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Ajouter une intrigue dans votre langueA young boy is torn away from his adoptive parents by his alcoholic, abusive birth parents.A young boy is torn away from his adoptive parents by his alcoholic, abusive birth parents.A young boy is torn away from his adoptive parents by his alcoholic, abusive birth parents.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 20 victoires au total
Avis à la une
LIKE DANDELION DUST is a very small scaled film about a very large subject: adoption and the struggles that at times are associated between birth parents and adoptive parents. Adapted from Karen Kingsbury's popular novel by Stephen J Rivele and Michael Lachance and directed with sensitivity and fine pacing by Jon Gunn, the film succeeds primarily because of the exceptional acting on the part of the acting by Mira Sorvino and Barry Pepper.
Blue collar worker Richard 'Rip' Porter (Barry Pepper) is an alcoholic with anger management problems and as the film opens he is arrested for beating his wife Wendy (Mira Sorvino) and imprisoned for seven years. Simultaneously we meet the wealthy Jack Campbell (Cole Hauser) and his wife Molly (Kate Levering) who are playing with their six year old son Joey (Maxwell Perry Cotton) and interacting with Molly's sister Beth (Abby Brammell) and husband Bill (Kirk B.R. Woller) who are suggesting that Joey, being adopted, should be brought up in the church: there is conflict as Beth seems to feel Molly isn't caring correctly for Joey since he is adopted!
Rip is released form prison and is clean from his alcoholism and anger management problems and Wendy confesses that when Rip was incarcerated she had been pregnant and because of Rip's problems she put her newborn son up for adoption, having her mother sign for Rip. Rip is shocked with the news and at once wants to get his son back. An adoption agency is consulted in the person of Allyson Bower (L. Scott Caldwell) who is placed between the Porters and the Campbells in making the decision as to where Joey should be. Because of the forged adoption papers Joey is still the child of the Porters and they fight the Campbells for custody. Joey is in the middle and with Allyson's guidance tries to adapt to his birth parents on planned visits while the Campbells try every avenue to retain their beloved Joey. How the game is played includes errors on the parts of both sets of parents but the situation is finally resolved in a very touching manner.
Sorvino and Pepper are brilliant in their roles as the beleaguered Porters. The reason the film works as well as it does is the fact that the good and bad aspects of human behavior on the part of all the characters in the film is balanced. It is a realistic look at what appears on the surface to be polar opposite couples - and in the middle is the very finely tuned performance of little Maxwell Perry Cotton. This is a film that tugs a bit heavily on the heartstrings, but for anyone who has been involved in an adoption problem it will ring true.
Grady Harp
Blue collar worker Richard 'Rip' Porter (Barry Pepper) is an alcoholic with anger management problems and as the film opens he is arrested for beating his wife Wendy (Mira Sorvino) and imprisoned for seven years. Simultaneously we meet the wealthy Jack Campbell (Cole Hauser) and his wife Molly (Kate Levering) who are playing with their six year old son Joey (Maxwell Perry Cotton) and interacting with Molly's sister Beth (Abby Brammell) and husband Bill (Kirk B.R. Woller) who are suggesting that Joey, being adopted, should be brought up in the church: there is conflict as Beth seems to feel Molly isn't caring correctly for Joey since he is adopted!
Rip is released form prison and is clean from his alcoholism and anger management problems and Wendy confesses that when Rip was incarcerated she had been pregnant and because of Rip's problems she put her newborn son up for adoption, having her mother sign for Rip. Rip is shocked with the news and at once wants to get his son back. An adoption agency is consulted in the person of Allyson Bower (L. Scott Caldwell) who is placed between the Porters and the Campbells in making the decision as to where Joey should be. Because of the forged adoption papers Joey is still the child of the Porters and they fight the Campbells for custody. Joey is in the middle and with Allyson's guidance tries to adapt to his birth parents on planned visits while the Campbells try every avenue to retain their beloved Joey. How the game is played includes errors on the parts of both sets of parents but the situation is finally resolved in a very touching manner.
Sorvino and Pepper are brilliant in their roles as the beleaguered Porters. The reason the film works as well as it does is the fact that the good and bad aspects of human behavior on the part of all the characters in the film is balanced. It is a realistic look at what appears on the surface to be polar opposite couples - and in the middle is the very finely tuned performance of little Maxwell Perry Cotton. This is a film that tugs a bit heavily on the heartstrings, but for anyone who has been involved in an adoption problem it will ring true.
Grady Harp
One of the best movies with one of the most bizarre releases I've ever seen. In the Dallas area it is currently playing in one mall theater for only two shows a day, one in the morning and one in the early afternoon.
I can't comprehend how such a good movie gets so little theater distribution.
The six main characters are as multi-dimensional as fictional movie characters get. They act like real people would in real situations.
While there are a few times when the camera lingers too long for emotional effect, everything about this production is top rate.
If it is being shunned due to its Christian origins, that is a shame. The few references to Christianity are really only there to advance the plot.
I was a little surprised to realize at the end that I had just watched a great movie without any profanity or skin. It is still not a film for children because of its theme and some domestic violence.
