Le parfum du succès

A low key comedy that kept me amused and entertained. Tea Leoni proves to be a great comedic actress, and I LOLed at several of her pratfalls. Paired with the subtle sly humor of Billy Bob Thornton, there is a lot of nuance to mine from a movie plot about competing manure salesmen.

Low cost production values added to the comic strip sense of humor. Scenery seemed painted, e.g., clouds in the sky didn't move with the breeze. But the story had all the necessary elements, including bad guys in the form of a competitor fertilizer company which seems overpoweringly endowed. There were subtle double entendres that showed the tongue in cheek intent of the film.

This is an amusing and fairly intelligent comedy pretending to be dumber than it is. Some viewers don't get the deeper level of very well executed comic strip comedy.

As soon as I saw the start of this film I asked myself, "Why the sepia tones?" Later, I asked, "Is this a play? Finally, when unsure of the answers to either question, I turned to IMDb. Oh, I see! It's shot on digital! Now, the RED camera is capable of super-realistic colour reproduction. On the other hand, RED format can sometimes even pass off masquerade as film - for a while. Given time, we audiences will possibly come to accept its particular look as being worthy of filmic drama. But not yet. Until that day, those film-makers who are unsure of their screenplay, talent or the financial certainty of their venture are likely to seek the cost-savings which digital acquisition can offer.

One day too, some brave cinematographer will use the RED's hyper-colour potential, starting an exciting, new genre. Until then, cut-cost producers will try vainly to disguise RED's inability to actually look like film. Usually these DOPs rely upon under-exposing and heavily back-lighting their scenes, with often a touch of rim-lighting to dazzle and sparkle. It's sort of like every lady's best trick: the little black cocktail dress. -But all day? Every day??

With The Smell of Success, the producers have gone all the way and hidden the colour altogether. It's sepia! only the faintest hint of skin-tones. We are treaated to yellow skies, hospital doctors in beige lab-coats, beige teeth and lots of brown. I'm afraid the whole film reminds me of the nicotene-stained Czechoslovakian cafes of the Soviet days. An aesthetic mistake. Bad taste. Please take the whole thing back to the colourists and undo that last, desperate decision they made in an attempt to save a picture they had no confidence in: Lose the sepia. Re-release the original, un-colourised film. If we want modified colours we can probably tweak the settings ourselves.

The 'Smell of Success' seems quite an an odd title for the film but a couple of minutes into the movie, I realized that the makers were being quite literal. Anyway, it's nice to see that there's a film about the fertilizing industry in the 50s and one that doesn't rely on toilet humour. First of all, most of the jokes were quite funny. I laughed at a number of them even though a few of them were overdone (for example the breast augmentation jokes, the jumping from the plane etc).

The visuals are beautiful. Despite being sepia tinted and almost devoid of colour, they look quite artistic. Most of the frames look like beautiful paintings. The 50s look is also very well captured thanks to the fine art direction costume and makeup.

Billy Bob Thornton does a decent job as the head fertilizer salesman who suddenly feels threatened by sensational Rose and undermines her in his attempts. Tèa Leoni is amazing, proving her comedic fort once again. Frances Conroy is a delight. Mark Polish, Pruitt Taylor Vince and Ed Helm provide good support. Kyle Machlachlan too isn't bad as the smug antagonist.

I only felt that the story lacked consistency. It would occasionally delve into subplots that are never developed. As stated earlier, some of the jokes were overdone and felt repetitive. Given the concept, it could have been a funnier flick but for some reason the Polish Brothers restrain.

Yet, it's a decent watch. A film that certainly has charms with some classy creative toilet humour.

or a game. adventure. dark comedy. parody of few genres. or, simple, entertainment. it seems be strange to define this crazy story who could remind many similar others but who has the virtue to be a charming and not comfortable ironic view about the different aspects of business world. it has influences from the French comedy and crumbs from teenager games. it is occasion for each actor to give memorable characters and to remind the crazy pleasure of to be out of ordinary expectation. result, a nice, chaotic story. good actors in not the most convincing roles-Tea Leoni is the name who remains long time after the final credits in memory for the inspired manner to solve the challenge of her character - . and a good job.

I read the preceding review before I saw the film and I was compelled to return to IMDb, register and drop a few lines of my own. With all due respect to the Sundance attendee, I laughed at the portion of the review that described how the Q&A session fizzled after a few minutes. The film reminded me of Samuel Beckett's "Happy Days". What more is there to be said? Téa Leoni is simply heroic in her pratfalls and Thornton wears the brown suit like a snake. Strangely enough, Ed Helms doesn't fit in the cast since his elephant through a pinhole style is too familiar. I'm sorry I had to stumble upon this piece. What can "brown do for you" when it's competing with self-centred angst, car crashes and CGI monsters for the attention of simpletons.