La nouvelle vie de Monsieur Horten

After 40 years working on the Norwegian railway Odd Horten is due to retire. His job has been his time and he is unsure what to do with his free time after leading such a conventional life. However, on the evening of his retirement party his life starts to become full of surprises and far less predictable.

He finds himself falling into amusing, unconventional, bizarre and awkward situations. His new life becomes filled with little adventures. Just as he was wondering what to do with his future after 40 years of routine were coming to an end, his eyes are opened to the variety of lives around him.

A slow, low key, dry and entertaining comedy.

What I most liked about "O'Horten" was the quiet likability of all the characters, and from the most staid to the most eccentric, characters they all are. It's almost as if Norwegians come from a different place than the rest of us.

We've seen lots of Swedish films over the decades, but these stoic Norwegians make the Swedes seem positively Mediterranean in comparison! The emotions expressed quietly - very quietly - in the film include love, respect, loyalty, and non-judgmental relationships between strangers. What's more, it's quietly funny! Of course, there is a bigger point, too; i.e., It's never too late.

Baard Owe, perfectly cast as Odd Horten, is wonderfully supported by a cast that includes Espen Skjonberg and Henny Moan. A quiet, captivating film.

Rhapsodic. Anti-climactic. Deadpan. Superbly lit, shot, and cut. Writer-director-producer Bent Hamer's unique blend of vision and attention to detail makes sure that everything fits in this gem of an art-house movie. It's uneventful and unprecedented at the same time. In the process of telling the story of Odd Horten's retirement, Bent Hamer paints an affectionate portrait of his quiet hero. We never know what's really going on in Odd Horten's mind, but we learn a great deal about him just from watching him go about his daily routine during his final days as an award-winning locomotive driver on the Oslo-Bergen express. Odd is a loving son, an early riser, a drinker of black coffee, a pipe smoker, a boat owner, a late-night sauna-goer. Late one night, on his way home, he meets Trygve, a schizophrenic inventor who likes to drive his Citroen with his eyes closed. What Trygve says of his brother is also true for Odd: He does things in his own way. The segment about Odd's exhausting attempt to pay a visit to his friend Flo, an airport worker, alone is worth the ticket. Great instrumental score by John Erik Kaada. Not for everyone, but if you like it odd, Odd is your man.

In Norway, the sixty-seven year-old train machinist Odd Horten (Bård Owe) retires after forty years of service. He receives a silver locomotive from his colleagues in a dinner party and loses his last trip. After the retirement, the plain Horten seems to be lost and wanders through Oslo, where he helps Trygve Sissener (Espen Skjønberg) and they become friends. When Trygve invites him to take a ride in his car, the driver dies and Horten takes his dog Molly and his pair of skies. Horten has never worn a pair of skies and he tries for the first time. Later he travels with Molly and meets his old friend Svea (Henny Moan).

"O' Horten" is a cold film about retirement in Norway. The story is weird and the behavior of the characters is strange for a Brazilian. When the cooker is arrested in the restaurant, nobody moves from their tables. When Mr. Horten forgets his silver train at the room, his colleagues send it by mail. These cold relationships are really unusual in my tropical country. My vote is six.

Title (Brazil): "Caro Sr. Horten"("Dear Mr. Horten")

I'm not certain if this is the first Norwegian film I've ever seen but, if it is, it's a wonderful beginning! I found the film to be utterly enchanting: Charming, quirky, eccentric, and delightful! The cinematography is flawless -- every frame was interesting to watch. The score is an absolute joy, fitting the film to perfection, yet never intruding or proclaiming itself.

I was deeply impressed by the natural, highly specific work done by the actors: They performed with great truth and honesty, saying more with a look or a gesture than they did with words.

I must confess to being something of a railroad lover -- so the inclusion of locomotives in the film was an added benefit. There is a strange dialectic between the freedom of travel and the limited mobility of trains that fits the characters and enriches the story.

So if you're the type who enjoys simple, direct, character-driven storytelling, this is the film for you. I look forward to seeing it again, and hope it will be released on DVD in the US soon!