La ville fantôme

A strong formula comedy that gets an extra jolt of originality from an improvisatory performance by Ricky Gervais.

Gervais plays a Manhattan dentist with an over-sensitive gag reflex who hates people. When he accidentally dies for seven minutes during a routine medical procedure, he finds upon waking that he can see and converse with dead people, who want his help in finishing up unresolved business. One of these, a smarmy, cheating husband (played by Greg Kinnear) wants him to help prevent his widow (Tea Leoni) from marrying a guy he doesn't like. Guess what...Gervais falls in love with her himself.

There's a lot of standard obligatory plot in "Ghost Town" that's specific to the genre: we have to sit through the requisite scenes of Gervais thinking he's going crazy because he can see dead people; he and Leoni have a falling out when she thinks he's tricking her just to get close to her, etc. But the acting is so good, especially from Gervais and Leoni, who absolutely lights up the screen whenever she's on it, that it's easy to forget we've seen much of this before.

One of my favorite parts of the film was the brief but hilarious performance of Kristen Wiig, who plays Gervais's doctor. You may remember her as Kathryn Heigle's passive-aggressive colleague in "Knocked Up," and though she always does the same schtick, she makes me laugh every time.

Grade: A-

While this movie is comedy, it's not really a major "laugh-fest" or anything - but it is very well done and interesting to watch. If you're a fan of Ricky Gervais, he's only an actor here, not the writer or producer - so don't expect lots of Gervais-inspired humor. However, do expect a clever and charming romantic comedy.

Basically, the movie is about a dentist (Gervais) who temporarily dies during a routine medical procedure. This experience gives him the ability to see all the dead people who are milling about. One of them is resourceful enough to get Gervais' character to interfere with his former wife's engagement ... and the story progresses from there.

Gervais puts in a great performance as the socially repugnant dentist. Unpleasant as he is, he's fun to watch and you want to see what his every next move will be. Greg Kinnear (who plays the ghost pressuring Gervais) does a good job too; he's pretty believable in his role. The other characters are more or less one-dimensional and not quite as interesting. However, together with Gervais and Kinnear, everyone more or less of shines.

While the story is a bit predictable, the interesting characters, charming nature of the tale and all-around quality of movie-making make this film worth a watch.

I have seen this movie twice, once in theatres and now on DVD. I'm happy to say that I still find it very enjoyable, a quirky blend of supernatural and humor that happily finds its groove. I realize that the idea of a person communicating with the dearly departed is hardly original in Hollywood--however, the majority of the time it works great and this is no exception. The setup here is an antisocial dentist who walk the thin line of keeping the obnoxious population off his back without thoroughly hurting them. It's difficult and he often fails. A near-death experience in an operating room leave him with veil opened and every annoying ghost in New York City seeking him for help. It's funny, it truly is, and finds plenty of fairly original details to keep it from being just another ghost story. The cast is marvelous, the characters clever, and the aura mozies along as if this is nothing but a romp rather than an innocent man being haunted. Delightful and definitely a DVD keeper.

I can't understand how I missed it. Written and directed by David Koepp, the man who wrote "Apartment Zero" and "Death Becomes Her" with Martin Donovan, a personal hero of mine. Not to mention some of the biggest moneymakers of the last two decades. "Ghost Town" strives for something else, it pinpoints the goodness hidden in the heart of someone who, perhaps, never knew was there. A comedy of personal discovery no less. I was moved and delighted. Ricky Gervais goes through it, stumbling over himself with an innocence that is as real as it is mysterious. I connected with him half way through and it took me by surprise. I was loving a character that at the beginning I thought was funny but despicable. That for me means I've learned something. Thank you.

I have a feeling that Gervais was allowed a lot of room within the script because (unless it was written with him in mind) it sounds very much like his voice.

It's a bit silly and some minor plot holes, but if you like Gervais' comedy, you'll definitely like this movie.

Holds up over time, and all the characters are incredibly likable and relatable.