The Love Hotel Girl

Lost Girls and Love Hotels is a drama thriller film based on the novel of the same name by Catherine Hanrahan. Starring Alexandra Daddario in the lead role, it tells a potentially intriguing story about one woman's fling with danger in the most slow moving and tedious way possible.

In Tokyo, Japan, American expatriate Margaret (Alexandra Daddario) teaches English pronunciation at a school for up-and-coming flight attendants. Margaret spends her nights with her friends Liam (Andrew Rothney) and Innes (Carice van Houten) wandering the streets of Tokyo getting drunk at bars and hooking up with random men at love hotels. One night, Margaret comes into contact with Kazu (Takehiro Hira), a high ranking member of the Yakuza and despite the latter due to be married soon, the two of them start a romantic relationship.

When done correctly, a film focusing around a forbidden romance can make for great entertainment. This is usually due to the escalating tension and that constant feeling of a startling revelation being what causes things to go wrong, or right in some rare instances. What "Lost Girls and Love Hotels" fails to understand is that there needs to be some kind of a draw for the audience to care about what is going on. At no point does the film ever attempt to make any of these characters even remotely interesting in what they do or what their motivations are. We are shown that the lead protagonist Margaret is in Japan because she wants to be as far away from home as possible, yet despite the plausible reasons she provides, it is difficult to feel any connection to her outside of mere surface-level sympathy. Likewise, her love interest Kazu is an infamous Yakuza member, of which are known for their brutality and strict code of conduct, but we never see him carrying out any activities related to the gang nor are we shown how much of a threat he can be. Instead, all of his actions are merely implied to the viewer, which defuses any explosive moments that could have made for a great story. In fact, if it weren't for the scenes that show him brandishing Yakuza tattoos all over his body, I may have forgotten he was even part of such an allegiance.

Director William Olsson was clearly going for a noir vibe when shooting this picture, both thematically and appearance wise. The cynical outlook on life that the two lead characters seem to share helped make their chemistry all the more believable as they passionately made love while the shadows of the dimly lit rooms provided modesty where necessary. In spite of this, none of these sex scenes were as impactful as they should have been, instead feeling like an awkward attempt at padding, and I put the blame on poor pacing decisions on the director's part. So many moments in this film either went nowhere or dragged on for an indiscernible amount of time, often causing me to lose interest. That's not to say his technique was entirely ineffective, as there were a couple of shots that showcase how large and immersive the city of Tokyo can be to a foreigner, but as mentioned earlier, it is hard to feel anything towards our protagonist if we don't care enough about them in the first place.

I give some credit to Alexandra Daddario for taking on a role like this, as it does seem like something of a step-up for her to be playing a character who isn't simply a beautiful woman with little to no personality. Her character does at least come across as educated in what she teaches, and during the first half I wanted her to succeed, but all of that changed when she started making foolish and reckless decisions in the name of love. Those longing to explore new horizons in a foreign land might find this relatable but I found frustrating to watch as she took a downward spiral thanks to the constant mistakes she was making. Additionally, Takehiro Hira felt underused as Kazu. Although this may have been done deliberately to keep his Yakuza associations a mystery, it still would have been nice to actually be shown just how dangerous he could be.

In conclusion, it's a shame that despite all of the potential being there that this film turned out to be such a disappointment. It seems like one of those times where the novel from which it was based on is likely much better than its film adaptation. Having never read the book, nor do I have any desire to do so, I'll just have to assume that to be the case and accept this for the mediocre story it is.

I rate it 4/10

If you are here just for the nudity, you may very well be dissapointed. Not because it doesn't exist (it does and quite plentyful), but because this is not what the movie emphasises. It is about an emotionally detached and broken character. To feel something - if you have to go extreme, that might not be a good sign.

Daddarios performance in this is quite mesmerizing for so many reasons. The movie has its flaws and issues, but she really gives it her all. The vulnerability on display, the emotional rollercoaster ... it may not be fun to watch (I'd actually say it is anything but), but it quite the performance she gifts us with. Add to that the other characters and while the plot may be predictable, the way it is shot and the performances help the movie immensly.

Not an easy drama and it may bug you and annoy you a few times, but this is meant to be - life is an adventure - some make it even harder on themselves, especially when their cries for help are not recognized ...

... actors don't always have options we non-actors think they might... some reviews chiding her for making this "not-so-great" movie... without knowing all particulars we shouldn't-can't do that

... she's worked on numerous productions throughout her career to date... there are those whose-project-names we all know, yet not so much of the category, placing her among the elite 'red-carpet'-crowd

... she's got talent for it, just for whatever reason hasn't happened that way for her... yet... at 37 she's not past more happening... she could carry a project, getting-'em is the issue... whatever she's a part, her sensual-being always-comes-through, maybe that's gotta change a bit... who's-her-agent.

A bleak and rather depressing film for the majority of the screen time, but the movie suffers from the lack of substance and convenient encounters to drive the story forward.

The problem I have for these type of films is it often do succeed in showing how low the human condition can reach, but there's no major theme or message after the fact. We see a woman spiraling down mentally and physically but other than showing it, the movie never goes deeper.

I guess it's kind of a cautionary tale. It's letting you know the obvious: humans are driven by goals, meaning, and a sense of belonging. If you have none of those, you might find yourself in the protagonist's shoes; desperately trying to find a connection and meaning, but mixing with the wrong crowd and habits.

Unfortunately, the conclusion leaves a lot to be desired and the movie as a whole feels like a missed opportunity.

Not only is alexandra probably the most beautiful woman in the world, but she is also an actress of extraordinary talent unfortunately very little known to the large audience, but in this film she gives an Oscar-winning interpretation, the character of Margaret is so intense, powerful, melancholy that remains etched in the memory. Alexandra is so great that even in moments of silence she manages to convey a myriad of emotions just with her gaze. Too bad the same cannot be said of the film, which is not as bad as some claim, but it could have been much better, the director cannot always keep the interest in what is happening , everything is just sketchy and if we exclude alexandra, the other actors as well as their characters are very flat, in return, the film has a beautiful photograph, with dark colors that actually fascinate. In conclusion, I consider this film only watchable, with a rating of 6, while the vote that Alexandra deserves is 10, immense actress, beautiful woman, the woman of my dreams that I hope to meet one day.