Dans un monde futuriste où les humains vivent en isolement et interagissent à travers de robots de substitution, un flic est obligé de quitter son domicile pour la première fois depuis des a... Tout lireDans un monde futuriste où les humains vivent en isolement et interagissent à travers de robots de substitution, un flic est obligé de quitter son domicile pour la première fois depuis des années afin d'enquêter sur des meurtres de robots.Dans un monde futuriste où les humains vivent en isolement et interagissent à travers de robots de substitution, un flic est obligé de quitter son domicile pour la première fois depuis des années afin d'enquêter sur des meurtres de robots.
- Réalisation
- Scénario
- Casting principal
- Victim
- (as Danny Smith)
Avis à la une
Surrogacy is a perversion. It's an addiction. And you have to kill the addict to kill the addiction.
The action scenes are what you would expect for a multi-plex appeasing popcorner, loud, colourful and owing great debt to modern technology. Yet to dismiss this totally as one of those easy money making blockbuster movies is most unfair.
Surrogates oozes intrigue, even if it doesn't quite deliver on the smartness written on the page. The idea that in the future robotic alter egos can carry out our everyday mundane functions is cracker-jack, and it opens up a whole can of berserker worms.
This is not merely an excuse to have Bruce Willis running around exploding surrogate robots, as much fun as that is of course, there's a deeper emotional core pulsing away as Willis fights the good fight to make sure being human is not cast aside like a thing of the past, that as flawed as we are, hiding away in a surrogate is not the answer.
This axis of the story is beautifully realised by the plot strand involving Willis and Rosamund Pike as his wife, with both actors doing fine work to give it the required emotional heft. It may ultimately lose itself to a standard conspiracy plot, but there's intelligence within to make Surrogates a better film than it first appears. 7/10
I see some complaining about the wooden performances throughout the film, ignoring the fact that this is the point. The surrogates emote very little, and are uncanny to us, who rely so much on non-verbal language to understand our interactions. The moments where actual humans are allowed to emote, especially the brief scenes with Rosemund Pike, shine all the more for it.
Is this movie high art in film form? No, but it's entertaining, it's fairly well paced, and its message is cogent. I recommend watching it at least once.
On the effects of a remote life, thanks to the interwebs and Uber.
And a surprisingly contemporary ending, with people in their dressing gowns coming out in the streets -- is this what the end of the Covid confinement will look like?
Ps-yes, Bruce Willis is scary with that wig. Get over it. In 10 years we won't even have actors.
I'll keep this short: The concept is decent, the execution is mediocre, the result is that I give it 7 out of 10 stars.
I would have graded this far higher had the creators spent more time making several of the characters more human (which is funny, given that "humanity" as compared to a more machine-like existence is a core concept of the screenplay), but they didn't. The only character in the film who achieves anything like true humanity is Bruce Willis', and this occurs only because the plot requires it.
When a film's construction and leverage depend on the very definition of humanity as it's core concept, leaving the humanity of most of the characters behind is something more than stupid -- it cripples the film.
This doesn't mean the film is unwatchable; it has enough elements of action, pathos, suspense & revenge to make it worth your time throughout.
But it could have been so much better, if not for so many poor choices.
This surprisingly compelling sci-fi film takes a while to set up its universe but delivers down the stretch. It's borderline whether they establish enough credibility so as to invest real emotion in to the characters and buy in to the premise. If you allow yourself to buy in to the bizarre concept of living life through android duplicates, then the film works on a few levels. It's somewhat weak on certain of those levels but raises interesting questions concerning the level of our technological dependency as we live our lives. The emotional aspect of this movie plays better thanks to a fine performance by Bruce Willis. His character's journey through this bizarre world is obviously the heart of the film and it's written and portrayed very well.
Le saviez-vous
- AnecdotesBecause an uncooperative Bruce Willis refused to re-record several lines of dialogue when the movie was being restructured, a sound-alike voice-over actor had to be brought in.
- GaffesAfter Greer gets beaten up up by the Prophet's guards, his scars keep moving and changing severity for the rest of the movie.
- Citations
Older Canter: I changed the course of human history when I created surrogates. Now I'm going to change it back.
Tom Greer: You don't change what's been done. You and I know that better than most people.
Older Canter: My son's death will not have been in vain. Not if it heals mankind.
Tom Greer: Heals mankind? That's what you want to do? You want to kill everyone? That's going to heal mankind?
Older Canter: They're already dead. The died the minute they plugged into those machines.
Tom Greer: This is not the solution.
Older Canter: That's the way it is.
Tom Greer: That's not the way it is!
Older Canter: I had a vision. I was going to empower the powerless. To enable others like me to walk, to feel, to have a normal life.
Tom Greer: Listen to me! They're going to call you a murderer. That's what you're doing.
Older Canter: Surrogacy is a perversion. It's an addiction. And you have to kill the addict to kill the addiction.
Computer Voice: Upload complete.
Older Canter: You're too late. What I've done can't be stopped. Now you're going to be a witness to the rebirth of humanity. That's my gift to you.
- ConnexionsFeatured in The Late Late Show with Craig Ferguson: Épisode #6.5 (2009)
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Identidad sustituta
- Lieux de tournage
- Lawrence, Massachusetts, États-Unis(human-only reservation)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 80 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 38 577 772 $US
- Week-end de sortie aux États-Unis et au Canada
- 14 902 692 $US
- 27 sept. 2009
- Montant brut mondial
- 122 444 772 $US
- Durée1 heure 29 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1