopard Drama
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 15 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.78 : 1

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