Ajouter une intrigue dans votre langueA space traveler from the Earth of the 22th century - without wars, poverty and oppression - crashes on an unknown planet. Politically and economically that planet similar to the totalitaria... Tout lireA space traveler from the Earth of the 22th century - without wars, poverty and oppression - crashes on an unknown planet. Politically and economically that planet similar to the totalitarian human states of the 20th century.A space traveler from the Earth of the 22th century - without wars, poverty and oppression - crashes on an unknown planet. Politically and economically that planet similar to the totalitarian human states of the 20th century.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires et 8 nominations au total
- Rada
- (as Yuliya Snigir)
- Prokuror
- (as Fyodor Bondarchuk)
Avis à la une
It struck me that ALL the film industry the way we know it is projecting nothing but visions and dreams of certain individuals, too(and sometimes these visions and images are no better than those shown in ‘Obitaemyy ostrov’). And book fiction is the same. So what’s the difference between Earth and Saraksh in terms of culture then?
And the towers are here, too. Look around – here are the TV towers and radio towers. They project these visions and dreams to the same effect as on Saraksh. Scary, isn’t it? Where are we?
On the other hand, where would the world be without this day-dreaming and wool-gathering? Do culture and a sort of hypnotic suggestion go hand in hand? How free in our minds are we really?
Sad smile.
A little about the plot: young explorer Maksim Kammerer crash lands on Sarakhsh, a world enveloped by nebula gasses where people have never seen the stars. The Unknown Fathers, a group of local oligarchs, brainwash the population to fear and despise surrounding nations. Kammerer, aloof in his assumed superiority, sets out to free the people of Sarahksh of oppression and paranoia.
I wont ramble on - suffice to say that Bondarchuk has done well considering the scale of the novel. Vasiliy Stepanov (as Maksim Kammerer) is sexy, cool and a blond head taller than his alien companions (a fine nod to the novel and a detail I did not expect). He was also most excellent in the action scenes.
Bondarchuk shines in his portrayal of Umnik (The Clever One). I really enjoyed the scenes of him writhing in agony in the bath. A great performance. I am compelled after reading some of the other comments to say that the novel, like this movie, is quite comical...
Direction-wise there are some minor continuity errors and a few places where pace slows, but the film sticks quite closely to the novel and this may not have been avoidable.
Compared with the contemporary adaptation of the Strugatskis Ugly Swans by Konstantin Lopushansky the film is of course rather crude and soulless. But it's good fun done right.
I recommend it to everyone and will be waiting for film two.
The movie is not piece of art. It really takes a lot from classic sci-fi movies (from costumes designs to city views). And directing sometimes is confusing. But the film has one strong point - the plot, original story that authors reflected rather well. Special effects are good (they were performed by American specialists), acting is not bad (dramatic acting usually is not required in sci-fi action movies). In essence, the movie is good and worth seeing. Don't take negative comments for granted.
BTW as far as I know Boris Strugaztsky (the one of two brothers who is still alive) liked the adaptation.
The only positive things was a vision of the perverse futuristic world, dark, totalitarian, rainy, muddy, technocratic, but also kind of futuristic baroque. A bit reminding me of 5th element, or Chronicles of Riddick. (Or just today.) So much more interesting plots, events, interaction could have been set in this environment.
It's 2011 ... and you want a science-fiction? Watch Aliens, Avatar, Abyss, Terminator or at least Matrix.
Great visuals, great environment but still it lacks top notch acting and some things have already been seen.
Le saviez-vous
- AnecdotesThe symbols of the Country of Unknown Fathers are very similar to those of the Hungarian national socialist Arrow Cross Party, which is probably due to the fact that the names used on the planet of Saraksh both in the film and in the original novel are based on Hungarian-language names.
- GaffesRed armored car, which Maxim steals near the final, was designed without a door. So the crew had to cut the hatch in the tank's plating. When Guy Gaal knocks the car, it can be seen that the hatch cover is actually made of wood.
- Citations
[first lines]
Narrator: The year 2157, the Noon of Mankind. Armed with the Great Theory of Upbringing, people have forgotten about wars, hunger and terrorism. Nature lives again. A breakthrough in medicine has set people free from illnesses, allowing them to use hidden resources of the human body. Earthlings are reclaiming distant planets. New generations have risen, for whom search in deep space is a routine matter. Young earthlings are brave, strong and naive. They think they are capable of everything.
- ConnexionsFeatured in Arkadiy Strugatskiy v Kanske (2016)
Meilleurs choix
- How long is Dark Planet?Alimenté par Alexa
Détails
Box-office
- Budget
- 29 500 000 $US (estimé)
- Montant brut mondial
- 23 772 559 $US
- Durée
- 1h 55min(115 min)
- Couleur