George Carlin... It's Bad for Ya!

Very good special

The old man comedy part of the show was good very funny jokes, very "old man yells at cloud" jokes but i think it was meant to be like that. Bit more light hearted.

Then the God part of the special was a good reality check but to me i know so few amount of people around me that believes in god (I'm not american) that i found it a little bit less relatable but i'm pretty sure in 2008 that was very of it's time in the US.

Didn't felt like as much punch to the face like the last special. I'm a sucker for misanthropic humor. But he's the greatest so it's still miles ahead of what everybody is doing still to this day.

It might be a stretch saying this as a die-hard Carlin fan, but the material, both written and as performed, in It's Bad for Ya is some of the best late-era material yet. At 70 Carlin bounces back from the level of despair (and some of the stumbles in the act itself) from Life is Worth Losing to a special that is firmly structured but loose and playful- or as much as the "old f***" can get- and is continuously, ceaselessly, funny. And funny as in reminiscent of what some of us had going on when watching Back in Town or 'Diseased' the first time. The material, even if sounding at times a tinge of the previously done (i.e. the whole bit on children in school and camp like the Children segment in Diseased), is always fresh and with such a sting of truth to everything that it scalds the mind while (here goes) tickling the funny bone.

Going from the topic of death (how long to wait to scratch off a name from the book? six weeks, unless if on the computer scheduler), the facets of communication, looking down from Heaven, spots of God (naturally), kids, and just troublesome gestures involving hats in religion and if people really have "Rights" make up the bulk of the special, centered around the premise that what's bad for you, plain and simple, is BS. Total, complete BS, which as we also learn (or if you've really learned it you're like the kid waiting at the street corner for a week following dropped off not-quite randomly by the parent) holds the country together. Carlin isn't necessarily angry though, even if disdain seems to spout out at most turns, even just to observe how horrifying children's teeth coming in look. It's skepticism tinged with the feeling that everything is NOT going to be "fine".

What it comes down to is this: Carlin is to dirty, witty, cautionary stand-up comedy what Yoda is to Jedis everywhere, which is a small spark of hope via crystal clear wisdom in a world where it's pretty damn hard to get any. At the least, we get classic GC - outrageous lines and bits from the man's 13th (or is it 14th) comedy special, including as far as an eyebrow-raising observation on people who play Mozart music during a birth!

George Carlin is probably my favorite comedian. I have seen so many of his specials and even had the opportunity to see him perform live. He had a certain cynicism that always appealed to me. His last special (Life is Worth Losing) lacked spirit & more importantly, humor. George appeared overweight, old and tired (not to mention coming out of rehab). "I SAID NOT TO MENTION IT"! Anyway. Life is Worth Losing was especially tragic as he was overweight, disgruntled, coming off of rehab (there we go again...) and extremely unfunny. If there was a way to feel sorry for a comedian without heckling him off stage, George achieved it with Life is Worth Losing. It is as if the New Millennium and Post 9/11 America was trampling George's spirit. The bs had become too large to manage.

The comeback is partially successful with It's Bad for Ya! This special is the transmutation completed. George is no longer trying to rekindle his glory days. He is in full acceptance of his age, being old and dealing with the looming prospects of death. He has accepted being a crusty old SOB and is relishing in it. This is better than his previous specials, yet far from Jammin' in New York. It is a little tragic. His observations are not cutting edge anymore and seem more Andy Rooney than Lenny Bruce. George isn't George anymore. He is no longer criticizing us but is the man in the high castle pointing out how things were and how dissimilar modern life is.

This is an improvement over the previous two specials, but George does not, as of yet, recoup his old glory (if ever). He has been reduced from critical social and political stinging commentary to mostly personal peeves. When he goes political, he still has something to say. It is heavily derived (especially if you have seen any of his previous work), but it still works somehow, as opposed to his random rantings which lack a certain relevance outside of the baby boom generation. The last 25 minutes is the best this special has to offer.

For now I will worship the Sun and pray to Joe Pesci that George can recreate himself as a cutting edge septuagenarian. It's a 50/50 chance. Life seems to have become more tedious for George and his "art" is now his life. This is a step in the right direction from his previous 2 specials, but is far from his old self. Where does he go from here? He may never recoup but maybe he can further metamorphosing/refine this new ornery old man routine. Heres to hoping for 7 more words you can't say on TV or at least a windmill he can handle.

Same old tired worn out routine. The words, the rhymes, all done better before. All that's left is a mean nasty little guy without a funny bone in his body. Just an angry little man, on a last cash grab from his diehard fans. Time to rest in pieces, Gramps. Your funny moments are over.

My brother got me hooked on Carlin back in the 70s. I always loved his observational humor. That is, looking at every day things and finding the humor in it, like asking the question,"Have you ever tried to throw away an old waste basket? You can't do it! They keep bringing back to you!" And asking questions like why is the word kill more acceptable then the "F" word, while making prefect sense with the discussion.

However, during the 90s his stuff was less funny, and more angry. What he seemed to be doing was holding a mirror to society's face and say 'take a look!' At this point, his shows were less of a comedy show, and more of a gripe session. But in all fairness he always made a tremendous amount of sense. He really made you think.

Here was Carlin old and new. He starts out about the fun one could have by getting old, and later slamming the the state of the world. Again making perfect sense.

This was his best since "Jammin' in New York", and as it turns out his last.

I think what 'The Shootist' was to John Wayne, or 'A Prairie Home Companion' to Robert Altman, 'It's Bad For Ya' is to George Carlin. A fond farewell to a true great icon. Love him, or hate him, I think he will be remembered.