Hitchcock
- 2012
- Tous publics
- 1h 38min
NOTE IMDb
6,8/10
82 k
MA NOTE
La relation entre Alfred Hitchcock et son épouse Alma Reville lors du tournage de Psycho (1960) en 1959 est explorée.La relation entre Alfred Hitchcock et son épouse Alma Reville lors du tournage de Psycho (1960) en 1959 est explorée.La relation entre Alfred Hitchcock et son épouse Alma Reville lors du tournage de Psycho (1960) en 1959 est explorée.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 6 victoires et 30 nominations au total
Avis à la une
Tonally scattershot, clumsily zipping between frothy comedy, melodrama and... whatever that was with Hitch's imaginary conversations with Ed Gein. It's also a bit thin and lacks true insight. But despite this, it still delivers a (mostly) entertaining, if fantastical, look at Hitchcock making his most iconic film ('Psycho'). Hopkins plays Hitchcock mostly as a caricature, but it works well with the material. Mirren balances this out with a more grounded performance, and a good supporting cast do just that. I can't help but believe with the talent assembled there was a better film in here somewhere, but for what it is, 'Hitchcock' is a decent little cupcake of a movie.
I didn't really expect much from Hitchcock, but I found it incredibly enjoyable. Perhaps the problem is that a biographical film like this of one of the most famous films ever made could have been more dramatic. As it is, it's definitely rather light-weight and doesn't have all that much meat to it, but what is there is enjoyable in all the right ways. The cast is solid, but the two leads are really great. Hopkins disappears into the role, and Mirren does wonders with her part in such a charming, charismatic way. As a huge Psycho fan, a film like this is just really enjoyable and entertaining, and in that way it didn't disappoint. I definitely recommend this.
The odds were against it, let's face it. Then after that TV film about the obsession of Hitch for Tippi Hedren, what was it called? something like "The Girl" Brrrr. I thought, what a pity. But then, I went to see it and I was not merely thoroughly entertained but delighted. Anthony Hopkins and Helen Mirren make a formidable pair. Mirren, in spite of her glamour, I've never seen Alma Reville, as glamorous, Mirren truly captures the essence of the woman and makes that marriage not just feasible but ideal in so many ways. The script, smart and witty and gives a glimpse into what might have really happened. Janet Leigh (a terrific Scarlett Johansson)thanking Hitch and kissing him on the cheek. Look at Hitch/Hopkins's face when that happens. A child. I believed it. So, considering the odds against it, a triumph.
A snapshot of Hitchcock's life and the lead up, shooting and release of Psycho.
A perfect blend of entertainment, surprisingly emotional and a delight to watch. No doubt artistic licence is used but John J. McLaughlin's script based on Stephen Rebello's book manages to mix and balance the story elements perfectly without becoming the 'making of Psycho' which remains as a backdrop. It ultimately focuses on Hitchcock's intriguing relationships with his wife, cast and crew. There's some genuine laugh-out moments and heartfelt scenes. The surreal moments including Ed Gein subtly played by Michael Wincott injects an edginess to the proceedings and gives an insight into his psyche.
Any reservations of Anthony Hopkins' casting are dispelled within a few minutes, he is absolutely superb with the make up equally as effective. Helen Mirren as Alma is on fine form giving both a powerful and touching performance. Without nitpicking on Scarlett Johansson's facial indifference to Leigh and James D'Arcy's to Anthony Perkins they capture the persona wonderfully as too does Jessica Biel as Vera Miles respectively. Notable is Toni Collette as Peggy Robertson and from Danny Huston as Whitfield Cook to Kurtwood Smith Geoffrey Shurlock there is a fine supporting cast.
Fittingly book-ended with Hopkins as Hitch breaking the fourth wall in 'Alfred Hitchcock Presents' style you can't help but smile. As satisfying as Hitchcock is it still leaves you wanting more.
A perfect blend of entertainment, surprisingly emotional and a delight to watch. No doubt artistic licence is used but John J. McLaughlin's script based on Stephen Rebello's book manages to mix and balance the story elements perfectly without becoming the 'making of Psycho' which remains as a backdrop. It ultimately focuses on Hitchcock's intriguing relationships with his wife, cast and crew. There's some genuine laugh-out moments and heartfelt scenes. The surreal moments including Ed Gein subtly played by Michael Wincott injects an edginess to the proceedings and gives an insight into his psyche.
Any reservations of Anthony Hopkins' casting are dispelled within a few minutes, he is absolutely superb with the make up equally as effective. Helen Mirren as Alma is on fine form giving both a powerful and touching performance. Without nitpicking on Scarlett Johansson's facial indifference to Leigh and James D'Arcy's to Anthony Perkins they capture the persona wonderfully as too does Jessica Biel as Vera Miles respectively. Notable is Toni Collette as Peggy Robertson and from Danny Huston as Whitfield Cook to Kurtwood Smith Geoffrey Shurlock there is a fine supporting cast.
Fittingly book-ended with Hopkins as Hitch breaking the fourth wall in 'Alfred Hitchcock Presents' style you can't help but smile. As satisfying as Hitchcock is it still leaves you wanting more.
"What if someone really good made a horror picture." After the success of North By Northwest Alfred Hitchcock (Hopkins) was looking for his next film to direct. After reading a book he finds what he is looking for. The studio is against it but Hitchcock decided to finance the movie himself, breaking all the rules as he goes. The story is real, the horror is real, this is the story of the making of Psycho. I'm not sure why but I am a big fan of movies about movies. I was very interested in seeing this not only for that but also because I am a big Anthony Hopkins fan and thought he would be a good choice for this role. The movie itself is really good with some pretty creepy aspects to it but the job that Hopkins does is pretty amazing and sometimes you actually see Hitchcock himself. I'm not sure how accurate this is but Hopkins played a man on the edge of sanity and knowing what I know about Hitchcock it seems to fit. If you are looking for a complete bio-pic of Hitchcock this is not it, but if you are a fan of his then this is a movie not to be missed. I recommend this. Overall, the movie is good but Hopkins is great. I give it a B+.
Le saviez-vous
- AnecdotesScenes set in Sir Alfred Hitchcock's Paramount Pictures suite of offices were filmed in Hitchcock's actual office on that studio's lot.
- GaffesThe movie portrays principal photography and Alfred Hitchcock's office as being on Paramount Studios' backlot. In reality, as Psychose (1960) was the last picture the director would make under his contract with Paramount, by the time filming began his office, as well as the sets, had moved to his new studio, Universal.
- Citations
Alfred Hitchcock: I will never find a Hitchcock blonde as beautiful as you.
Alma Reville: Oh, Hitch. I've waited thirty years to hear you say that.
Alfred Hitchcock: And that my dear, is why they call me the Master of Suspense.
- Crédits fousAs Hitch addresses his audience at the end of the picture, he tells us that he is bereft of ideas for his next picture... then a large, black bird lands on his shoulder.
- ConnexionsFeatured in Maltin on Movies: Life of Pi (2012)
- Bandes originalesFuneral March of a Marionette
Written by Charles Gounod
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Hitchcock, el maestro del suspenso
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 700 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 6 008 677 $US
- Week-end de sortie aux États-Unis et au Canada
- 287 715 $US
- 25 nov. 2012
- Montant brut mondial
- 27 039 669 $US
- Durée
- 1h 38min(98 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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