Not Quite Hollywood

It is about time a documentary was made about Australia's 70's and 80's exploitation films, which range from sex comedies, car chase films, hardcore horror and kung fu flicks. Mark Hartley has created a fitting tribute which moves at an almost non-stop pace and is full of hilarious interviews, great clips and interesting tales of on-set accidents and rowdy actors. Unfortunately, I never got to experience this period of unknown Aussie film making which now (thanks to this documentary) may be uncovered again!

Not Quite Hollywood starts off with some background of the Aussie film industry back in the late 60's/early 70's and the strict censorship policies we had. This then moves into the first type of exploitation we had; sex-fueled, gross-out comedies. Some notable ones are: Stork (1971), Alvin Purple (1973), The True Story of Eskimo Nell (1975) and Barry McKenzie Holds His Own (1974). Most of these features copious amounts of nudity (both male and female) and sex (of which the doco shows quite a bit of). These made a fair bit of money, but most of the critics despised the crassness and abrupt sexuality. Interviews with the lady stars (who are not afraid to talk about their mostly naked roles) and Barry Humphries are often funny. This first half an hour or so is a great introduction to the next section...

"Comatose Killers and Outback Chillers." In this section, Hartley shows us Australia's disturbed side with absurd, sadistic horror films which have a confessed fan, Quentin Tarantino. He excitedly reels off his favourites and how they have inspired some of his films (especially "ill Bill: Vol. 1." A few stand-out movies are: Patrick (1978), Razorback (1984), Snapshot (1979), Harlequin (1980) and Long Weekend (1978). Interviews with directors (Brian Trenchard-Smith and the late Richard Franklin) and the many actors are again incredibly intriguing and quite amusing. These films were popular in America, being released in the exploitation cinemas and garnering cult followings.

The last section of the documentary is about "High Octane Disasters and Kung Fu Masters." Tarantino really contributes to this part, showing a vast knowledge and passion for our car chase scenes and the "fetishistic" way they are filmed. Cult classics such as: Mad Max (1979), The Man from Hong Kong (1975), Roadgames (1981) and Turkey Shoot (1982) are all mentioned and discussed. This part becomes interesting, as directors talk about troubles with stunts (involving tragic deaths of cameramen and stuntmen), injuries and actor problems. Tarantino lavishes praise on pretty much all these films and he is a pleasure to listen to. Also, new Aussie horror directors Greg McLean ("Wolf Creek") and James Wan and Leigh Whannell ("Saw") are interviewed and discuss the old and new Ozploitation cinema.

Hartley knows how to make a documentary to the point, funny and always captivating. The interviews are hysterical (especially Bob Ellis, a critic who constantly bashes the genre in a comical uptight manner) and the clips are appropriate and show all the right parts. This will please all ages, from the older people who lived through this time and the younger generation (my friends and I) who will discover a new genre of Australian movies to enjoy. This doco is almost one of the best things to come out of the cinemas this year, and opens up a part of Australian culture that up until now was left hidden. Is this recommended? YES! Hopefully (and it DOES look hopeful), Australia can start to release some great Ozploitation style films. With films like Rogue, Wolf Creek, Storm Warning, Black Water and Saw there is still a chance.

A solid 5/5

as a lover of 'Ozploitation" films from way back, (hell im a card carrying member of the Turkey Shoot fanclub hahha) to say that Not Quite Hollywood was going to be essential viewing is quite an understatement. And so i finally made the 3 hour trek to Melbourne to see this thing and all i can say is WOW! Mark Hartley has done good with what was available to him, however there were a few other films that never got a mention that are quite vital to the "ozploitation" story.

To my knowledge COSY COOL was the first independent Aussie exploitation film, and it never even got a mention! (admitedly its not a really great "film", but is still an interesting watch).

1979 slasher flick ALISON'S BIRTHDAY never received a mention either, and quite crucially RUNNING ON EMPTY is only shown in a collage of car crashes, but nothing is said about it at all. And don't even get me started on the absence of genuine classics like STIR, THE MONEY MOVERS, LAST OF THE KNUCKLEMEN.

However it all really comes down to time. 2 hours is only really long enough to just skim the surface, which is what NQH does, and does a commendable job of it.

In my eyes there are only 2 problems with NQH, one which is inevitable.. it has to end sometime. The second is why does everyone hate Turkey Shoot so bloody much? It is a genuine classic and is definitely one of the most entertaining films to come out of Australia! In summary a commendable effort and hopefully we will get all of these films appearing on DVD (and yes i already know that most of them are)

Subtitled "The Wild, Untold Story of Ozsploitation", and that's what we get: a 100-minute cavalcade of all (?) the dizzy highlights of Australian exploitation cinema. The parceling into sex comedy/horror/action subheadings serves the material quite nicely, giving us a broad view of the aesthetic: ideologically working class, plain-spoken, and very male. That latter point is given just enough emphasis as the female participants offer their diverse bewildered reactions to the paces the filmmakers put them through, without getting all superior; the one pompous ass film critic who tries THAT trick is roasted on a spit. There's a lot of initiative, energy, and inspiration on display in this exhausting avalanche of quick clips; I was writing down titles like a mad man, there's a lot of stuff I'd never heard of that I'm dying to see. Genre film-making is presented, rhetorically, as a polar alternative to the classy upmarketing of familiar exports like Peter Weir, Bruce Beresford et al...even though Beresford was responsible for the Barry McKenzie series and Weir bequeathed us The Cars That Eat People. But dichotomy or not, I can tell you with certainty that Patrick has now jumped The Last Wave on my must-see list. Quentin Tarantino is dispensed in quantity, but I didn't get annoyed; he knows of what he speaks, and he's well-mixed with the folks who were there.

Fantastic! A great documentary focusing on a long unsung faction of cult cinema known as Ozploitation. Tarantino features heavily as an expert of the genre. As an Australian, it's scary watching how a foreigner could have so much knowledge and enthusiasm for films that have been almost purposely forgotten in their own homeland.

Like any good documentary, it's a real eye opening experience to get an insight into the lost world of blood, bikers and boobs. The directors, actors and those influenced (Greg McLean (Wolf Creek/Rouge), James Wan and Leigh Whannell (Saw)) share the stories of a fledgling film industry that embraced a Guerrilla style of film-making that stuck it to the stuffy cinema elite that wished they would disappear.

An absolute must watch for anybody who thinks they're an expert on cult/trash cinema.

A very fine documentary. I went into this at the London film Festival screening yesterday, never previously even having heard the term, ozploitation but came out ready to search out the films. A good film book will have you eager to google away to track down some hitherto unheard of 'must have' and this movie does the same. I felt I should have taken a notebook with me to take down some of the titles so enthusiastically spoken of. The films celebrated here were made in the 70s and 80s and are an Australian equivalent of what would usually be called drive in or exploitation movies. Sex, violence, cars and fighting is generally the name of the game and the more extreme and wild the better. Numerous, high quality clips from the movies leave one open mouthed and the people who made them tell us amusing anecdotes and horrifying details of things that went wrong. All of this would be enough but we also get generous helpings of Barry Humphries and the ever reliable, ever enthusiastic, Quentin Tarantino, just in case we were not already convinced that some of these trashy movies are just the greatest movies ever made. Joyous.