Affecté par un divorce douloureux, John James décide de venir habiter seul avec ses deux enfants dans une ferme. Rapidement, il va remarquer un comportement étrange chez sa fille. Il suspect... Tout lireAffecté par un divorce douloureux, John James décide de venir habiter seul avec ses deux enfants dans une ferme. Rapidement, il va remarquer un comportement étrange chez sa fille. Il suspecte de proches sépultures d'en être la cause.Affecté par un divorce douloureux, John James décide de venir habiter seul avec ses deux enfants dans une ferme. Rapidement, il va remarquer un comportement étrange chez sa fille. Il suspecte de proches sépultures d'en être la cause.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Avis à la une
This movie is true to the short story it is based on with a good cinematic backdrop where the actors act, and everything isn't carried out on a blue/green screen. Costner's portrayal was very true to the actual character which, isn't that the point of having characters and using actors that can act.
In a genre that is quickly becoming based only on graphic, grotesque, shocking blood and gore sequences and predictable horror and grisly effects, this thriller is actually attractive for all the right reasons and should be enjoyed highly by those that appreciate true horror/thriller films as opposed to the blood soaked hacker/slasher movies that are being pumped out monthly.
Kevin Costner is writer John James, after a recent divorce moves to a rural home in South Carolina with his young son and his pubescent daughter. There is a strange large mound behind the house near the edge of the woods.
Soon his daughter starts acting and dressing strangely, ultimately it is tied something going on in the mound that she visits at night, coming home muddy.
The movie is moderately interesting, Costner is in good form playing the type of character he has often played. The ending is pretty strange, I can't honestly say exactly what happened to his daughter.
It can be an interesting diversion if you don't have anything else to watch.
Firstly I would say that the money spent on getting a top quality actor such as Kevin Costner was well spent...he grounded this movie with his laconic, home town American drawl & really pulled me into the emotional heart of this film. The class of Costner's performance was exhibited no more finely than in the scenes where he was desperately searching for answers to his fears...his acting critics, who have in the past accused him of being "wooden" (& much worse) should see this film & re-evaluate their opinions of this fine actor.
The children were also good & it was wonderful to see the great James Gammon in a quirky & pivotal supporting role.
Usually in this kind of film, the "bad guy" (for want of a better term) tends to end up some lame, crappy alien or a figment of the characters imagination & the ending lets down a strong set up & middle section. In "The New daughter" however, the screenplay is strong & quality right up to the very final few seconds which had me sitting back in my chair saying out loud..."NO WAY!"
I think Costner fans will rejoice at seeing this timeless American performer once again showing us the kind of less is better charisma the likes of which we haven't seen since the halcyon days of Steve McQueen & Paul Newman & the Costner detractors should swallow their pride & give him a chance...he may just surprise you.
7 out of 10.
Le saviez-vous
- AnecdotesBased on a short story from the horror anthology "Nocturnes" by John Connolly.
- GaffesJames and his contractor prepare a batch of ANFO (ammonium nitrate + fuel oil) to blow up the mound. This is a 'tertiary' explosive, which means you cannot set it off with fire. It would just burn. To set off the detonation, you need to explode a secondary explosive, like a stick of dynamite, which in turn needs to be set off with a primary explosive, like a blasting cap.
- Citations
[first lines]
John James: [driving up to their new house] There it is.
Sam James: Real big.
John James: Mm. Want to go in first?
Sam James: Really?
John James: I don't see why not.
[turning to his daughter in the car]
John James: Are you coming? So?
Louisa James: [sulking] So what?
John James: So what do you... what do you think?
Louisa James: You already know what I think.
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Détails
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut mondial
- 579 626 $US
- Durée1 heure 48 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1