If anybody knows, please post why this film is not enjoying wider distribution. This is a Blind Side caliber movie without near the preachiness.
I can't comprehend how such a good movie gets so little theater distribution.
The six main characters are as multi-dimensional as fictional movie characters get. They act like real people would in real situations.
While there are a few times when the camera lingers too long for emotional effect, everything about this production is top rate.
If it is being shunned due to its Christian origins, that is a shame. The few references to Christianity are really only there to advance the plot.
I was a little surprised to realize at the end that I had just watched a great movie without any profanity or skin. It is still not a film for children because of its theme and some domestic violence.
If anybody knows, please post why this film is not enjoying wider distribution. This is a Blind Side caliber movie without near the preachiness.
When the father is an alcoholic abuser and the mother can't stick up for herself, there's always hope that the son will get to a better home. "Like Dandelion Dust" explores that hope and the powers of wealth, love and family.
The strength of the film lies in its story-telling. The characters were all painted extremely realistically and even sympathetically, and every scene in the film advanced the plot. Written by Oscar-nominated writer Stephen J. Rivele and Michael Lachance, it certainly comes across as a film driven by the writing. But no matter how interesting the story was, they couldn't completely keep my attention. When we have gritty scenes, we get drab shots. The story really wasn't brought to life.
"Like Dandelion Dust" is less like a film and more like a novel. And unsurprisingly, it is a novel with the same name by Karen Kingsbury. As I have just learned, Kingsbury is known as a Christian novelist. Although religion is an element in this film, it's presented in a very subtle, questioning way. See "Like Dandelion Dust" because it's a novel, not because it's a Christian novel.
The strength of the film lies in its story-telling. The characters were all painted extremely realistically and even sympathetically, and every scene in the film advanced the plot. Written by Oscar-nominated writer Stephen J. Rivele and Michael Lachance, it certainly comes across as a film driven by the writing. But no matter how interesting the story was, they couldn't completely keep my attention. When we have gritty scenes, we get drab shots. The story really wasn't brought to life.
"Like Dandelion Dust" is less like a film and more like a novel. And unsurprisingly, it is a novel with the same name by Karen Kingsbury. As I have just learned, Kingsbury is known as a Christian novelist. Although religion is an element in this film, it's presented in a very subtle, questioning way. See "Like Dandelion Dust" because it's a novel, not because it's a Christian novel.
A relatively low budget but extremely good drama. This could have turned into a standard melodrama but is elevated far beyond this by an intelligent and believable script.
The real stars though are the actors who are all terrific. Barry Pepper has always been a favourite of mine and he excels himself in this role but there are no weak links in this film. A special mention must go to the actor playing the little boy, Maxwell Perry Cotton who is utterly convincing as the frightened and confused little boy. It was one of the best performances from a young actor I have ever seen.
The film does flag a little towards the end but finishes on an emotional high. I rarely watch films twice in a short period of time but I did with this one and enjoyed it just as much second time round. Recommended.
The real stars though are the actors who are all terrific. Barry Pepper has always been a favourite of mine and he excels himself in this role but there are no weak links in this film. A special mention must go to the actor playing the little boy, Maxwell Perry Cotton who is utterly convincing as the frightened and confused little boy. It was one of the best performances from a young actor I have ever seen.
The film does flag a little towards the end but finishes on an emotional high. I rarely watch films twice in a short period of time but I did with this one and enjoyed it just as much second time round. Recommended.
I just watched this movie and had a hard time keeping a dry eye. The sad truth is there are cases similar to this going on in family court everyday..maybe not as extreme as this one (most kids are less than 6 years old) but fights between bio parents, foster parents and adoptive parents go on every day. This is an adoptive parents nightmare. I thought the performances by all were solid and very believable. The kid that played Joey is so cute and a good little actor. I really do not understand how people can bash this movie. They must not be adults, or parents for that matter. The subject matter is very surreal and let me tell you, I would have done the EXACT same thing as the adoptive parents did in this movie.
Le saviez-vous
- AnecdotesThe scene where Berry Pepper's character, Rip, is bitten by his dog was not part of the script until the dog decided to improvise it. Berry Pepper was actually bitten by his fellow actor, the dog.
- GaffesIn the kitchen scene after Rip Porter smashes his empty bottle and gets consoled by Wendy, the positions of his head and of their hands around each other's heads change too suddenly between the subsequent shots while lines are being spoken across the cuts.
- Citations
Wendy Porter: There is one thing that - -- that you could do for me. I would like Joey to know that he has two mothers: one that loved him so much that she couldn't let him go, and one that loved him so much that she had to.
- Bandes originalesThe Lord Bless You and Keep You
Words and Music by Peter C. Lutkin
Performed by Coral Ridge Presbyterian Church Chancel Choir
Choir directed by John L. Wilson
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Như Hoa Bồ Công Anh
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 352 810 $US
- Week-end de sortie aux États-Unis et au Canada
- 77 960 $US
- 26 sept. 2010
- Montant brut mondial
- 352 810 $US
- Durée
- 1h 40min(100 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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