Nick O'Leary, lycéen et membre du groupe de rock The Jerk Offs, rencontre Norah Silverberg lorsqu'elle lui demande d'être son petit ami pour cinq minutes.Nick O'Leary, lycéen et membre du groupe de rock The Jerk Offs, rencontre Norah Silverberg lorsqu'elle lui demande d'être son petit ami pour cinq minutes.Nick O'Leary, lycéen et membre du groupe de rock The Jerk Offs, rencontre Norah Silverberg lorsqu'elle lui demande d'être son petit ami pour cinq minutes.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 9 nominations au total
Avis à la une
It succeeds.
Michael Cera, that king of adorable dorkiness, stars as Nick, the sole straight member of a queer-rock band. Kat Dennings plays Norah, a rocking rich chick who is just as unattracted to teenage pettiness as the rest of us are. These two meet through a random encounter and together set out to try and find the secret show of the aptly titled rock band Where's Fluffy? They cruise the town like grown adults, yet underneath both are incredibly naive. They argue, fight, flirt, and, yes, fall in love; what makes the film great is how mature and honest a relationship they create. We know from the beginning that it is the destiny of Nick and Norah to get together, yet when they do it is nothing short of soulful. With a wonderfully witty script along for the ride, it's apparent that this is much more than your average teenage comedy. 7/10 stars!
Jay Addison
Nick (Michael Cera) is the guitarist for a queercore band with his two friends Dev and Thom (Rafi Gavron and Aaron Yoo). He is currently grieving over the separation between his former girlfriend Tris (Alexis Dziena), but decides to join his friends for a performance out in New York City. In an act of desperation, he encounters Norah (Kat Dennings), who asks Nick to be his boyfriend for five minutes. After her drunken friend Caroline (Ari Graynor) runs off into the city, Nick and Norah along with his friends scour the city in search of her. Meanwhile, Tris is decides to go after Nick to find out if it truly is over between them.
One of the key successes of this film lies with the ensemble cast of talented young actors. Adults are barely featured in this film, as the teenage characters are given the overall spotlight here and Peter Sollett has hired some very good actors to play these parts. Michael Cera is still playing the awkward individual he has been doing since Arrested Development, but he still grows into the part well, as his character is not quite as nervous as previous roles. He proves to be likable and relatable in the part and his chemistry with the other actors comes off very well. Kat Dennings surpasses him, though, giving Norah a sarcastic wit and coming off as very easy to relate to. The way Nick and Norah progress throughout the film is handled very well by Cera and Dennings. Ari Graynor deserves some acclaim for her wacky, but still nuanced performance as Caroline. She is given the bulk of "stunts" in this film, particularly when sharing the screen with a piece of gum that ends up becoming a separate character by itself. Aaron Yoo, Rafi Gavron and Jonathan B Wright allow their best friend roles to become more than just simple stereotypes as they prove just as likable as the leads. Jay Baruchel also does a fine job in a small role that is definitely very far from the meek actor he played in last summer's Tropic Thunder.
Credit should also go to first-time screenwriter Lorene Scafaria, adapting the original source material by Rachel Cohn and David Levithan. She writes a funny and intelligent script with well-developed characters who evolve effectively and realistically as the film goes on. She also does not go the Adventures in Babysitting route by showing New York after hours as a grungy underworld, instead opting for a more light-weight approach to the material. She understands the independent musical scene of the Big Apple and she portrays it effectively throughout the course of the film. Director Peter Sollett and Cinematographer Tom Richmond also do well in lighting the city and allowing it to breathe. Even though the large majority of Nick and Norah takes place at night, there is still plenty of light that shines through, particularly in showing the vast culture. Legendary locations like the New Jersey Turnpike, Times Square and Pennsylvania Station also make appearances to give the film an even more New York feel.
Nick and Norah's Infinite Playlist simply wants to be a fun, breezy ride through New York's music scene and the audience is happy to go along with it. The characters are easy to relate to, the writing is intelligent and the direction is solid. Though there have been plenty of "one night in the city" films, Nick and Norah's Infinite Playlist manages to stay fresh and original and unique through its running time. Overall, this is definitely one to watch at the evening showing with the buddies.
