Le mouchoir jaune

What starts out as what appears as just another road movie turns out to be three tales of inter generational angst. Brett Hanson is an ex convict that is on a mission to find his lost love. Martine is a 15 year old girl who is just discovering life,and Gordo is a 16 year old boy,who is kind of geeky,gawky & awkward around girls,but wants a girl friend in the worst way. When their lives intersect at a rest stop,the three hit the road,looking for their own adventures. Along the way, truths are revealed,tears are shed & (potential)friend ships are forged. William Hurt ('Kiss Of The Spider Woman','The Big Chill',and most recently,'End Game')is Brett,a man who tries to get by with few words as necessary,who carries a dark secret & has a mission in life. Maria Bello is his ex wife,May. Kristin Stewart (previously seen in 'Twilight',and 'New Moon',and soon to be seen as Joan Jett in 'The Runaways')is Martine,a girl who is looking for something better in life than what she's being offered,presently. Eddie Redmayne is Gordo, who first comes off as something of a jerk at first,but matures a little, (for his own good). India's own Udayan Prasad directs from a screenplay written by Erin Dignam,from a story by Pete Hamill. This is a slow moving film that has to work it's way into your system,but is worth the test of patients in the end. Rated PG-13 by the MPAA,this film contains brief sexual content,some rough language & brief outbursts of violence (but nothing bloody or gory)

Road trips in American film have often been flamboyant metaphors—Easy Rider and Thelma and Louise come quickly to mind. The Yellow Handkerchief will not be remembered so readily given its low-key, Southern slow delivery. Yet it has a subtle power to inform the Louisiana bayou landscape with meaning as three strangers embark by auto for destinations barely known.

Brett Hanson (William Hurt) has just been released from 6 years in prison for manslaughter. Ignorant of this fact is Martine (Kristen Stewart), a fifteen year-old runaway, who invites Brett to ride with her and Gordy (Eddie Redmayne), who is a stranger and a strange young man having the advantage of a convertible and enough cash for a trip that might end up in New Orleans.

Like a European film, Handkerchief takes it time to reveal character, meet a conflict and climax, and settle down to its title, which is unsubtly tied to the handkerchief and a pop tune about an ex-convict "comin' home." Hurt, one of America's finest actors, brings gravity and melancholy to a role that requires sorrow and redemption to ride along with hope. I hope he receives a well-deserved Oscar nod and the grand prize—think of Jeff Bridges' win for Crazy Heart, a more histrionic part than Hurt's understated torture.

While I'm still trying to warm up to Kristen Stewart as anything but a vampire lover of little acting range beyond a hesitating delivery, Maria Bello as May, Brett's love interest, is plain persuasive as the one who tries to understand and work with the eccentricities of Brett.

Of course, Katrina as family wrecker is quietly in the background, and because this is a story of the search for family, or "belonging to something," the hurricane informs every grasp for lost love as the vanished twin towers might do. If you want slow exposition that offers character development of the first order, then ride along with these three misfits to find a bit of yourself in the journey.

We saw this as part of a preview cinema club we belong to. And we're happy we did.

The Road Movie is one of Hollywood's long-standing (some would say overused) idioms. From It Happened One Night through Butch Cassidy, Bonnie & Clyde, and Thelma & Louise, to Little Miss Sunshine, good road movies can be a joy. Bad ones, though, are a major drag.

This is a GOOD road movie. Three things make it special. First, it's about three losers, or -- let's just say it -- weird people. None of these characters start out with much appeal (except Kristen Stewart's great looks), but each grows right in front of our eyes throughout the movie. By the end, we like and find ourselves rooting for each, for different reasons. (In this way, the film reminds me most of the wonderful Hackman/Pacino 1970s vehicle Scarecrow, a much under-appreciated film.)

Second, there is splendid acting throughout. Kristen Stewart is headed for stardom, William Hurt does justice to a role only Jeff Bridges could play as well (have we forgotten what a great actor he is?), and the most surprising piece, young British actor Eddie Redmayne, does a terrific turn as a strange kid with a car.

Third, there's the film's perspective, about tolerance, acceptance of things as they are, and forgiveness -- for loved ones and above all for ones self.

Watch it!

If you are planning on seeing this, DO! It is a bit slow but you will come to love the characters and their flaws. It is not average road-trip to self discovery it is more. The lead characters have a tense and fearful journey ahead. As they open themselves up to each other we see the story take a journey that reminds me of To Kill A Mockingbird as we see the film from two innocent teenagers points of view. The writing is sarcastic and not at all Hollywood flashy it is down to earth and heart warming. A truly uplifting story to all who to let your teenager nature over-run them for 2 hours. You just might believe there is a happy ending in life for everyone. You should watch this movie, it is not one to miss!!

There are movies, such as this and many others, that sometimes don't appeal to people do to the slowness of it all. Nonetheless, I was surprised to see the low rating that it received. The Yellow Handkerchief tells the touching story of three broken individuals, each with their own troubled past and lingering issues; who share one thing in common: the need to escape. The entire plot is centred around a long car journey, in which Martine (Kristen Stewart) and Gordy (Eddie Redmayne)slowly unravvel the mystery of Brett Hanson (Willian Hurt) an unhappy man, recently released from his sentence in prison. The movie is an Indie movie, and it does appear to be rather slow. The script isn't as chatty or invasive as the blockbuster movies we're used to, and there is a lot of scenery. But regardless, the theme of the movie is easy for people to relate to. You don't have to be a convict, or an abandoned child to understand it- the entire story, is about making mistakes. And eventually, the message becomes clearer: that the people who forgive you, and offer you a second chance, are those who love you the most. There are so many different ways to see this movie, that I will point out that that's only my interpretation. I highly recommend this movie, but only if you're in the mood for a more symbolic movie rather than fast paced; action packed thrillers..