Les noces rebelles

That 'Revolutionary Road' was directed by Sam Mendes (who directed the brilliant 'American Beauty' nine years earlier) and that it reunited two immensely talented actors Leonardo DiCaprio and Kate Winslet after 1997's 'Titanic' were reasons enough to see it.

'Revolutionary Road' may not be "revolutionary" and it is not perhaps a film that will be re-watched over and over by me. This said, there is so much to appreciate, there is no denying that it's incredibly well made and superbly acted. And to me and many others (though it is an understandably polarising film, the dark and unpleasant subject matter is not for everybody) it is a powerful and moving film, and one of the most realistic and truthful depictions of a struggling marriage on film.

Visually, 'Revolutionary Road' is wonderfully shot, bleak but also sumptuous, while the scenery and 50s production values are evocatively and handsomely rendered. Thomas Newman's music score is hauntingly hypnotic, achingly melancholic and at times ominous.

While at times stagy, the dialogue is insightful, making one really think about what it's saying (it has much to say and knows how to say it without preaching) and for many will wrench the gut and induce floods of tears. There is a little levity provided by Kathy Bates, that could have been ill-fitting but is pitched well. The story is deliberate, but the atmosphere is brilliantly evoked and there are many parts that have huge power and are emotionally devastating, especially in the latter parts.

Sam Mendes keeps things at an assured pace, keeps the atmosphere alive and doesn't undermine the chemistry between DiCaprio and Winslet in any way. DiCaprio and Winslet embody their roles, which are intentionally not the most likable, are very complex and very much compellingly real, and their chemistry is both tense and affecting. Winslet has the more complex one of the two and her performance is a heart-wrenching emotional roller-coaster, while DiCaprio gives an explosive turn especially in the fever pitch latter parts.

Michael Shannon proves himself to be a scene stealer as the brutally honest crazy nut, and Kathy Bates brings well-timed levity.

Overall, a powerful and moving film that is highly appreciated in many ways. 9/10 Bethany Cox

First, for the chemistry between Winslet and DiCaprio, Second - for the amazing performances of Kathy Bates and Michael Shannon. Not the last for the accuracy of recreated atmosphere. A splendid film because it seems escape out of script. And because it has the potential to be a film about its public. Each of us has dreams and regrets and desire of beginning. Each of us is confronted with decisions, responsabilities, duties. And the answer is not alwazs the best. So, a magnificent film about people, vulnerabilities, crisis and the cold solution.

Leonard DiCaprio and Kate Winslet star in "Revolutionary Road," a 2008 film directed by Sam Mendes. The film also features Kathy Bates and John Givings.

It's 1955. Frank and April Wheeler have been married seven years, live in the Connecticut suburb and have two children. Frank works for a company that his father worked for, and he hates his job. April is a stay-at-home mom who wanted to be an actress.

While it might look good on the outside, this isn't the life either one envisioned. But April has an idea. They have enough money saved so that they can move to Paris, a city Frank loves. She can get a job as a secretary, which pays very well over there, and Frank can stay at home and decide what he really wants to do with his life. It sounds possible but maybe not practical, though Frank ultimately agrees to it.

Frank can't seem to find the right moment to give his notice; and then April discovers that she is pregnant. What now? There are lots of layers in this emotionally resonant, magnificently acted film. It's very much a story of its time for several reasons. The first is that it's obvious that April suffers from very bad depression. Though post-war psychological problems were recognized, actual depression, especially in a woman, probably wasn't given much attention. It was the returning soldiers who had suffered trauma who had the psychiatric focus. If by some means she had been discovered to have clinical depression, the medicine was horrible.

The second thing is that it was 1955. The ideas of picking up and moving to Europe with your family and the woman as breadwinner were outrageous back then. Now, not so much.

The third reason is that April at least had an artist's mentality and an artist's way of looking at the world. In this world, we have the practical and the artist, as in the O'Neill play Beyond the Horizon, where one brother is a farmer and the other brother is a poet who dreams of going out to sea. The problem is, there's no way to kill those attributes, and if you try, you won't be happy. April shouldn't have been married, shouldn't have been living in the suburbs, and shouldn't have stayed home.

Frank is more practical, though he'd like to be different, would like to do something he loves, if only he knew what that was. April thought he was cosmopolitan, adventurous, and that together, they'd be special. The idea that they're not special is something she can't tolerate.

This is such a fascinating movie about life's disappointments, punctuated with some humor by Kathy Bates as Mrs. Givings, a loquacious woman, whose son (Michael Shannon) has been institutionalized. When he meets the Wheelers, he has an uncanny way of speaking exactly the truth no one wants to hear. Shannon does a fantastic job in these disturbing scenes.

A shattering movie. I like to be entertained in films. I feel like we all have so much to reality to face, why not be able to turn away from it - but a beautifully realized film like this about dysfunction - somehow, I don't mind.

A young couple living in 1950's suburbia think they are different from all the other families living the American Dream. Although, they soon find out that not every dream comes true and they fall exactly into the situations they didn't want to be in. Their marriage is falling apart, they have trouble raising their children and they want out of this lifestyle.

Sam Mendes is a filmmaker who knows exactly what he wants, which is why he would want to work on this film. Revolutionary Road is probably his least interesting film, story wise. After-all, it's just about two people who try to cope with their lives. There is no motivational plot to it, but the thing about this film is that it doesn't need one. We are getting a glimpse into the lives of two people who had big dreams and realized that they had to sacrifice them in order to live their lives. It's sad, but it also rings true.

The film stars Leonardo DiCaprio and Kate Winslet, as the married couple who constantly fight. Everyone called this film the "What If Jack and Rose Ended Up Together" movie. Yet it is so much more than that. They give powerful performances, which unfortunately were overlooked during the Oscar season. Another Titanic star, Kathy Bates, gives her support to the couple as the real estate agent who thinks the world of them. She has a son, who is mentally unstable and asks to bring him over for dinner one night. Michael Shannon plays the son and he steals both scenes he is in. For a guy who is deemed insane, he is the only one who speaks the truth.

I watched this flick because so many people told me how depressing it was. While it was depressing I didn't find it to be that bad. The most depressing aspect of the film is how relatable it is to real life. This story happens everywhere and that is the sad part.

The cinematography is great, the 1950's feel was spot on and really gave the film more of a cinematic sense of wonder to it. Roger Deakins seems to know exactly what is needed for every film he takes on. The look and feel of the film here is so simple, yet so beautiful at the same time.

Finally, I can see why people may not like this film. It's definitely an acquired taste. I was not in love with it by any means and for those involved it's not their best work. Instead it's a film to enjoy once. I wouldn't bother watching it again because the pace is long and I feel that I won't be as engaged a second time.

On a final note, why do guys from the 1950's only last about 15 seconds?

Having been a 50s housewife with children at home and a husband who wanted to be anywhere but there, this movie was familiar territory. How many of us in those years simply packed our dreams away for the immediate necessity of putting food on the table and paying the mortgage? Di Caprio is outstanding, as is Winslet, she having to deal with an American accent along with the tearing emotions. I didn't see that anyone picked up on the final scene, of Kathy Bates and her husband, but to me that was the whole moral of the story - here is where you will end up if you give in to what you know is not right for you. Overall, though, well done - except women in the 50s did NOT wear hats to work!!