Ajouter une intrigue dans votre langueTwo down and out friends living in Venice, California, struggle in social and economic deprivation. They reach the point where they can't go on. Escalating pressures force them to hatch a wi... Tout lireTwo down and out friends living in Venice, California, struggle in social and economic deprivation. They reach the point where they can't go on. Escalating pressures force them to hatch a wild get-rich-quick scheme in a last ditch attempt to solve "all of their problems". The far... Tout lireTwo down and out friends living in Venice, California, struggle in social and economic deprivation. They reach the point where they can't go on. Escalating pressures force them to hatch a wild get-rich-quick scheme in a last ditch attempt to solve "all of their problems". The far-fetched scheme involves one of them being bitten by a rat in a major supermarket with the... Tout lire
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires au total
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As a writer who's about to experience my first screenplay getting made into a film this summer, I can't begin to express what a miracle it is that any film gets made. I don't know the back story that led to the Rat Thing actually taking flight, but I do know that the rock solid screenplay was heavily sought after and it took tremendous courage (and perhaps balls the size of church bells), to pass up guaranteed money for the chance to make it on Keresey's own terms.
Without writing a Netflix type of synopsis, I will convey that the film has a style that is a throw back to 1970's film making - "California Split," "The Late Show," and "Thunderbolt and Lightfoot" all seemed to be films that may have influenced Keresey. His cast is capable and up to the challenge of handling the dialogue and moving the story forward. This film is not perfect. It doesn't have the gloss of a Michael Bay blockbuster, or the smile of Tom Cruise, but it does have the imperfect visage of an alley cat that moves confidently among the rich and in today's Hollywood, that makes us love this movie all the more.
This is one of those films that demonstrate that you don't need hundreds of millions of dollars to make a great comedy, and that many of the best movies these days aren't on the big screen or even on cable, They are found at film festivals and in the direct-to-DVD distribution channels... although if there are any film distributors or cable TV network programming buyers with even a tiny amount of good taste, they'll meet whatever producer/director/writer/co-star Kevin Keresey is asking for the rights because it is that good. It's a film that deserves to be seen by an audience far larger than any film festival can offer.
This is a well-written and well acted film that is further augmented by great cinematography and an excellent use of soundtrack music and sound in general. It's also possessed with a unique style that causes it to be a thoroughly modern comedy that nonetheless transmits a classic vibe. It's a film firmly rooted in the modern day, with modern characters struggling in dead-end low-paying service jobs who come up with a modern scheme to enrich themselves in the law suit lottery that passes for the civil court system in the United States, but the crispness of the dialogue delivered by the two lead characters and the rapid-fire nature of their patter--not to mention their natures and relationships--give the film an air of the best Abbott & Costello movies. (The fact the film is populated entirely by hard-luck characters that we are alternatively laughing with and laughing at also serves to strengthen the film's classic feel.)
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Détails
Box-office
- Budget
- 1 000 000 $US (estimé)