Just like the characters' purported awkward age, Nick and Norah's Infinite Playlist was painfully awkward in its acting, story and editing. There were a few highlights and seriously funny moments, but they are a sad sprinkling. Ari Graynor's antics as Caroline, Norah's drunk and ditzy friend, seemed genuine but it wasn't established how and why they remain friends. Some of the dialogue is hilarious but you are rewarded by these handouts only if you're patient enough not to sleep through this infinitely long-drawn out teen flick.
Oh, the soundtrack was perfectly ambient but not particularly memorable (which is the saddest part!), however, I thought the escalator kissing scene was really sweet.
The movie is very character-driven and, fortunately, the cast was strong enough to carry it. Michael Cera and Kat Dennings make one quirky and fun on screen pair. The supporting cast members also shine in their roles. Ari Graynor, for instance, plays one of the most ridiculously likable drunks I've ever seen. The performances delivered by this young cast are really what make this movie.
Overall I enjoyed what I saw and can't wait for the DVD release. You don't have to think too hard about this one. It's a quick glimpse into the NYC music scene, light on the drama, but romantic and funny where it needs to be.
Ah, and, for the record, you don't have to be into the hipster subculture to appreciate this movie. It's definitely an accessible story, whether you've heard of Vampire Weekend or not.
In the weekend, Norah and Caroline hang around to see the concert of the Where's Fluffy band and they meet Tris dating Gary (Zachary Booth). Meanwhile, Nick drives his old Yugo to meet Thom, Dev and his boyfriend Lethario (Jonathan B. Wright) and play in the same club where Norah, Caroline and Tris are. Tris gibes the lonely Norah and she asks Nick to be her boyfriend for five minutes without knowing that he was the ex to Tris.
When the alcoholic Caroline is completely wasted, Thom and Dev offer to take her back home and ask Norah to date the brokenhearted Nick. Along the night, they learn that they are soul mates.
"Nick and Norah's Infinite Playlist" is a typical teen romance for teens. However, it is possible to an older guy like me enjoy this forgettable film. It is just necessary to remember that one day you were a teenager and you may enjoy this teen romance. The characters are very charismatic and it is only hard to believe that a pretty and cool girl like Kat Dennings does not have a boyfriend. My vote is six.
Title (Brazil): "Nick & Norah - Uma Noite de Amor e Música" ("Nick & Norah – A Night of Love and Song")
Le saviez-vous
- AnecdotesAri Graynor (Caroline) improvised her whole speech at the Port Authority when Kevin Corrigan decided he wouldn't say a word during his scene.
- GaffesWhen Norah takes Nick inside her dad's studio, he picks up a Stratocaster and says "it's left-handed." Nick is correct; this is a right-handed guitar that is strung upside down with the strap switched for use by a left-handed guitar player. That is how Jimi Hendrix played. The scene takes place in Electric Lady Studios, which was the studio Hendrix built as explained by Nick in the movie and hence, we are to assume that this is one of Jimi's guitars.
- Citations
Norah: It reminds me of this part of Judaism that I really like. It's called Tikun Olam. It says that the world's been broken into pieces and it's everybody's job to find them and put them back together again.
Nick: Well maybe we're the pieces. Maybe we are not supposed to find the pieces. Maybe we are the pieces.
Norah: Nick? I'm coming in...
- Bandes originalesSpeed of Sound
Written by Chris Bell (as Christopher Bell)
Performed by Chris Bell
Published by Ardent Music, LLC (ASCAP)
Courtesy of Rykodisc
By Arrangement with Warner Music Group Film & TV Licensing (p) 1992 David Bell
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Nick y Norah - Una noche de música y amor
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 31 487 293 $US
- Week-end de sortie aux États-Unis et au Canada
- 11 311 751 $US
- 5 oct. 2008
- Montant brut mondial
- 33 556 631 $US
- Durée
- 1h 30min(90 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1