Fighter
- 2007
- 1h 40min
NOTE IMDb
6,5/10
1,6 k
MA NOTE
Ajouter une intrigue dans votre langueAicha attends Kung Fu at her high school in Copenhagen. Her Muslim, Turkish father wants her to study hard and become a doctor but instead she starts training at a Kung Fu club where Emil he... Tout lireAicha attends Kung Fu at her high school in Copenhagen. Her Muslim, Turkish father wants her to study hard and become a doctor but instead she starts training at a Kung Fu club where Emil helps with her training. They become friends.Aicha attends Kung Fu at her high school in Copenhagen. Her Muslim, Turkish father wants her to study hard and become a doctor but instead she starts training at a Kung Fu club where Emil helps with her training. They become friends.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 4 nominations au total
Photos
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A beautiful and touching movie that deserves a wider viewing than it is likely to get. Semra Turan plays Aicha, a second generation Turkish immigrant, who tries to break the mold. Neither entirely at home with her moderately conservative Muslim family, nor with her liberal Danish friends, Aicha's martial arts experience becomes a fight to find herself and have the strength to allow herself to be who she wants to be in spite of both family and friends.
Director Natasha Arthy manages to balance introspection and narrative so that it has depth without becoming ponderous philosophical discourse, and drawing on Xian Gao's choreography skills pays off in spectacular fight sequences. In the end, however, it is Semra Turan's stunning debut performance that gives this movie spirit. Raw charisma and requisite martial arts skills are complimented by heart to make her personal drama believable.
Well worth your while.
Director Natasha Arthy manages to balance introspection and narrative so that it has depth without becoming ponderous philosophical discourse, and drawing on Xian Gao's choreography skills pays off in spectacular fight sequences. In the end, however, it is Semra Turan's stunning debut performance that gives this movie spirit. Raw charisma and requisite martial arts skills are complimented by heart to make her personal drama believable.
Well worth your while.
When you are in a gloomy or depressed mood, go watch this film. It shows a lot of beauty and joy in a very simple everyday setting, and it is very encouraging, in particular from a feminist and a humanist perspective.
When you know both the Turkish language and either the Danish or the German language, go watch the film in any case. Half of the dialog is Danish in the original, synchronized to German in the translated version, the other half Turkish, subtitled in Danish or German, respectively. When i watched it in Mannheim, Germany, the reaction of the Turkish-speaking audience proved that there must be a lot of humor in the Turkish dialog, which, deplorably, mostly escaped me, being only imperfectly rendered in the subtitles. Still, the film is interesting even if you lack knowledge of the Turkish.
Esthetically, the movie is playing a lot on the theme of speed and slowness. On first sight, there is lots of corporeal movement fast as lightning, making it a quick, an agitated film. In particular, even though this is a Kung Fu movie, watch out for the running scenes, beautifully expressing a wealth of emotions. But there are quite a few very slow, emotionally intense scenes, too. And above all, the characters develop at a much slower pace than you would expect in a drama about the coming of age; still, there is some movement in the characters to: Closely watch the villain Omar, whose part and acting i liked very much.
The contrast of speed and stillness nicely contributes to the depiction of human rage and dignity - shown at once, in the same characters, at the same time.
When you know both the Turkish language and either the Danish or the German language, go watch the film in any case. Half of the dialog is Danish in the original, synchronized to German in the translated version, the other half Turkish, subtitled in Danish or German, respectively. When i watched it in Mannheim, Germany, the reaction of the Turkish-speaking audience proved that there must be a lot of humor in the Turkish dialog, which, deplorably, mostly escaped me, being only imperfectly rendered in the subtitles. Still, the film is interesting even if you lack knowledge of the Turkish.
Esthetically, the movie is playing a lot on the theme of speed and slowness. On first sight, there is lots of corporeal movement fast as lightning, making it a quick, an agitated film. In particular, even though this is a Kung Fu movie, watch out for the running scenes, beautifully expressing a wealth of emotions. But there are quite a few very slow, emotionally intense scenes, too. And above all, the characters develop at a much slower pace than you would expect in a drama about the coming of age; still, there is some movement in the characters to: Closely watch the villain Omar, whose part and acting i liked very much.
The contrast of speed and stillness nicely contributes to the depiction of human rage and dignity - shown at once, in the same characters, at the same time.
I watched this movie with no prior knowledge of it, and was immediately sucked into the film. It is a film that is beautiful to look at and has the ability to evoke emotions within the viewer causing them to live the story with the main character. The cinematography was absolutely wonderful, and served to make the film somehow realistic and surreal at the same time. The soundtrack was perfect and each song seemed to compliment the moments on screen, but was almost a character in and of itself. The acting was believable and realistic and the star of the movie "Aicha" really makes the audience connect with her and feel her plight, and the choreography of the fight scenes was wonderful. I was so pleasantly surprised by this movie and it is one that I will absolutely have to recommend to friends.
Makes the Karate Kid look like Romper Room.
Not a martial art movie as such, more of a coming of age film, but the reason it caught attention is that the fighting scenes are actually better than you would find in films that actually ARE fight films! Great direction, great acting. Great use of background and motion. The central character has many scenes where she is running seemingly without direction or purpose, a metaphor for the twists and turns in her life.
Does a great job of showing western viewers the "other" side of the coin, what is like to come from a culture that limits expression rather than encourages it.
Very engaging. Highly recommended.
Not a martial art movie as such, more of a coming of age film, but the reason it caught attention is that the fighting scenes are actually better than you would find in films that actually ARE fight films! Great direction, great acting. Great use of background and motion. The central character has many scenes where she is running seemingly without direction or purpose, a metaphor for the twists and turns in her life.
Does a great job of showing western viewers the "other" side of the coin, what is like to come from a culture that limits expression rather than encourages it.
Very engaging. Highly recommended.
Cinematography--Compared to 'The Wrestler,' a degree of verite and cinematic skill that disarms the viewer, and then hypnotizes as well.
Acting--The dialogue is minimal, but the pauses and silence poignant.
Story--The conflict in a 'balkanized' Denmark is volatile, as we saw recently jihad murders in the Netherlands and riots in France. While I harbor no love for Islam, the departure from the West from Christian values holds no cause for celebration.
The director of this film managed to mirror the two societies in a way that belabored neither, emphasizing the development of Aicha as an individual who became a champion, not so much in the ring, but to all those around her. Even her worst . . . I will stop here to avoid the spoiler.
Acting--The dialogue is minimal, but the pauses and silence poignant.
Story--The conflict in a 'balkanized' Denmark is volatile, as we saw recently jihad murders in the Netherlands and riots in France. While I harbor no love for Islam, the departure from the West from Christian values holds no cause for celebration.
The director of this film managed to mirror the two societies in a way that belabored neither, emphasizing the development of Aicha as an individual who became a champion, not so much in the ring, but to all those around her. Even her worst . . . I will stop here to avoid the spoiler.
Le saviez-vous
- ConnexionsFeatured in Troldspejlet: Épisode #37.14 (2007)
- Bandes originalesButterflies
Performed by Karina Kappel
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Võ Si
- Lieux de tournage
- Bispeengen, Frederiksberg, Danemark(area under highway)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 000 000 $US (estimé)
- Montant brut mondial
- 919 445 $US
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